HEINRICH HEINE - Repositories

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Heinrich Heine is Wordsworth's,' I should look at it and pass on; if they said it is Shakespeare's or Shelley's I should stroke it and if it was Shelley's kiss it, but I should lock it up in the drawer; but if it was Heine's I should carry it about with me wherever I went. I don't know why I love him so." ^^ Heine's enduring popularity was aided by the unending stream of musical compositions based on his lyrics. He ranked first among all the poets as the inspirer of composers. In Germany alone there were until the year 1912 no fewer than 4259 musical settings of his poems as compared with 2660 based on Goethe's poems. English composers could not vie successfully with Schubert and Schumann, Mendelssohn and Franz, Liszt, Rubinstein, and Brahms, but they made the attempt ever since the eighteen-forties. In 1888, John P. Anderson included, in the bibliography he appended to Sharp's Life of Heine, a formidable hst of English composers who set Heine-songs to music. Jenny Lind and Pauline Viardot in the mid-nineteenth century formed the vanguard of the great heder-singers who came to England on concert tours and familiarized English audiences with the melodious verses of Heine in the original tongue. Pauhne Viardot, who is today best remembered as the inspirer of the [146]
Bard of Democracy Russian novehst Ivan Turgenev, even tried her own skill at setting Heine to music. English audiences, generally unfamiliar with German, divined the quality of the lyricist through these musical interpretations. Besides, though none of the translations of Heine's complete works was wholly adequate, there were so many different English versions of individual songs and ballads that a careful sifting of the vast number could bring together a moderately satisfactory reproduction of Heine, the lyricist. Kate Freiligrath-Kroeker, the daughter of the exiled German political poet Ferdinand Freiligrath, undertook such a task in 1887- For her Heine-edition, she selected from the many versions at her disposal the one rendering that in each case seemed, in her opinion, most successful. A proper choice was not always easy. The magic touch of Heine eluded most of his imitators. How many of these there were becomes evident from the list of those translators who survived her sifting and whose products were included in her volume. Besides herself, she included Theodore Martin, Charles Godfrey Leland, J. E. Wallis, Alma Strettell, Francis Hueffer, George MacDonald, A. Rogers, Ernest Radford, W. H. Fumess, Emma Lazarus, John Todhunter, H. S. Jarrett, who wrote [147]
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HEINRICH HEINE ôemd. ^ ^€i/Ka€
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Copyright 1947, Hartsdalc House, In
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HOMEWARD BOUNI D SONGS TO SERAPHINE
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Heinrich Heine Harry Heine, as he w
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eneadi my dignity and a taint upon
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a harsh criticism, to much severe c
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such a man as Heine every career th
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and the fierce spirit of vindictive
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tender and constant as it had been
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named me in healthier days. I am no
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« ^ < 'la^Û ^
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In fond delusion once I left thy si
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With casements closed, and everywhe
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Donna Clara In the evening through
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Myriad snowy flakes of blossoms She
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"Hark, they summon me, my darling.
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"Donna Clara! Laugh, be merry, For
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Gallant knights and noble ladies. I
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And the dance begins already, Gaily
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"In the name of God, begone then!"
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Tannhauser A Legend Good Christians
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"Come! to my chamber let us go; Our
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% In Rome, in Rome, in the holy tow
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"As the butterfly flutters anigh a
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"Oh, holy Father, Pope Urban, Who c
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She gave him broth, she gave him br
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In the Underworld "O to be a bachel
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Whilst their grievance each is vent
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"Closed those shadowy fields are ev
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Not a harvest dance without her. Sh
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The Vale of Tears The night wind th
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Solomon Dumb are the trumpets, cymb
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Song Oft in galleries of art Thou h
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"Oh, I will kiss them, Henry, Kiss
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ong Death comes, and now must I mak
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To Frederika Varnhagen von Ense, Th
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I know not what spell is o'er me, T
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My heart, my heart is heavy, Though
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In tears through the woods I wander
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The beautiful spinner weepeth, And
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And I lisped congratulations. And b
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We spake of storm and shipwreck. Th
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The moon is up, and brightly Beams
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II All in gray clouds closely muffl
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»3 The storm for a dance is piping
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Paler, the moon is growing Through
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i6 The sea outspreading glorious. I
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:8 Upon the far horizon Like a pict
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20 I tread the dear familiar path.
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22 The quiet night broods over roof
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The maiden sleeps in her chamber, W
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25 I gazed upon her portrait. While
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The years are coming and going. Who
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*9 What means this lonely tear-drop
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Then yawns the eldest daughter, "I
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3^ They think my heart is breaking.
