HEINRICH HEINE - Repositories

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Heinrich Heine f eited with narionalism and racism, took to its heart? He was all these and much more. As each generation, past and present, read its longings and fears, its ideals and its aversions, into his personality, so hkewise will generations yet unborn continue to wrestle with the mystery of his being and will find ever more facets in it. They will not fail to thrill to the magic of his verses and to the rhythmic power of his prose and they will again and again re-interpret his challenging ideas in the light of their own as yet unpredictable experiences. And the real Heine? The dust that became incandescent and sentient, that flared for a moment in spiritual brightness, and that then returned to the earth — is it any more real than the image which lightning-like flashed through the mind of Matthew Arnold, as he stood beside the grave on Montmartre, and stirred this mind to elegiac verses aglow with beauty? Is it any more real than the vision which inspired George Eliot to pen her most memorable essay, or the ghost which haunted James Thomson as he strode through the City of Dreadful Night, or the phantom which caused an upsurge of hate in the heart of Carlyle and an upsurge of love in the hearts of Emma Lazarus and Olive Schreiner? [176]
Citizen of the World Fragments of hours in the life of Heine have survived, the fragments which found embodiment in manuscripts now yellowed with age; and, in addition, the legend of Heine, in ever new transformations, winds its way past generations of men far removed from him in space and ever further in time. These fragments — echoes of experiences in the form of songs and ballads — still resound from the lips of young lovers in the wonderful month of May and still warm aged cynics beside wintry hearths. This legend of a strange seer and a brave warrior of the pen still excites and stimulates readers and writers of our day and still influences public opinion on burning issues of politics, society, and morahty. The legend of Heine may perhaps prove to be no less important in the history of intellectual life than the so-called reality of Heine, even as the legend of Hamlet, which Shakespeare immortalized, far outweighs in importance the shadowy activities of the historic Prince of Denmark, and even as the legend of Faust, which Marlowe versified and Goethe perpetuated, carries profounder significance for us than the alchemistic exploits of the sixteenth century humanist and charlatan. The English have extracted from Heine the wls- [177]
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HEINRICH HEINE ôemd. ^ ^€i/Ka€
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Copyright 1947, Hartsdalc House, In
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HOMEWARD BOUNI D SONGS TO SERAPHINE
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Heinrich Heine Harry Heine, as he w
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eneadi my dignity and a taint upon
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a harsh criticism, to much severe c
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such a man as Heine every career th
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and the fierce spirit of vindictive
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tender and constant as it had been
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named me in healthier days. I am no
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« ^ < 'la^Û ^
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In fond delusion once I left thy si
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With casements closed, and everywhe
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Donna Clara In the evening through
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Myriad snowy flakes of blossoms She
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"Hark, they summon me, my darling.
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"Donna Clara! Laugh, be merry, For
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Gallant knights and noble ladies. I
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And the dance begins already, Gaily
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"In the name of God, begone then!"
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Tannhauser A Legend Good Christians
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"Come! to my chamber let us go; Our
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% In Rome, in Rome, in the holy tow
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"As the butterfly flutters anigh a
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"Oh, holy Father, Pope Urban, Who c
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She gave him broth, she gave him br
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In the Underworld "O to be a bachel
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Whilst their grievance each is vent
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"Closed those shadowy fields are ev
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Not a harvest dance without her. Sh
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The Vale of Tears The night wind th
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Solomon Dumb are the trumpets, cymb
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Song Oft in galleries of art Thou h
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"Oh, I will kiss them, Henry, Kiss
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ong Death comes, and now must I mak
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To Frederika Varnhagen von Ense, Th
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I know not what spell is o'er me, T
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My heart, my heart is heavy, Though
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In tears through the woods I wander
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The beautiful spinner weepeth, And
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And I lisped congratulations. And b
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We spake of storm and shipwreck. Th
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The moon is up, and brightly Beams
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II All in gray clouds closely muffl
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»3 The storm for a dance is piping
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Paler, the moon is growing Through
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i6 The sea outspreading glorious. I
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:8 Upon the far horizon Like a pict
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20 I tread the dear familiar path.
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22 The quiet night broods over roof
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The maiden sleeps in her chamber, W
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25 I gazed upon her portrait. While
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The years are coming and going. Who
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*9 What means this lonely tear-drop
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Then yawns the eldest daughter, "I
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3^ They think my heart is breaking.
