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The Oxford Dictionary of Quotations Preface

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eneficed clergyman and need not commit himself to any religious belief.<br />

‘Decline and Fall’ (1928) pt. 2, ch. 4<br />

I came to the conclusion many years ago that almost all crime is due to the repressed desire for<br />

aesthetic expression.<br />

‘Decline and Fall’ (1928) pt. 3, ch. 1<br />

Any one who has been to an English public school will always feel comparatively at home in<br />

prison. It is the people brought up in the gay intimacy <strong>of</strong> the slums, Paul learned, who find prison<br />

so soul-destroying.<br />

‘Decline and Fall’ (1928) pt. 3, ch. 4<br />

You never find an Englishman among the under-dogs—except in England, <strong>of</strong> course.<br />

‘<strong>The</strong> Loved One’ (1948) ch. 1<br />

In the dying world I come from quotation is a national vice. No one would think <strong>of</strong> making an<br />

after-dinner speech without the help <strong>of</strong> poetry. It used to be the classics, now it’s lyric verse.<br />

‘<strong>The</strong> Loved One’ (1948) ch. 9<br />

‘<strong>The</strong> Beast stands for strong mutually antagonistic governments everywhere,’ he [Lord<br />

Copper] said. ‘Self-sufficiency at home, self-assertion abroad.’<br />

‘Scoop’ (1938) bk. 1, ch. 1<br />

Mr Salter’s side <strong>of</strong> the conversation was limited to expressions <strong>of</strong> assent.<br />

When Lord Copper was right, he said, ‘Definitely, Lord Copper’; when he was wrong, ‘Up to a<br />

point’.<br />

‘Scoop’ (1938) bk. 1, ch. 1<br />

‘He [Boot]’s supposed to have a particularly high-class style: ‘Feather-footed through the<br />

plashy fen passes the questing vole’...would that be it?’ ‘Yes,’ said the Managing Editor. ‘That<br />

must be good style.’<br />

‘Scoop’ (1938) bk. 1, ch. 1<br />

News is what a chap who doesn’t care much about anything wants to read.<br />

And it’s only news until he’s read it. After that it’s dead.<br />

‘Scoop’ (1938) bk. 1, ch. 5<br />

‘I will not stand for being called a woman in my own house,’ she [Mrs Earl Russell Jackson]<br />

said.<br />

‘Scoop’ (1938) bk. 2, ch. 1<br />

Other nations use ‘force’; we Britons alone use ‘Might’.<br />

‘Scoop’ (1938) bk. 2, ch. 5<br />

All this fuss about sleeping together. For physical pleasure I’d sooner go to my dentist any day.<br />

‘Vile Bodies’ (1930) ch. 6<br />

Lady Peabury was in the morning room reading a novel; early training gave a guilty spice to<br />

this recreation, for she had been brought up to believe that to read a novel before luncheon was<br />

one <strong>of</strong> the gravest sins it was possible for a gentlewoman to commit.<br />

‘Work Suspended’ (1942) ‘An Englishman’s Home’<br />

Punctuality is the virtue <strong>of</strong> the bored.

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