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The Oxford Dictionary of Quotations Preface

The Oxford Dictionary of Quotations Preface

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And in thy joyous errand reach the spot<br />

Where I made one—turn down an empty glass!<br />

‘<strong>The</strong> Rubáiyát <strong>of</strong> Omar Khayyám’ (1859) st. 75;<br />

‘And when like her, O Saki, you shall pass...<br />

And in your joyous errand reach the spot.’<br />

in 4th ed. (1879) st. 101<br />

Mrs Browning’s death is rather a relief to me, I must say: no more Aurora Leighs, thank God!<br />

A woman <strong>of</strong> real genius, I know; but what is the upshot <strong>of</strong> it all? She and her sex had better mind<br />

the kitchen and their children; and perhaps the poor: except in such things as little novels, they<br />

only devote themselves to what men do much better, leaving that which men do worse or not at<br />

all.<br />

Letter to W. H. Thompson, 15 July 1861.<br />

Taste is the feminine <strong>of</strong> genius.<br />

Letter to J. R. Lowell, October 1877<br />

6.34 F. Scott Fitzgerald 1896-1940<br />

Let me tell you about the very rich. <strong>The</strong>y are different from you and me.<br />

‘All the Sad Young Men’ (1926) ‘Rich Boy’, to which Ernest Hemingway replied, ‘Yes, they have more<br />

money’, in ‘Esquire’ August 1936 ‘<strong>The</strong> Snows <strong>of</strong> Kilimanjaro’<br />

<strong>The</strong> beautiful and damned.<br />

Title <strong>of</strong> novel (1922)<br />

No grand idea was ever born in a conference, but a lot <strong>of</strong> foolish ideas have died there.<br />

Edmund Wilson (ed.) ‘<strong>The</strong> Crack-Up’ (1945) ‘Note-Books E’<br />

Show me a hero and I will write you a tragedy.<br />

Edmund Wilson (ed.) ‘<strong>The</strong> Crack-Up’ (1945) ‘Note-Books E’<br />

In a real dark night <strong>of</strong> the soul it is always three o’clock in the morning.<br />

‘Esquire’ March 1936 ‘Handle with Care’; ‘dark night <strong>of</strong> the soul’ is a translation <strong>of</strong> the Spanish title <strong>of</strong> a<br />

work by St John <strong>of</strong> the Cross, known in English as ‘<strong>The</strong> Ascent <strong>of</strong> Mount Carmel’ (1578-80)<br />

In his blue gardens, men and girls came and went like moths among the whisperings and the<br />

champagne and the stars.<br />

‘<strong>The</strong> Great Gatsby’ (1925) ch. 3<br />

Her voice is full <strong>of</strong> money.<br />

‘<strong>The</strong> Great Gatsby’ (1925) ch. 7<br />

<strong>The</strong>y were careless people, Tom and Daisy—they smashed up things and creatures and then<br />

retreated back into their money or their vast carelessness, or whatever it was that kept them<br />

together, and let other people clean up the mess they had made.<br />

‘<strong>The</strong> Great Gatsby’ (1925) ch. 9<br />

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It<br />

eluded us then, but that’s no matter...So we beat on, boats against the current, borne back<br />

ceaselessly into the past.<br />

‘<strong>The</strong> Great Gatsby’ (1925) ch. 9

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