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HEINRICH HEINE - Repositories

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Heinrich Heine<br />

through five editions between 1856 and 1866, an<br />

unmistakable proof of Heine's vogue in this mid-<br />

Victorian decade.<br />

The vogue extended even to Heine's bitterest<br />

opponents, the theologians on both sides of the Atlantic.<br />

These too were becoming reconciled to him,<br />

although they felt impelled to moralize about his<br />

final suffering as just compensation for an unholy<br />

hfe. The magazine Ecclesiastic and Theologian devoted<br />

in 1859 eight pages to the Julian of poetry<br />

and his rare mixture of beauty and moral poison.''<br />

Theodore Parker, the Boston divine, wrote in a<br />

letter dated September 21, 1857: "Heine has a deal<br />

of the Devil in him, mixed with a deal of genius.<br />

Nobody could write so well as he — surely none<br />

since Goethe; that Hebrew nature has a world of<br />

sensuous and devotional emotion in it, and immense<br />

power of language also. But his genius is lyric, not<br />

dramatic, not epic; no muse rises so high as the Hebrew,<br />

but it cannot keep long on the wing. The<br />

Psalms and Prophets of the Old Testament teach<br />

us this; Oriental sensuousness attained their finest<br />

expression in the Song of Solomon and in Heine's<br />

Lieder." ^<br />

Heine's death on February 17, 1856, evoked<br />

much comment throughout Europe and was noted<br />

[66]

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