HEINRICH HEINE - Repositories

Heinrich Heine
his imagination, his power of writing were declining;
his originality of speculation was degenerating
into mere paradox or audacious impiety, his strength
and freshness of style into fantastic or startling impudence
of expression, his pathos into a prolonged
whine, his humor into convulsive and almost demoniacal
grimaces.^
If the publication of Travel Sketches was capable
of stirring up such violent antagonism as has just
been noted, it is not difficult to guess at the reactions
of the English press to the more spectacular and
sensational doctrines promulgated in Heine's essays
on German philosophy, religion, and literature —
essays which the Athenaeum had refused to print
but which appeared in French organs in 1834 and
then in book form in 1835 under the title De VAllemagne.
Blackwood's Magazine in September, 1835, coupled
Heine with Borne and with Joel Jacoby as
the chief representatives of the modern German
School of Irony, whose founder was Jean Paul. All
three possessed playful fancy, passionate enthusiasm,
deep feeling, wild wit, but they fell short of
their prototype in literary quality, in brilliancy, and
raciness. Borne and Heine were Siamese twins, the
two most hyper-ultra-revolutionists of all existing
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