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HEINRICH HEINE - Repositories

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Blackguard and Apostate<br />

every man's hand were against him. It did not join<br />

the chorus of abuse levelled at his head after the<br />

appearance of the later volumes of Travel Sketches.<br />

Reviewing the second edition of 1831, it reproved<br />

but mildly the Hcentiousness which it could not<br />

condone. It found in Heine's whimsicaUty a certain<br />

affinity to Laurence Sterne and in his grossness<br />

a quality comparable to Swift. If the German<br />

writer seemed to be professing infidelity, such as<br />

Englishmen were little accustomed to tolerate, it<br />

felt that maturer consideration of his literary<br />

products would disclose not so much real infidelity<br />

as rather a cynical levity in treating all subjects,<br />

holy as well as profane. "This cynical levity<br />

is often offensive, even beyond the license of<br />

French scepticism, perhaps from a greater hardness<br />

of the wit which generated it; but in this, as<br />

in many other matters, the fault seems to be rather<br />

in the imagination than the heart. Heine, occar<br />

sionally, in his loftier moments, breathes naturally<br />

forth feelings of very deep, if not altogether orthodox,<br />

piety, and expresses great horror of infidelity,<br />

at least in women." ^<br />

The Athenaeum did not want to see Heine translated,<br />

since he was not wholesome fare for general<br />

readers. But it beHeved that whosoever de-<br />

[H]

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