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HEINRICH HEINE - Repositories

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Heinrich Heine<br />

1884 concerning her co-religionist: "His was a seed<br />

sprung from the golden branch that flourished in<br />

Hebrew-Spain between the years 1000 and 1200.<br />

Whoever looks into the poetry of the medieval<br />

Spanish Jews will see that Heine, the modem, cynical<br />

German-Parisian, owns a place among these devout<br />

and ardent mystics who preceded him by<br />

fully eight centuries. The Intermezzo, so new and<br />

individual in German literature, is but a well-sustained<br />

continuation of the Divan and Gazelles of<br />

Judah Halevi, or the thinly veiled sensuousness of<br />

Alcharisi and Ibn Ezra. . . . What the world<br />

thought distinctively characteristic of the man was<br />

often simply the mode of expression pecuhar to his<br />

people at their best." ^^<br />

Israel Zangwill, like Emma Lazarus, undertook<br />

to reclaim Heine for the Jewish people. He included<br />

the poet among the Dreamers of the Ghetto<br />

(1898). These were Jews of vision who had arisen<br />

in the Ghetto from its establishment in the sixteenth<br />

century to its dissolution in the nineteenth.<br />

Heine, as one of these dreamers, took his place beside<br />

Uriel Acosta, Sabbatai Zevi, Baruch Spinoza,<br />

Salomon Maimon, Ferdinand Lassalle, and others.<br />

The lengthy sketch on Heine was a sort of composite<br />

conversation-photograph, entitled From a<br />

[118]

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