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34 "Did she ne'er express compassio
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36 And when I lamented my cruel lot
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His favorite poet is still Fouque;
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39 Three holy kings from the land o
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After her health we inquired Gravel
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42 As the moon with splendor pierce
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43 In a dream I saw my sweetheart,
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44 "Dearest friend, what may it pro
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46 ime that, more sober and serious
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48 Heart, my heart, oh, be not shak
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5° Child, I must be very careful.
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5* Maiden with the lips of scarlet,
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54 Some to Mary bend the knee, Othe
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56 Dearest friend, thou art in love
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58 Sapphires are those eyes of thin
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6o Our life and the world have too
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62 To-night they give a party, The
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64 Thou hast diamonds, and pearls a
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(£ They gave me advice, they couns
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How delightfully refreshing Now-a-d
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"Within the college seek him not. B
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The poets are in ecstasies At such
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70 Oh, to be chased from lovely lip
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72 Lord knows where the reckless cr
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"And if a lonely lover Who sings of
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75 Upon thy snow-white shoulders I
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11 I, too, in my youth did languish
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79 Yes, they are the self-same eyes
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8i But the eunuchs still complained
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83 Next to me lives Don Henriquez,
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85 Lo, on the mountains the sunbeam
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8? Dusky summer-eve declineth Over
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89 Death is like the balmy night. L
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e W'
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Over all the quiet sea-shore Shadow
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In moonlit splendor rests the sea.
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How enviously the sea-mew Looks aft
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There we two sat as high as heaven.
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Gray night broods above the ocean.
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lO Shadow-love and shadow-kisses. L
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12 My ship sails forth with sable s
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H The roaring waves press onward To
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The waves gleam in the sunshine. Th
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Though thou wert fain to pass me qu
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From the slightest of emotions, Wha
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I closed my sweetheart's either eye
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8 Whilst I, after other people's. O
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lO This mad carnival of loving, Thi
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Spring Festival This is the spring-
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The Asra Daily the fair Sultan's da
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ong There stands a lonely pine-tree
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To Frederick Merckel The Pictures o
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And as a coronation mantle, I hang
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J Sunset The glowing red sun descen
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And in her anguish fain would call
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Where his feet fall Sparks are scat
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^ Poseidon The sunbeams played Upon
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Thus exclaimed Poseidon, And plunge
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And with a mighty hand, from the No
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Yonder myriad stars the eyes are Of
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Thine arm is short and the sky is f
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O sea. Thou mother of beauty, of th
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Cal m Calm at sea! The sunbeams fli
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lo An Apparition in the Sea I howev
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And I know thee, thou poor, forsake
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12 Peace High in heaven stood the s
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Of thy lofty protectress. And haste
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All hail to thee, thou Eternal Sea!
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And from the fair barbarians of the
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The trembling soul of the ship; And
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Her slender, cypress-like form Is s
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Universally beloved, universally ad
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5 The Song of the Oceanides 'Tis ni
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Loud roared the billows. And deep f
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6 The Gods of Greece Full-blooming
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Thou seemest to me a goddess-corpse
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7 The Phoenix A bird comes flying o
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8 Question By the sea, by the desol
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Meanwhile the ship wrestles With th
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lo In Port Happy the man who has re
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Decked with gold and arrayed in pur
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HEINE.
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Edited by NEWELL DUNBAR HEINRICH HE
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EDITOR'S PREFACE. THE reading publi
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Ûn^tvation^. PAGE HEINE IN 1827 .
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Vlll €ontattie?* \'RTOR III GO TH
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€ontentier* THE POWER OI- WOMEN .
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xn Contrntief. PERFECT HAPPINESS TH
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XIV 4rontentie(* THE POET'S IMPARTI
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The spirit of the woild Belioklinf^
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xvi S^ntrotiuction, in discharging
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xviii ^Tntrotiuction, Avhich of Goe
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XX SFntrobuctioit, task of dissolut
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xxii 5ntrot»uction» whose revolut
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^'ntrotmttton. xxlii Efforts have b
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3Pntrotiuction, xxv cause it was pr
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S'nttOtniCttOtU xxvii and he shows
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S^ntroliuction* xxix and courtiers
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^Tntrotiuction. xxxi "' Am I then r
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^Fntrotjuctiom xxxiii went on compo
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Itootmtttott. XXXV his subject-matt
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STntroductton. xxxvli mon school-bo
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S'ntrotiuctton. xxxix but their ind
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^Fntrotiuctton, xll France Heine jo
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^Fntroliuction. xliil people of gen
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3FntroDuction» xlv reward, as alwa
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3^ntrotmctiom xlvii they crouched i
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3^ntrotiuction» xllx and politely
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^Fntrotiuction* whom he conquers th
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^Fntrobuction* liii all the scatter
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S^ntroDuction, Iv entertaining hers
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3Fntrotiu(tion« Ivii (and posterit
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WIT, WISDOM, POETRY.