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34 "Did she ne'er express compassio
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36 And when I lamented my cruel lot
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His favorite poet is still Fouque;
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39 Three holy kings from the land o
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After her health we inquired Gravel
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42 As the moon with splendor pierce
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43 In a dream I saw my sweetheart,
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44 "Dearest friend, what may it pro
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46 ime that, more sober and serious
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48 Heart, my heart, oh, be not shak
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5° Child, I must be very careful.
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5* Maiden with the lips of scarlet,
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54 Some to Mary bend the knee, Othe
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56 Dearest friend, thou art in love
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58 Sapphires are those eyes of thin
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6o Our life and the world have too
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62 To-night they give a party, The
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64 Thou hast diamonds, and pearls a
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(£ They gave me advice, they couns
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How delightfully refreshing Now-a-d
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"Within the college seek him not. B
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The poets are in ecstasies At such
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70 Oh, to be chased from lovely lip
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72 Lord knows where the reckless cr
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"And if a lonely lover Who sings of
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75 Upon thy snow-white shoulders I
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11 I, too, in my youth did languish
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79 Yes, they are the self-same eyes
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8i But the eunuchs still complained
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83 Next to me lives Don Henriquez,
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85 Lo, on the mountains the sunbeam
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8? Dusky summer-eve declineth Over
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89 Death is like the balmy night. L
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e W'
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Over all the quiet sea-shore Shadow
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In moonlit splendor rests the sea.
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How enviously the sea-mew Looks aft
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There we two sat as high as heaven.
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Gray night broods above the ocean.
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lO Shadow-love and shadow-kisses. L
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12 My ship sails forth with sable s
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H The roaring waves press onward To
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The waves gleam in the sunshine. Th
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Though thou wert fain to pass me qu
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From the slightest of emotions, Wha
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I closed my sweetheart's either eye
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8 Whilst I, after other people's. O
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lO This mad carnival of loving, Thi
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Spring Festival This is the spring-
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The Asra Daily the fair Sultan's da
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ong There stands a lonely pine-tree
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To Frederick Merckel The Pictures o
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And as a coronation mantle, I hang
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J Sunset The glowing red sun descen
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And in her anguish fain would call
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Where his feet fall Sparks are scat
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^ Poseidon The sunbeams played Upon
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Thus exclaimed Poseidon, And plunge
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And with a mighty hand, from the No
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Yonder myriad stars the eyes are Of
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Thine arm is short and the sky is f
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O sea. Thou mother of beauty, of th
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Cal m Calm at sea! The sunbeams fli
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lo An Apparition in the Sea I howev
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And I know thee, thou poor, forsake
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12 Peace High in heaven stood the s
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Of thy lofty protectress. And haste
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All hail to thee, thou Eternal Sea!
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And from the fair barbarians of the
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The trembling soul of the ship; And
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Her slender, cypress-like form Is s
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Universally beloved, universally ad
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5 The Song of the Oceanides 'Tis ni
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Loud roared the billows. And deep f
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6 The Gods of Greece Full-blooming
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Thou seemest to me a goddess-corpse
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7 The Phoenix A bird comes flying o
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8 Question By the sea, by the desol
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Meanwhile the ship wrestles With th
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lo In Port Happy the man who has re
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Decked with gold and arrayed in pur
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HEINE.
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Edited by NEWELL DUNBAR HEINRICH HE
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EDITOR'S PREFACE. THE reading publi
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Ûn^tvation^. PAGE HEINE IN 1827 .
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Vlll €ontattie?* \'RTOR III GO TH
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€ontentier* THE POWER OI- WOMEN .
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xn Contrntief. PERFECT HAPPINESS TH
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XIV 4rontentie(* THE POET'S IMPARTI
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The spirit of the woild Belioklinf^
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xvi S^ntrotiuction, in discharging
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xviii ^Tntrotiuction, Avhich of Goe
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XX SFntrobuctioit, task of dissolut
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xxii 5ntrot»uction» whose revolut
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^'ntrotmttton. xxlii Efforts have b
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3Pntrotiuction, xxv cause it was pr
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S'nttOtniCttOtU xxvii and he shows
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S^ntroliuction* xxix and courtiers
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^Tntrotiuction. xxxi "' Am I then r
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^Fntrotjuctiom xxxiii went on compo
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Itootmtttott. XXXV his subject-matt
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STntroductton. xxxvli mon school-bo
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S'ntrotiuctton. xxxix but their ind
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^Fntrotiuctton, xll France Heine jo
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^Fntroliuction. xliil people of gen
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3FntroDuction» xlv reward, as alwa
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3^ntrotmctiom xlvii they crouched i
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3^ntrotiuction» xllx and politely
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^Fntrotiuction* whom he conquers th
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^Fntrobuction* liii all the scatter
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S^ntroDuction, Iv entertaining hers
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3Fntrotiu(tion« Ivii (and posterit
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WIT, WISDOM, POETRY.
