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The Oxford Dictionary of Quotations Preface

The Oxford Dictionary of Quotations Preface

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Anatomy is destiny.<br />

‘Gesammelte Schriften’ (1924) vol. 5, p. 210<br />

Vergleiche entscheiden nichts, das ist wahr, aber sie können machen, dass man sich heimischer<br />

fühlt.<br />

Analogies decide nothing, that is true, but they can make one feel more at home.<br />

‘Neue Folge der Vorlesungen zur Einführung in die Psychoanalyse’ (New Introductory Lectures on<br />

Psychoanalysis, 1933) ch. 31<br />

Wir sind so eingerichtet, dass wir nur den Kontrast intensiv geniessen können, den Zustand nur<br />

sehr wenig.<br />

We are so made, that we can only derive intense enjoyment from a contrast, and only very little<br />

from a state <strong>of</strong> things.<br />

‘Das Unbehagen in der Kultur’ (Civilization and its Discontents, 1930) ch. 2<br />

<strong>The</strong> great question that has never been answered and which I have not yet been able to answer,<br />

despite my thirty years <strong>of</strong> research into the feminine soul, is ‘What does a woman want?’<br />

Letter to Marie Bonaparte, in Ernest Jones ‘Sigmund Freud: Life and Work’ (1955) vol. 2, pt. 3, ch. 16<br />

6.86 Betty Friedan 1921—<br />

<strong>The</strong> problem that has no name—which is simply the fact that American women are kept from<br />

growing to their full human capacities.<br />

‘<strong>The</strong> Feminine Mystique’ (1963) ch. 14<br />

6.87 Max Frisch 1911—<br />

Technik...Kniff, die Welt so einzurichten, dass wir sie nicht erleben müssen.<br />

Technology...the knack <strong>of</strong> so arranging the world that we need not experience it.<br />

‘Homo Faber’ (1957) pt. 2<br />

6.88 Charles Frohman 1860-1915<br />

Why fear death? It is the most beautiful adventure in life.<br />

Last words before drowning in the ‘Lusitania’, 7 May 1915, in I. F. Marcosson and D. Frohman ‘Charles<br />

Frohman’ (1916) ch. 19.<br />

6.89 Erich Fromm 1900-80<br />

Man’s main task in life is to give birth to himself, to become what he potentially is. <strong>The</strong> most<br />

important product <strong>of</strong> his effort is his own personality.<br />

‘Man for Himself’ (1947) ch. 4<br />

In the nineteenth century the problem was that God is dead; in the twentieth century the<br />

problem is that man is dead. In the nineteenth century inhumanity meant cruelty; in the twentieth<br />

century it means schizoid self-alienation. <strong>The</strong> danger <strong>of</strong> the past was that men became slaves. <strong>The</strong><br />

danger <strong>of</strong> the future is that men may become robots.<br />

‘<strong>The</strong> Sane Society’ (1955) ch. 9

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