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êine* none is so trusty as the tru
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Iêine* That I might love embrace r
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Iêine, thoughts, with which the sp
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8 êim. PHILOSOPHY AND REVOLUTION.
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lo ijeine. which indeed is almost i
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12 ^tine. though the learning of it
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14 i$tmt. I always told thee I shou
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16 f^tint. THE COMING FRAY. The mus
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18 iêine* VICTOR HUGO. Victor Hugo
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20 i^cine. Who twines in one wreath
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22 i$tmt. Plucks from His head the
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24 Jêine, SHAKESPEARE. Generous Na
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26 iêtne. CHRIST. Christ is the Go
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28 lêtne* THE DELIGHT OF LIVING. L
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30 f^tint. After her health we aske
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32 ^tint. in these sat the damned,
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34 "l^tmt. ENGLAND S UPPER TEN. Yes
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36 iêine. That outpost is abandone
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iêine* zi JEWISH RELIGION AND RACE
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^dnt. 39 like a great German tom-ca
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Jpeine, 41 til they have a beard, a
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iême* 43 He sees na the black rock
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^tint. 45 When I see the amorous fl
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Iêtne* 47 Grete and Hans were wed
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iêine, 49 THE EASTERN QUESTION. Th
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^tmt. 51 MARTIN LUTHER. How shall I
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ipeine. 53 wine is always exquisite
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Jême^ 55 FRENCH POLITENESS. Sweet
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^me, s7 MEN OF THOUGHT AND MEN OF A
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^tmt. 59 '• When frosts set in,"
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Iêtne* 6\ SUPREMACY OF LOVE. Now,
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Iêine* 63 BIMIXI. Who's with me fo
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^tint. 65 of cmel tenderness, she k
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1$tm. 67 GERMAN PHILOSOPHY. German
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Jêine, 69 He speaks the exorcism d
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a^dnt. 71 A RESURRECTION DREAM. Nig
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iêine, TZ LONGEVITY OF GERMAN POTE
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1$eim. 75 GREAT MEN. As the stars a
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MATHILDE HEINE.
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78 i$tmt. IN THE HARBOR. Happy is h
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8o Jêine, TEMPTATION Cleopatra is
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82 Jêhtf, HEINE AND ROMAN CATHOLIC
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$4 iêtne. POETIC THRIFT. "Worthy f
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86 êint. . TAKE HEART. Heart, my h
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88 lêine.
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90 Iêine* THE FUTURE. The future s
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92 Jêine* SWEET DELUSION. Ah, what
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94 lême. A MEETING. All under the
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96 iêine* MYSTERY OF THE JEWS. The
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98 ^dnt. BRITISH MISSIONS. They exp
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loo iêine» THE POETS HEART. The B
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I02 i$tim. THE FAIRIES. The waves t
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I04 Jême* PROTESTANTISM. At an ear
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io6 iêine. OCCIDENTAL ORIENTALIZAT
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io8 iêim. THE MINOR UNDERTONE. The
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no ^tint. THE POET'S IMPARTIALITY.
