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The Oxford Dictionary of Quotations Preface

The Oxford Dictionary of Quotations Preface

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And that has made all the difference.<br />

‘<strong>The</strong> Road Not Taken’ (1916)<br />

We dance round in a ring and suppose,<br />

But the Secret sits in the middle and knows.<br />

‘<strong>The</strong> Secret Sits’ (1942)<br />

I’ve broken Anne <strong>of</strong> gathering bouquets.<br />

It’s not fair to the child. It can’t be helped though:<br />

Pressed into service means pressed out <strong>of</strong> shape.<br />

‘<strong>The</strong> Self-Seeker’ (1914)<br />

Len says one steady pull more ought to do it.<br />

He says the best way out is always through.<br />

‘A Servant to Servants’ (1914)<br />

<strong>The</strong> woods are lovely, dark and deep.<br />

But I have promises to keep,<br />

And miles to go before I sleep,<br />

And miles to go before I sleep.<br />

‘Stopping by Woods on a Snowy Evening’ (1923)<br />

It should be <strong>of</strong> the pleasure <strong>of</strong> a poem itself to tell how it can. <strong>The</strong> figure a poem makes. It<br />

begins in delight and ends in wisdom. <strong>The</strong> figure is the same as for love.<br />

‘Collected Poems’ (1939) ‘<strong>The</strong> Figure a Poem Makes’<br />

No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the<br />

reader.<br />

‘Collected Poems’ (1939) ‘<strong>The</strong> Figure a Poem Makes’<br />

Like a piece <strong>of</strong> ice on a hot stove the poem must ride on its own melting. A poem may be<br />

worked over once it is in being, but may not be worried into being.<br />

‘Collected Poems’ (1939) ‘<strong>The</strong> Figure a Poem Makes’<br />

I’d as soon write free verse as play tennis with the net down.<br />

In Edward Lathem ‘Interviews with Robert Frost’ (1966) p. 203<br />

Poetry is a way <strong>of</strong> taking life by the throat.<br />

In Elizabeth S. Sergeant ‘Robert Frost: the Trial by Existence’ (1960) ch. 18<br />

Poetry is what is lost in translation. It is also what is lost in interpretation.<br />

In Louis Untermeyer ‘Robert Frost: a Backward Look’ (1964) p. 18<br />

6.91 Christopher Fry 1907—<br />

<strong>The</strong> dark is light enough.<br />

Title <strong>of</strong> play (1954)<br />

What after all<br />

Is a halo? It’s only one more thing to keep clean.<br />

‘<strong>The</strong> Lady’s not for Burning’ (1949) act 1<br />

What is <strong>of</strong>ficial

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