HEINRICH HEINE - Repositories

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Heinrich Heine who was dying in an obscure Paris lodging and who amidst acutest torments still dreamed romantic dreams and still delighted mankind with his incomparable humor. Fane's translations of fifty-seven poems by Heine are practically unknown. They were originally printed in 1854 in a limited edition for his friends. They were revised after this printing, partly as a result of Lord Houghton's criticisms, and would probably have been included in the biography of Heine planned by Fane but never completed. Robert Lytton incorporated these revised and improved versions in his book, Julian Fane. A Memoir, which appeared in 1871, and these gems have been quietly reposing in this rare volume, while poorer translations have been read and sung by several generations of Englishmen and Americans. Fane was an excellent German scholar. Not a single subtlety of Heine's lyricism escaped him. Furthermore, Fane was a gifted musician and a composer of music. His translations, pleasant to the ear, would be a delight for singers. Finally, Fane never interposed his own personality in his renderings. He never tried to improve upon Heine but rather sought to reproduce the original in idiomatic English. Because of his fine poetic [46]
Martyr of Montmartre taste and his facility of expression, he succeeded more often than any of his contemporaries. Among the Early Victorians, only Richard Monckton Milnes, Lord Houghton, could boast of translations of equally fine worth. This older friend of Julian Fane, however, selected different poems and took greater liberties with the original. The interest of Milnes in Heine went back to the year 1840 and remained undiminished throughout the following decades. Like Juhan Fane, he too treated the Tannhauser legend, but his version is uninfluenced by Wagner and derives its inspiration mainly from Heine. Its very title. The Goddess Venus in the Middle Ages, is evidence of this influence. It appeared in 1844, four years after Milnes had made Heine's acquaintance in Paris. That both poets had a high opinion of each other can be deduced from articles on Heine written by Milnes in the Edinburgh Review of July, 1856, and in the Academy of March 4, 1876, as well as from a letter written by Heine to Lady Duff- Gordon not long before his death. This lady had introduced the young Englishman to the poet and, as Heine on his mattress-grave recalled the pleasant impressions produced by his English visitors, he regretted his early vitriolic comments on Eng- [47]
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HEINRICH HEINE ôemd. ^ ^€i/Ka€
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Copyright 1947, Hartsdalc House, In
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HOMEWARD BOUNI D SONGS TO SERAPHINE
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Heinrich Heine Harry Heine, as he w
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eneadi my dignity and a taint upon
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a harsh criticism, to much severe c
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such a man as Heine every career th
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and the fierce spirit of vindictive
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tender and constant as it had been
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named me in healthier days. I am no
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« ^ < 'la^Û ^
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In fond delusion once I left thy si
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With casements closed, and everywhe
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Donna Clara In the evening through
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Myriad snowy flakes of blossoms She
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"Hark, they summon me, my darling.
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"Donna Clara! Laugh, be merry, For
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Gallant knights and noble ladies. I
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And the dance begins already, Gaily
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"In the name of God, begone then!"
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Tannhauser A Legend Good Christians
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"Come! to my chamber let us go; Our
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% In Rome, in Rome, in the holy tow
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"As the butterfly flutters anigh a
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"Oh, holy Father, Pope Urban, Who c
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She gave him broth, she gave him br
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In the Underworld "O to be a bachel
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Whilst their grievance each is vent
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"Closed those shadowy fields are ev
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Not a harvest dance without her. Sh
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The Vale of Tears The night wind th
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Solomon Dumb are the trumpets, cymb
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Song Oft in galleries of art Thou h
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"Oh, I will kiss them, Henry, Kiss
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ong Death comes, and now must I mak
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To Frederika Varnhagen von Ense, Th
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I know not what spell is o'er me, T
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My heart, my heart is heavy, Though
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In tears through the woods I wander
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The beautiful spinner weepeth, And
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And I lisped congratulations. And b
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We spake of storm and shipwreck. Th
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The moon is up, and brightly Beams
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II All in gray clouds closely muffl
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»3 The storm for a dance is piping
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Paler, the moon is growing Through
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i6 The sea outspreading glorious. I
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:8 Upon the far horizon Like a pict
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20 I tread the dear familiar path.
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22 The quiet night broods over roof
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The maiden sleeps in her chamber, W
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25 I gazed upon her portrait. While
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The years are coming and going. Who
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*9 What means this lonely tear-drop
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Then yawns the eldest daughter, "I
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3^ They think my heart is breaking.
