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HEINRICH HEINE - Repositories

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^'nttoiiuction.<br />

popular poetry. Thus in Heine's poetry,<br />

too, one perpetually blends the impression<br />

of French modernism and clearness,<br />

with that of German sentiment and<br />

fulness; and to give this blended impression<br />

is, as I have said, Heine's great<br />

characteristic. To feel it, one must read<br />

him; he gives it in his form as well as<br />

in his contents, and by translation I can<br />

only reproduce it so far as his contents<br />

give it. But even the contents of many<br />

of his poems are capable of giving a<br />

certain sense of it. Here, for instance,<br />

is a poem in which he makes his profession<br />

of faith to an innocent beautiful<br />

soul, a sort of Gretchen, the child of<br />

some simple mining people having their<br />

hut among the pines at the foot of the<br />

Hartz Mountains, who reproaches him<br />

with not holding the old articles of<br />

the Christian creed : —<br />

"Ah, my child, while I was yet a<br />

little boy, while I yet sate upon my<br />

mother's knee, I believed in God the<br />

Father, who rules up there in Heaven,<br />

good and great;<br />

"Who created the beautiful earth,<br />

and the beautiful men and women<br />

thereon; who ordained for sun, moon,<br />

and stars their courses.<br />

" When I got bigger, my child, I comprehended<br />

yet a great deal more than<br />

this, and comprehended, and grew intelligent<br />

; and I believe on the Son also;<br />

"On the beloved Son, who loved us,<br />

and revealed love to us; and, for his

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