The Oxford Dictionary of Quotations Preface

what the imagination seizes as beauty must be truth—whether it existed before or not.
Letter to Benjamin Bailey, 22 November 1817, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol.
1, p. 184.
I have never yet been able to perceive how anything can be known for truth by consecutive
reasoning—and yet it must be.
Letter to Benjamin Bailey, 22 November 1817, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol.
1, p. 185
O for a life of sensations rather than of thoughts!
Letter to Benjamin Bailey, 22 November 1817, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol.
1, p. 185
The excellence of every art is its intensity, capable of making all disagreeables evaporate, from
their being in close relationship with beauty and truth.
Letter to George and Thomas Keats, 21 December 1817, in H. E. Rollins (ed.) ‘The Letters of John
Keats’ (1958) vol. 1, p. 192
Negative Capability, that is when man is capable of being in uncertainties, mysteries, doubts,
without any irritable reaching after fact and reason—Coleridge, for instance, would let go by a
fine isolated verisimilitude caught from the penetralium of mystery, from being incapable of
remaining content with half knowledge.
Letter to George and Thomas Keats, 21 December 1817, in H. E. Rollins (ed.) ‘The Letters of John
Keats’ (1958) vol. 1, p. 194
There is nothing stable in the world—uproar’s your only music.
Letter to George and Thomas Keats, 13 January 1818, in H. E. Rollins (ed.) ‘The Letters of John
Keats’ (1958) vol. 1, p. 204
For the sake of a few fine imaginative or domestic passages, are we to be bullied into a certain
philosophy engendered in the whims of an egotist?
Letter to J. H. Reynolds, 3 February 1818, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol. 1, p.
223; on the overbearing influence of Wordsworth upon his contemporaries
We hate poetry that has a palpable design upon us—and if we do not agree, seems to put its
hand in its breeches pocket. Poetry should be great and unobtrusive, a thing which enters into
one’s soul, and does not startle it or amaze it with itself, but with its subject.
Letter to J. H. Reynolds, 3 February 1818, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol. 1, p.
224
Poetry should surprise by a fine excess, and not by singularity—it should strike the reader as a
wording of his own highest thoughts, and appear almost a remembrance.
Letter to John Taylor, 27 February 1818, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol. 1, p.
238
Its [poetry’s] touches of beauty should never be half way, thereby making the reader
breathless, instead of content...If poetry comes not as naturally as the leaves to a tree it had better
not come at all.
Letter to John Taylor, 27 February 1818, in H. E. Rollins (ed.) ‘The Letters of John Keats’ (1958) vol. 1, p.
238