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34 "Did she ne'er express compassio
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36 And when I lamented my cruel lot
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His favorite poet is still Fouque;
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39 Three holy kings from the land o
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After her health we inquired Gravel
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42 As the moon with splendor pierce
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43 In a dream I saw my sweetheart,
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44 "Dearest friend, what may it pro
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46 ime that, more sober and serious
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48 Heart, my heart, oh, be not shak
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5° Child, I must be very careful.
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5* Maiden with the lips of scarlet,
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54 Some to Mary bend the knee, Othe
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56 Dearest friend, thou art in love
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58 Sapphires are those eyes of thin
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6o Our life and the world have too
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62 To-night they give a party, The
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64 Thou hast diamonds, and pearls a
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(£ They gave me advice, they couns
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How delightfully refreshing Now-a-d
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"Within the college seek him not. B
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The poets are in ecstasies At such
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70 Oh, to be chased from lovely lip
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72 Lord knows where the reckless cr
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"And if a lonely lover Who sings of
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75 Upon thy snow-white shoulders I
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11 I, too, in my youth did languish
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79 Yes, they are the self-same eyes
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8i But the eunuchs still complained
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83 Next to me lives Don Henriquez,
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85 Lo, on the mountains the sunbeam
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8? Dusky summer-eve declineth Over
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89 Death is like the balmy night. L
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e W'
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Over all the quiet sea-shore Shadow
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In moonlit splendor rests the sea.
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How enviously the sea-mew Looks aft
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There we two sat as high as heaven.
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Gray night broods above the ocean.
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lO Shadow-love and shadow-kisses. L
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12 My ship sails forth with sable s
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H The roaring waves press onward To
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The waves gleam in the sunshine. Th
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Though thou wert fain to pass me qu
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From the slightest of emotions, Wha
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I closed my sweetheart's either eye
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8 Whilst I, after other people's. O
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lO This mad carnival of loving, Thi
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Spring Festival This is the spring-
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The Asra Daily the fair Sultan's da
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ong There stands a lonely pine-tree
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To Frederick Merckel The Pictures o
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And as a coronation mantle, I hang
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J Sunset The glowing red sun descen
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And in her anguish fain would call
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Where his feet fall Sparks are scat
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^ Poseidon The sunbeams played Upon
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Thus exclaimed Poseidon, And plunge
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And with a mighty hand, from the No
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Yonder myriad stars the eyes are Of
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Thine arm is short and the sky is f
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O sea. Thou mother of beauty, of th
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Cal m Calm at sea! The sunbeams fli
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lo An Apparition in the Sea I howev
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And I know thee, thou poor, forsake
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12 Peace High in heaven stood the s
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Of thy lofty protectress. And haste
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All hail to thee, thou Eternal Sea!
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And from the fair barbarians of the
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The trembling soul of the ship; And
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Her slender, cypress-like form Is s
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Universally beloved, universally ad
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5 The Song of the Oceanides 'Tis ni
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Loud roared the billows. And deep f
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6 The Gods of Greece Full-blooming
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Thou seemest to me a goddess-corpse
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7 The Phoenix A bird comes flying o
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8 Question By the sea, by the desol
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Meanwhile the ship wrestles With th
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lo In Port Happy the man who has re
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Decked with gold and arrayed in pur
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HEINE.
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Edited by NEWELL DUNBAR HEINRICH HE
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EDITOR'S PREFACE. THE reading publi
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Ûn^tvation^. PAGE HEINE IN 1827 .
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Vlll €ontattie?* \'RTOR III GO TH
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€ontentier* THE POWER OI- WOMEN .
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xn Contrntief. PERFECT HAPPINESS TH
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XIV 4rontentie(* THE POET'S IMPARTI
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The spirit of the woild Belioklinf^
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xvi S^ntrotiuction, in discharging
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xviii ^Tntrotiuction, Avhich of Goe
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XX SFntrobuctioit, task of dissolut
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xxii 5ntrot»uction» whose revolut
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^'ntrotmttton. xxlii Efforts have b
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3Pntrotiuction, xxv cause it was pr
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S'nttOtniCttOtU xxvii and he shows
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S^ntroliuction* xxix and courtiers
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^Tntrotiuction. xxxi "' Am I then r
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^Fntrotjuctiom xxxiii went on compo
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Itootmtttott. XXXV his subject-matt
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STntroductton. xxxvli mon school-bo
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S'ntrotiuctton. xxxix but their ind
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^Fntrotiuctton, xll France Heine jo
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^Fntroliuction. xliil people of gen
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3FntroDuction» xlv reward, as alwa
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3^ntrotmctiom xlvii they crouched i
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3^ntrotiuction» xllx and politely
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^Fntrotiuction* whom he conquers th
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^Fntrobuction* liii all the scatter
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S^ntroDuction, Iv entertaining hers
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3Fntrotiu(tion« Ivii (and posterit
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WIT, WISDOM, POETRY.
