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The Oxford Dictionary of Quotations Preface

The Oxford Dictionary of Quotations Preface

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final touch,—short, bleak and inhuman: Wragg is in custody. <strong>The</strong> sex lost in the confusion <strong>of</strong> our<br />

unrivalled happiness; or (shall I say?) the superfluous Christian name lopped <strong>of</strong>f by the<br />

straightforward vigour <strong>of</strong> our old Anglo-Saxon breed!<br />

Prompted by a newspaper report <strong>of</strong> the murder <strong>of</strong> her illegitimate child by a girl named Wragg; ‘Essays in<br />

Criticism’ First Series (1865) ‘<strong>The</strong> Function <strong>of</strong> Criticism at the Present Time’<br />

I am bound by my own definition <strong>of</strong> criticism: a disinterested endeavour to learn and propagate<br />

the best that is known and thought in the world.<br />

‘Essays in Criticism’ First Series (1865) ‘<strong>The</strong> Function <strong>of</strong> Criticism at the Present Time’<br />

Philistinism!—We have not the expression in English. Perhaps we have not the word because<br />

we have so much <strong>of</strong> the thing.<br />

‘Essays in Criticism’ First Series (1865) ‘Heinrich Heine’<br />

<strong>The</strong> great apostle <strong>of</strong> the Philistines, Lord Macaulay.<br />

‘Essays in Criticism’ First Series (1865) ‘Joubert’<br />

<strong>The</strong> absence, in this country, <strong>of</strong> any force <strong>of</strong> educated literary and scientific opinion.<br />

‘Essays in Criticism’ First Series (1865) ‘<strong>The</strong> Literary Influence <strong>of</strong> Academies’<br />

In poetry, no less than in life, he is ‘a beautiful and ineffectual angel, beating in the void his<br />

luminous wings in vain’.<br />

‘Essays in Criticism’ Second Series (1888) ‘Shelley’; Arnold is quoting from his own essay on Byron in the<br />

same work.<br />

More and more mankind will discover that we have to turn to poetry to interpret life for us, to<br />

console us, to sustain us. Without poetry our science will appear incomplete; and most <strong>of</strong> what<br />

now passes for religion and philosophy will be replaced by poetry.<br />

‘Essays in Criticism’ Second Series (1888) ‘<strong>The</strong> Study <strong>of</strong> Poetry’<br />

<strong>The</strong> difference between genuine poetry and the poetry <strong>of</strong> Dryden, Pope, and all their school, is<br />

briefly this: their poetry is conceived and composed in their wits, genuine poetry is conceived and<br />

composed in the soul.<br />

‘Essays in Criticism’ Second Series (1888) ‘Thomas Gray’<br />

Poetry is at bottom a criticism <strong>of</strong> life.<br />

‘Essays in Criticism’ Second Series (1888) ‘Wordsworth’<br />

His expression may <strong>of</strong>ten be called bald...but it is bald as the bare mountain tops are bald, with<br />

a baldness full <strong>of</strong> grandeur.<br />

‘Wordsworth’ in ‘Essays in Criticism’ Second Series (1888)<br />

I am past thirty, and three parts iced over.<br />

Howard Foster Lowry (ed.) ‘<strong>The</strong> Letters <strong>of</strong> Matthew Arnold to Arthur Hugh Clough’ (1932) 12 February<br />

1853<br />

Culture, the acquainting ourselves with the best that has been known and said in the world, and<br />

thus with the history <strong>of</strong> the human spirit.<br />

‘Literature and Dogma’ (1873) preface<br />

Terms like grace, new birth, justification...terms, in short, which with<br />

St Paul are literary terms, theologians have employed as if they were scientific terms.

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