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êine* none is so trusty as the tru
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Iêine* That I might love embrace r
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Iêine, thoughts, with which the sp
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8 êim. PHILOSOPHY AND REVOLUTION.
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lo ijeine. which indeed is almost i
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12 ^tine. though the learning of it
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14 i$tmt. I always told thee I shou
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16 f^tint. THE COMING FRAY. The mus
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18 iêine* VICTOR HUGO. Victor Hugo
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20 i^cine. Who twines in one wreath
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22 i$tmt. Plucks from His head the
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24 Jêine, SHAKESPEARE. Generous Na
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26 iêtne. CHRIST. Christ is the Go
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28 lêtne* THE DELIGHT OF LIVING. L
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30 f^tint. After her health we aske
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32 ^tint. in these sat the damned,
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34 "l^tmt. ENGLAND S UPPER TEN. Yes
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36 iêine. That outpost is abandone
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iêine* zi JEWISH RELIGION AND RACE
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^dnt. 39 like a great German tom-ca
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Jpeine, 41 til they have a beard, a
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iême* 43 He sees na the black rock
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^tint. 45 When I see the amorous fl
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Iêtne* 47 Grete and Hans were wed
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iêine, 49 THE EASTERN QUESTION. Th
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^tmt. 51 MARTIN LUTHER. How shall I
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ipeine. 53 wine is always exquisite
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Jême^ 55 FRENCH POLITENESS. Sweet
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^me, s7 MEN OF THOUGHT AND MEN OF A
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^tmt. 59 '• When frosts set in,"
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Iêtne* 6\ SUPREMACY OF LOVE. Now,
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Iêine* 63 BIMIXI. Who's with me fo
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^tint. 65 of cmel tenderness, she k
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1$tm. 67 GERMAN PHILOSOPHY. German
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Jêine, 69 He speaks the exorcism d
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a^dnt. 71 A RESURRECTION DREAM. Nig
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iêine, TZ LONGEVITY OF GERMAN POTE
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1$eim. 75 GREAT MEN. As the stars a
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MATHILDE HEINE.
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78 i$tmt. IN THE HARBOR. Happy is h
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8o Jêine, TEMPTATION Cleopatra is
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82 Jêhtf, HEINE AND ROMAN CATHOLIC
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$4 iêtne. POETIC THRIFT. "Worthy f
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86 êint. . TAKE HEART. Heart, my h
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88 lêine.
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90 Iêine* THE FUTURE. The future s
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92 Jêine* SWEET DELUSION. Ah, what
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94 lême. A MEETING. All under the
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96 iêine* MYSTERY OF THE JEWS. The
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98 ^dnt. BRITISH MISSIONS. They exp
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loo iêine» THE POETS HEART. The B
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I02 i$tim. THE FAIRIES. The waves t
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I04 Jême* PROTESTANTISM. At an ear
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io6 iêine. OCCIDENTAL ORIENTALIZAT
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io8 iêim. THE MINOR UNDERTONE. The
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no ^tint. THE POET'S IMPARTIALITY.