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êine* none is so trusty as the tru
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Iêine* That I might love embrace r
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Iêine, thoughts, with which the sp
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8 êim. PHILOSOPHY AND REVOLUTION.
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lo ijeine. which indeed is almost i
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12 ^tine. though the learning of it
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14 i$tmt. I always told thee I shou
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16 f^tint. THE COMING FRAY. The mus
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18 iêine* VICTOR HUGO. Victor Hugo
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20 i^cine. Who twines in one wreath
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22 i$tmt. Plucks from His head the
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24 Jêine, SHAKESPEARE. Generous Na
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26 iêtne. CHRIST. Christ is the Go
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28 lêtne* THE DELIGHT OF LIVING. L
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30 f^tint. After her health we aske
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32 ^tint. in these sat the damned,
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34 "l^tmt. ENGLAND S UPPER TEN. Yes
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36 iêine. That outpost is abandone
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iêine* zi JEWISH RELIGION AND RACE
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^dnt. 39 like a great German tom-ca
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Jpeine, 41 til they have a beard, a
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iême* 43 He sees na the black rock
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^tint. 45 When I see the amorous fl
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Iêtne* 47 Grete and Hans were wed
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iêine, 49 THE EASTERN QUESTION. Th
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^tmt. 51 MARTIN LUTHER. How shall I
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ipeine. 53 wine is always exquisite
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Jême^ 55 FRENCH POLITENESS. Sweet
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^me, s7 MEN OF THOUGHT AND MEN OF A
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^tmt. 59 '• When frosts set in,"
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Iêtne* 6\ SUPREMACY OF LOVE. Now,
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Iêine* 63 BIMIXI. Who's with me fo
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^tint. 65 of cmel tenderness, she k
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1$tm. 67 GERMAN PHILOSOPHY. German
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Jêine, 69 He speaks the exorcism d
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a^dnt. 71 A RESURRECTION DREAM. Nig
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iêine, TZ LONGEVITY OF GERMAN POTE
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1$eim. 75 GREAT MEN. As the stars a
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MATHILDE HEINE.
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78 i$tmt. IN THE HARBOR. Happy is h
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8o Jêine, TEMPTATION Cleopatra is
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82 Jêhtf, HEINE AND ROMAN CATHOLIC
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$4 iêtne. POETIC THRIFT. "Worthy f
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86 êint. . TAKE HEART. Heart, my h
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88 lêine.
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90 Iêine* THE FUTURE. The future s
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92 Jêine* SWEET DELUSION. Ah, what
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94 lême. A MEETING. All under the
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96 iêine* MYSTERY OF THE JEWS. The
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98 ^dnt. BRITISH MISSIONS. They exp
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loo iêine» THE POETS HEART. The B
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I02 i$tim. THE FAIRIES. The waves t
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I04 Jême* PROTESTANTISM. At an ear
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io6 iêine. OCCIDENTAL ORIENTALIZAT
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io8 iêim. THE MINOR UNDERTONE. The
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no ^tint. THE POET'S IMPARTIALITY.
