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The Oxford Dictionary of Quotations Preface

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<strong>The</strong> greatest pleasure I know, is to do a good action by stealth, and to have it found out by<br />

accident.<br />

‘Table Talk by the late Elia’ in ‘<strong>The</strong> Athenaeum’ 4 January 1834<br />

For thy sake, Tobacco, I<br />

Would do any thing but die.<br />

‘A Farewell to Tobacco’ l. 122<br />

Gone before<br />

To that unknown and silent shore.<br />

‘Hester’ (1803) st. 7<br />

I have had playmates, I have had companions,<br />

In my days <strong>of</strong> childhood, in my joyful school-days,—<br />

All, all are gone, the old familiar faces.<br />

‘<strong>The</strong> Old Familiar Faces’<br />

A child’s a plaything for an hour.<br />

‘Parental Recollections’ (1809); <strong>of</strong>ten attributed to Lamb’s sister Mary<br />

If ever I marry a wife,<br />

I’ll marry a landlord’s daughter,<br />

For then I may sit in the bar,<br />

And drink cold brandy and water.<br />

‘Written in a copy <strong>of</strong> Coelebs in Search <strong>of</strong> a Wife’<br />

If dirt were trumps, what hands you would hold!<br />

In Leigh Hunt ‘Lord Byron and his Contemporaries’ (1828) p. 299<br />

I do not [know the lady]; but damn her at a venture.<br />

In E. V. Lucas ‘Charles Lamb’ (1905) vol. 1, p. 320 n.<br />

<strong>The</strong> last breath he drew in he wished might be through a pipe and exhaled in a pun.<br />

‘<strong>The</strong> Diaries <strong>of</strong> William Charles Macready 1833-1851’ (ed. W. Toynbee, 1912) 9 January 1834<br />

I toiled after it, sir, as some men toil after virtue.<br />

On being asked ‘how he had acquired his power <strong>of</strong> smoking at such a rate’, in Thomas Noon Talfourd<br />

‘Memoirs <strong>of</strong> Charles Lamb’ (1892) p. 262<br />

12.12 Constant Lambert 1905-51<br />

<strong>The</strong> whole trouble with a folk song is that once you have played it through there is nothing<br />

much you can do except play it over again and play it rather louder.<br />

‘Music Ho!’ (1934) ch. 3<br />

<strong>The</strong> average English critic is a don manquè, hopelessly parochial when not exaggeratedly<br />

teutonophile, over whose desk must surely hang the motto (presumably in Gothic lettering)<br />

‘Above all no enthusiasm’.<br />

‘Opera’ December 1950<br />

12.13 John George Lambton (first Earl <strong>of</strong> Durham) 1792-1840

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