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HEINRICH HEINE - Repositories

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Martyr of Montmartre<br />

expectations, and sullen lethargy of the Germans:<br />

"Into the province of Art the young Reformer<br />

entered with an audacity which astounded its sober<br />

and terrified guardians. Singing his wild 'Ca<br />

Ira,' he proceeded with revolutionary zeal to overtum<br />

the idols he there found enthroned. The romantic<br />

school, with its nasal twang, must depart;<br />

the maudlin worshipers of a canting sentimentalism<br />

must be thrust out; senseless forms, from which<br />

the spirit had long since fled, now get buried without<br />

any rites of sepulture; exact propriety and<br />

pompous gravity are dismissed with a laugh, and<br />

pedantry with all its sickly shapes must be banished<br />

from the national literature. Great was the<br />

dismay, and great also the indignation, produced<br />

by the feat of the adventurous writer. His countrymen<br />

divided at once into two hostile parties,<br />

one of which saw with alarm and shame the attack<br />

made upon all that it had been taught to consider<br />

venerable, while the other, gazing with rapture on<br />

the havoc that had been done, hailed its author as<br />

the chief of a happy revolution in the history of<br />

literature and art." ^<br />

Fane noted that this division of opinion yielded<br />

to general acclamation after the appearance of the<br />

Book of Songs, for here were lyrics with a fresh-<br />

[43]

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