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112 1$dm. SCHILLER. The living spir
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114 lêine* FRENCH AND GERMAN PATRI
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ii6 iêtne* A SUPPLICATION, A star
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ii8 êine* SHEPHERD AND LAMB. 0 lit
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120 Jême* QUESTIONS. Beside the se
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iêine* 121 CHIVALRY, — that herm
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^dnt. 123 booth closed where ye use
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THE ENGLISH LEGEND of HEINRICH HEIN
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THE ENGLISH LEGEND oj HEINRICH HEIN
Page 489: TO MAURICE JACOBS
Page 493: PREFACE THE life of Heinrich Heine,
Page 497 and 498: INTRODUCTION FOR a century and more
Page 499: Introduction pre-Victorian days to
Page 502 and 503: Heinrich Heine by a formal acknowle
Page 504 and 505: Heinrich Heine his relationship to
Page 506 and 507: Heinrich Heine sired to understand
Page 508 and 509: Heinrich Heine sider the subject fu
Page 510 and 511: Heinrich Heine crawling reptile —
Page 512 and 513: Heinrich Heine their erstwhile coll
Page 514 and 515: Heinrich Heine his imagination, his
Page 516 and 517: Heinrich Heine man, and every man's
Page 518 and 519: Heinrich Heine relations of all his
Page 520 and 521: Heinrich Heine traitor and renegade
Page 522 and 523: Heinrich Heine author of the Book o
Page 524 and 525: Heinrich Heine tude towards Germany
Page 526 and 527: CHAPTER II MARTYR OF MONTMARTRE THE
Page 528 and 529: Heinrich Heine parties of Germany,
Page 530 and 531: Heinrich Heine Duke of WeUington. M
Page 532 and 533: Heinrich Heine tion turned about po
Page 534 and 535: Heinrich Heine teenth birthday he w
Page 536 and 537: Heinrich Heine ficial duties were n
Page 538 and 539: Heinrich Heine ness of diction and
Page 542 and 543: Heinrich Heine land. He confessed:
Page 544 and 545: Heinrich Heine average educated Eng
Page 546 and 547: Heinrich Heine that the early hosti
Page 548 and 549: Heinrich Heine in Clavigo, and we c
Page 550 and 551: Heinrich Heine though o'erthrown is
Page 552 and 553: Heinrich Heine impose their legend
Page 554 and 555: Heinrich Heine ligned poet. Further
Page 556 and 557: Heinrich Heine smile on human tears
Page 558 and 559: Heinrich Heine ties, his failings c
Page 560 and 561: Heinrich Heine through five edition
Page 562 and 563: Heinrich Heine that helped him to f
Page 564 and 565: Heinrich Heine the most famous of t
Page 566 and 567: Heinrich Heine Dante, radiant Shake
Page 568 and 569: Heinrich Heine Deep have embreathed
Page 570 and 571: Heinrich Heine and continuator of t
Page 572 and 573: Heinrich Heine there was in all Hei
Page 574 and 575: Heinrich Heine mately alhed with su
Page 576 and 577: CHAPTER IV HELLENIST AND CULTURAL P
Page 578 and 579: Heinrich Heine the Hellenism of Hei
Page 580 and 581: Heiruich Heine wines, if I myself,
Page 582 and 583: Heinrich Heine offered as a substit
Page 584 and 585: Heinrich Heine And groweth wan and
Page 586 and 587: Heinrich Heine while doing justice
Page 588 and 589: Heinrich Heine him, as it had been
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Heinrich Heine fore it, seeing that
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Heinrich Heine intense and luminous
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Heinrich Heine The nostalgia of the
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Heinrich Heine tion of his Hebraic
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Heinrich Heine lish co-religionists
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Heinrich Heine 1841, was Heine used
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Heinrich Heine very tempest \\hich
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Heinrich Heine character for that r
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Heinrich Heine and paid but httle a
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Heinrich Heine people by turns, the
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Heinrich Heine strange mixture of r
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Heinrich Heine 1884 concerning her
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Heinrich Heine ZangwiU's essay had
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Heinrich Heine then it was not surp
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Heinrich Heine ments was Jewish hat
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Heinrich Heine roots was indeed mor
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Heinrich Heine by Lord Houghton and
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Heinrich Heine this book, Ellis fou
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Heinrich Heine view of September, 1
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Heinrich Heine racial hatreds as a
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Heinrich Heine eve of the First Wor
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Heinrich Heine 8, 1888, wrote that
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Heinrich Heine upon the imagination
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Heinrich Heine Were all you had, pa
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Heinrich Heine gems of the Book of
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Heinrich Heine is Wordsworth's,' I
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Heinrich Heine under the pseudonym
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Heinrich Heine poetry, preferred to
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Heinrich Heine sure I had done one
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Heinrich Heine of a Teutonic return
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Heinrich Heine mently was the offic
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Heinrich Heine \\'as an affectation
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Heinrich Heine where the nightingal
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Heinrich Heine ter, and godlessness
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CHAPTER VII CITIZEN OF THE WORLD WH
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Heinrich Heine man poets. Little wo
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Heinrich Heine In contrast to the C
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Heinrich Heine planation in the fac
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Heinrich Heine he did not like the
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Heinrich Heine vantage-point at the
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Heinrich Heine f eited with nariona
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Heinrich Heine dom that was most es
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Heinrich Heine 3. Athenaeum, Februa
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Heinrich Heine 9. Saturday Review,
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Heinrich Heine 6. Robert Buchanan:
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Heinrich Heine 19. Henry Baeriein:
Page 682 and 683:
Index Comte, Auguste, 87 Contempora
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Monthly Observer, 40 Morawski, Theo
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