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HEINRICH HEINE - Repositories

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CHAPTER IV<br />

HELLENIST AND CULTURAL PESSIMIST<br />

BY 1870 the battle for Heine was won. He had<br />

entered into the English cultural stream. He<br />

had become as much a part of Western literary tradition<br />

as Voltaire or Goethe or Byron. His authority<br />

was frequently quoted in justification of certain<br />

tenets espoused by some Englishmen or in opposition<br />

to certain ideas disliked by others. Thackeray<br />

read him in translation and Emily Dickinson in the<br />

original.^ John Addington Symonds, in 1868, was<br />

amused and wearied by the wisdom, the humor, the<br />

stinging satire, and the exquisite lyricism of the<br />

Travel Sketches.^ Havelock Ellis, in 1876, gained<br />

mastery of German by becoming absorbed in Heine<br />

and, durmg the following decades, he translated<br />

Heine's Florentine Nights and edited Heine's Prose<br />

Writings for English readers.^ Dante Gabriel Rossetti<br />

sought in Heine inspiration for paintings and<br />

his brother, William Michael Rossetti, paid tribute<br />

to the German poet in a sonnet which summed up<br />

[82]

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