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The Oxford Dictionary of Quotations Preface

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<strong>The</strong>y die not,—for their life was death,—but cease;<br />

And round their narrow lips the mould falls close.<br />

‘<strong>The</strong> House <strong>of</strong> Life’ (1881) pt. 2 ‘<strong>The</strong> Choice’<br />

I do not see them here; but after death<br />

God knows I know the faces I shall see,<br />

Each one a murdered self, with low last breath.<br />

‘I am thyself,—what hast thou done to me?’<br />

‘And I—and I—thyself,’ (lo! each one saith,)<br />

‘And thou thyself to all eternity!’<br />

‘<strong>The</strong> House <strong>of</strong> Life’ (1881) pt. 2 ‘Lost Days’<br />

Give honour unto Luke Evangelist;<br />

For he it was (the aged legends say)<br />

Who first taught Art to fold her hands and pray.<br />

‘<strong>The</strong> House <strong>of</strong> Life’ (1881) pt. 2 ‘Old and New Art’<br />

When vain desire at last and vain regret<br />

Go hand in hand to death, and all is vain,<br />

What shall assuage the unforgotten pain<br />

And teach the unforgetful to forget?<br />

‘<strong>The</strong> House <strong>of</strong> Life’ (1881) pt. 2 ‘<strong>The</strong> One Hope’<br />

Look in my face; my name is Might-have-been;<br />

I am also called No-more, Too-late, Farewell.<br />

‘<strong>The</strong> House <strong>of</strong> Life’ (1881) pt. 2 ‘A Superscription’<br />

Sleepless with cold commemorative eyes.<br />

‘<strong>The</strong> House <strong>of</strong> Life’ (1881) pt. 2 ‘A Superscription’<br />

Unto the man <strong>of</strong> yearning thought<br />

And aspiration, to do nought<br />

Is in itself almost an act.<br />

‘Soothsay’ st. 10<br />

I have been here before,<br />

But when or how I cannot tell:<br />

I know the grass beyond the door,<br />

<strong>The</strong> sweet keen smell,<br />

<strong>The</strong> sighing sound, the lights around the shore.<br />

‘Sudden Light’<br />

6.84 Gioacchino Rossini 1792-1868<br />

Monsieur Wagner a de beaux moments, mais de mauvais quart d’heures.<br />

Wagner has lovely moments but awful quarters <strong>of</strong> an hour.<br />

Said to Emile Naumann, April 1867, in Naumann ‘Italienische Tondichter’ (1883) 4, 541

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