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112 1$dm. SCHILLER. The living spir
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114 lêine* FRENCH AND GERMAN PATRI
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ii6 iêtne* A SUPPLICATION, A star
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ii8 êine* SHEPHERD AND LAMB. 0 lit
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120 Jême* QUESTIONS. Beside the se
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iêine* 121 CHIVALRY, — that herm
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^dnt. 123 booth closed where ye use
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THE ENGLISH LEGEND of HEINRICH HEIN
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THE ENGLISH LEGEND oj HEINRICH HEIN
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TO MAURICE JACOBS
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PREFACE THE life of Heinrich Heine,
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INTRODUCTION FOR a century and more
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Introduction pre-Victorian days to
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Heinrich Heine by a formal acknowle
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Heinrich Heine his relationship to
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Heinrich Heine sired to understand
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Heinrich Heine sider the subject fu
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Heinrich Heine crawling reptile —
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Heinrich Heine their erstwhile coll
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Heinrich Heine his imagination, his
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Heinrich Heine man, and every man's
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Heinrich Heine relations of all his
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Heinrich Heine traitor and renegade
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Heinrich Heine author of the Book o
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Heinrich Heine tude towards Germany
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CHAPTER II MARTYR OF MONTMARTRE THE
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Heinrich Heine parties of Germany,
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Heinrich Heine Duke of WeUington. M
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Heinrich Heine tion turned about po
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Heinrich Heine teenth birthday he w
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Heinrich Heine ficial duties were n
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Heinrich Heine ness of diction and
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Heinrich Heine who was dying in an
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Heinrich Heine land. He confessed:
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Heinrich Heine average educated Eng
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Heinrich Heine that the early hosti
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Heinrich Heine in Clavigo, and we c
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Heinrich Heine though o'erthrown is
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Heinrich Heine impose their legend
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Heinrich Heine ligned poet. Further
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Heinrich Heine smile on human tears
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Heinrich Heine ties, his failings c
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Heinrich Heine through five edition
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Heinrich Heine that helped him to f
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Heinrich Heine the most famous of t
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Heinrich Heine Dante, radiant Shake
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Heinrich Heine Deep have embreathed
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Heinrich Heine and continuator of t
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Heinrich Heine there was in all Hei
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Heinrich Heine mately alhed with su
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CHAPTER IV HELLENIST AND CULTURAL P
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Heinrich Heine the Hellenism of Hei
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Heiruich Heine wines, if I myself,
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Heinrich Heine offered as a substit
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Heinrich Heine And groweth wan and
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Heinrich Heine while doing justice
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Heinrich Heine him, as it had been
Page 590 and 591: Heinrich Heine fore it, seeing that
Page 592 and 593: Heinrich Heine intense and luminous
Page 594 and 595: Heinrich Heine The nostalgia of the
Page 596 and 597: Heinrich Heine tion of his Hebraic
Page 598 and 599: Heinrich Heine lish co-religionists
Page 600 and 601: Heinrich Heine 1841, was Heine used
Page 602 and 603: Heinrich Heine very tempest \\hich
Page 604 and 605: Heinrich Heine character for that r
Page 606 and 607: Heinrich Heine and paid but httle a
Page 608 and 609: Heinrich Heine people by turns, the
Page 610 and 611: Heinrich Heine strange mixture of r
Page 612 and 613: Heinrich Heine 1884 concerning her
Page 614 and 615: Heinrich Heine ZangwiU's essay had
Page 616 and 617: Heinrich Heine then it was not surp
Page 618 and 619: Heinrich Heine ments was Jewish hat
Page 620 and 621: Heinrich Heine roots was indeed mor
Page 622 and 623: Heinrich Heine by Lord Houghton and
Page 624 and 625: Heinrich Heine this book, Ellis fou
Page 626 and 627: Heinrich Heine view of September, 1
Page 628 and 629: Heinrich Heine racial hatreds as a
Page 630 and 631: Heinrich Heine eve of the First Wor
Page 632 and 633: Heinrich Heine 8, 1888, wrote that
Page 634 and 635: Heinrich Heine upon the imagination
Page 636 and 637: Heinrich Heine Were all you had, pa
Page 638 and 639: Heinrich Heine gems of the Book of
Page 642 and 643: Heinrich Heine under the pseudonym
Page 644 and 645: Heinrich Heine poetry, preferred to
Page 646 and 647: Heinrich Heine sure I had done one
Page 648 and 649: Heinrich Heine of a Teutonic return
Page 650 and 651: Heinrich Heine mently was the offic
Page 652 and 653: Heinrich Heine \\'as an affectation
Page 654 and 655: Heinrich Heine where the nightingal
Page 656 and 657: Heinrich Heine ter, and godlessness
Page 658 and 659: CHAPTER VII CITIZEN OF THE WORLD WH
Page 660 and 661: Heinrich Heine man poets. Little wo
Page 662 and 663: Heinrich Heine In contrast to the C
Page 664 and 665: Heinrich Heine planation in the fac
Page 666 and 667: Heinrich Heine he did not like the
Page 668 and 669: Heinrich Heine vantage-point at the
Page 670 and 671: Heinrich Heine f eited with nariona
Page 672 and 673: Heinrich Heine dom that was most es
Page 674 and 675: Heinrich Heine 3. Athenaeum, Februa
Page 676 and 677: Heinrich Heine 9. Saturday Review,
Page 678 and 679: Heinrich Heine 6. Robert Buchanan:
Page 680 and 681: Heinrich Heine 19. Henry Baeriein:
Page 682 and 683: Index Comte, Auguste, 87 Contempora
Page 684 and 685: Monthly Observer, 40 Morawski, Theo
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