READIT-2007 - Indira Gandhi Centre for Atomic Research
READIT-2007 - Indira Gandhi Centre for Atomic Research
READIT-2007 - Indira Gandhi Centre for Atomic Research
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7. POLICIES FOR DIGITIZATION<br />
1. Meghnad Saha Archive will not digitize its entire collection.<br />
2. Digitization and the management of digital objects are undertaken in the<br />
efficient and effective manner possible. Digitized collections are arranged<br />
in proper ways that are easy <strong>for</strong> public to access and navigate.<br />
3. Digital project also cover the management of storage space <strong>for</strong> digital<br />
online products.<br />
4. In addition to converting materials to digital <strong>for</strong>mat <strong>for</strong> access in the world<br />
wide web, Meghnad Saha Archive also present digital material to public<br />
domain by means of Online Exhibition and Publications.<br />
5. Digitization activities are integrated into Publication & Documenta-tion<br />
Unit’s routine activities<br />
6. Digitization is undertaken in accordance with the copyright act and other<br />
relevant legislation. Physical ownership does not automatically mean that<br />
an institution owns the rights to reproduce it. In the past it was thought that<br />
when an object was transferred to an institution, so too were the legal<br />
rights to reproduce the object. Institution can no longer count on the fact<br />
that legal rights are transferred.<br />
7. Authentication of an object is one of the most important issues in archive<br />
administration So Archive will keep all administrative in<strong>for</strong>mation<br />
protected.<br />
8. The digitization of items in the collection is not diminish commitment to<br />
the preservation and care of these items, while the resulting digital<br />
surrogates will reduce the need <strong>for</strong> future handling of the items. If it is<br />
essential to digitize an item that is unstable due to its chemical and<br />
physical structure, digital camera is used <strong>for</strong> the scanning phase.<br />
9. Digital version of materials will represent originals as closely as possible.<br />
Image will not be manipulated or improved, except to compensate <strong>for</strong><br />
defects in equipment or in the original.<br />
10. There is a commitment to migration and/or conversation technologies to<br />
enable long term future <strong>for</strong> digital products.<br />
8. CONCLUSION<br />
Preservation keeps materials alive, intact and available <strong>for</strong> use so that they can<br />
be authoritatively used as long as possible (1) to document our heritage and our<br />
society and (2) to guide to others who will come in the future. As Philip Ward<br />
poetically states-<br />
“Our heritage is all that we know of ourselves; what we preserve of it, our<br />
only record. The record is our beacon in the darkness of time; the light that guides our<br />
steps.”<br />
Digital in<strong>for</strong>mation <strong>for</strong>ms an increasingly large part of our cultural and<br />
intellectual heritage and offers significant benefits to users. At the same time<br />
preservation and access to this in<strong>for</strong>mation is dependent on impermanent media and<br />
technologies; retaining metadata on the provenance and context; and retaining the<br />
authenticity and content of the resource. Although experience in creating and<br />
managing specific <strong>for</strong>ms of digital data has been built up over a number of decades in<br />
the sciences and social sciences, in many areas it is a relatively new medium where<br />
much of the future life-cycle, activities and cost models are currently unknown. These<br />
factors have led to increasing concern about the potential loss of our "collective<br />
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