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HEINRICH HEINE - Repositories

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Heinrich Heine<br />

parties of Germany, the Repubhcans and the Absolutists.^<br />

A year earlier, this periodical had reviewed<br />

his poems at great length. It did not hide<br />

its horror at his poetic packages of poison, at his<br />

infamous tone which rivalled Macchiavelli and<br />

Voltaire at their worst. But it did admire his allembracing<br />

humor. It found his prose racy, sparkling,<br />

and far surpassing Goethe's in force, rapidity<br />

of thought, and transparent clearness of style.<br />

Though the curse of the sneerer was upon him, it<br />

saw him rising at times to supreme heights and<br />

giving sublime renderings to themes of devotion,<br />

of chivalrous heroism, or of bruised affection,<br />

themes that others, with purer intentions, only succeeded<br />

in making ridiculous. Because of the melancholy<br />

misdirection of his glorious faculties, he<br />

was more deserving of pity than condemnation.<br />

He must be regarded as the German Byron, since<br />

he possessed to the full Byron's faults and Byron's<br />

genius.^<br />

Two articles in Eraser's Magazine, a leading organ<br />

of English opinion, illustrate the gradual ebbing<br />

of hostility towards Heine during the Eighteen-<br />

Forties. The earher remarks on the poet appeared<br />

in April, 1840.* Heine was introduced as a German<br />

author who spent a life of exile in comical<br />

[34]

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