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112 1$dm. SCHILLER. The living spir
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114 lêine* FRENCH AND GERMAN PATRI
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ii6 iêtne* A SUPPLICATION, A star
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ii8 êine* SHEPHERD AND LAMB. 0 lit
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120 Jême* QUESTIONS. Beside the se
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iêine* 121 CHIVALRY, — that herm
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^dnt. 123 booth closed where ye use
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THE ENGLISH LEGEND of HEINRICH HEIN
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THE ENGLISH LEGEND oj HEINRICH HEIN
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TO MAURICE JACOBS
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PREFACE THE life of Heinrich Heine,
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INTRODUCTION FOR a century and more
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Introduction pre-Victorian days to
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Heinrich Heine by a formal acknowle
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Heinrich Heine his relationship to
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Heinrich Heine sired to understand
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Heinrich Heine sider the subject fu
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Heinrich Heine crawling reptile —
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Heinrich Heine their erstwhile coll
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Heinrich Heine his imagination, his
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Heinrich Heine man, and every man's
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Heinrich Heine relations of all his
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Heinrich Heine traitor and renegade
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Heinrich Heine author of the Book o
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Heinrich Heine tude towards Germany
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CHAPTER II MARTYR OF MONTMARTRE THE
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Heinrich Heine parties of Germany,
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Heinrich Heine Duke of WeUington. M
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Heinrich Heine tion turned about po
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Heinrich Heine teenth birthday he w
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Heinrich Heine ficial duties were n
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Heinrich Heine ness of diction and
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Heinrich Heine who was dying in an
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Heinrich Heine land. He confessed:
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Heinrich Heine average educated Eng
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Heinrich Heine that the early hosti
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Heinrich Heine in Clavigo, and we c
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Heinrich Heine though o'erthrown is
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Heinrich Heine impose their legend
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Heinrich Heine ligned poet. Further
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Heinrich Heine smile on human tears
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Heinrich Heine ties, his failings c
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Heinrich Heine through five edition
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Heinrich Heine that helped him to f
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Heinrich Heine the most famous of t
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Heinrich Heine Dante, radiant Shake
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Heinrich Heine Deep have embreathed
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Heinrich Heine and continuator of t
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Heinrich Heine there was in all Hei
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Heinrich Heine mately alhed with su
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CHAPTER IV HELLENIST AND CULTURAL P
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Heinrich Heine the Hellenism of Hei
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Heiruich Heine wines, if I myself,
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Heinrich Heine offered as a substit
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Heinrich Heine And groweth wan and
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Heinrich Heine while doing justice
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Heinrich Heine him, as it had been
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Heinrich Heine fore it, seeing that
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Heinrich Heine intense and luminous
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Heinrich Heine The nostalgia of the
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Heinrich Heine tion of his Hebraic
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Heinrich Heine lish co-religionists
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Heinrich Heine 1841, was Heine used
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Heinrich Heine very tempest \\hich
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Heinrich Heine character for that r
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Heinrich Heine and paid but httle a
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Heinrich Heine people by turns, the
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Heinrich Heine strange mixture of r
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Heinrich Heine 1884 concerning her
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Heinrich Heine ZangwiU's essay had
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Heinrich Heine then it was not surp
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Heinrich Heine ments was Jewish hat
Page 620 and 621: Heinrich Heine roots was indeed mor
Page 622 and 623: Heinrich Heine by Lord Houghton and
Page 624 and 625: Heinrich Heine this book, Ellis fou
Page 626 and 627: Heinrich Heine view of September, 1
Page 628 and 629: Heinrich Heine racial hatreds as a
Page 630 and 631: Heinrich Heine eve of the First Wor
Page 632 and 633: Heinrich Heine 8, 1888, wrote that
Page 634 and 635: Heinrich Heine upon the imagination
Page 636 and 637: Heinrich Heine Were all you had, pa
Page 638 and 639: Heinrich Heine gems of the Book of
Page 640 and 641: Heinrich Heine is Wordsworth's,' I
Page 642 and 643: Heinrich Heine under the pseudonym
Page 644 and 645: Heinrich Heine poetry, preferred to
Page 646 and 647: Heinrich Heine sure I had done one
Page 648 and 649: Heinrich Heine of a Teutonic return
Page 650 and 651: Heinrich Heine mently was the offic
Page 652 and 653: Heinrich Heine \\'as an affectation
Page 654 and 655: Heinrich Heine where the nightingal
Page 656 and 657: Heinrich Heine ter, and godlessness
Page 658 and 659: CHAPTER VII CITIZEN OF THE WORLD WH
Page 660 and 661: Heinrich Heine man poets. Little wo
Page 662 and 663: Heinrich Heine In contrast to the C
Page 664 and 665: Heinrich Heine planation in the fac
Page 666 and 667: Heinrich Heine he did not like the
Page 668 and 669: Heinrich Heine vantage-point at the
Page 672 and 673: Heinrich Heine dom that was most es
Page 674 and 675: Heinrich Heine 3. Athenaeum, Februa
Page 676 and 677: Heinrich Heine 9. Saturday Review,
Page 678 and 679: Heinrich Heine 6. Robert Buchanan:
Page 680 and 681: Heinrich Heine 19. Henry Baeriein:
Page 682 and 683: Index Comte, Auguste, 87 Contempora
Page 684 and 685: Monthly Observer, 40 Morawski, Theo
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