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HEINRICH HEINE - Repositories

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Heinrich Heine<br />

while doing justice to the verbal dress in which this<br />

spirit \v2is garbed. Martin's rendering was faithful<br />

and conscientious but this respectable Victorian<br />

was, according to Buchanan, more fitted by temperament<br />

to become the biographer of the blameless<br />

Prince Consort of England than to become the<br />

interpreter of the inspired Gnome of German<br />

poetry. A refined and cultivated gentleman like<br />

Theodore Martin, who was called upon to edit and<br />

to prepare dainty documents of the Court, could<br />

not be equally successful with the hterary products<br />

of a revolutionary poet. As a result, his English<br />

adaptations were no more like the original than<br />

the postures of a dancing master were like the<br />

leaps of Oberon on the starlit sward: "As wild as<br />

Goethe's Flea, as tricksome as an Elf, as uncertain<br />

and misleading as a Will-o'-the-Wisp, gamesome<br />

and lachrymose by turns, by turns outraging all the<br />

proprieties, now the most doleful German that<br />

ever spun ditties to his mistress's eyebrow, and<br />

again (what Thiers called him) the wittiest Frenchman<br />

that ever lived, Heine is the last spirit in the<br />

world to rise to the conjuration of a respectable<br />

elderly English gentleman, armed with a German<br />

dictionary, a quill pen, and an 'expurgating' apparatus."<br />

[92]

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