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READIT-2007 - Indira Gandhi Centre for Atomic Research

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7. POLICIES FOR DIGITIZATION<br />

1. Meghnad Saha Archive will not digitize its entire collection.<br />

2. Digitization and the management of digital objects are undertaken in the<br />

efficient and effective manner possible. Digitized collections are arranged<br />

in proper ways that are easy <strong>for</strong> public to access and navigate.<br />

3. Digital project also cover the management of storage space <strong>for</strong> digital<br />

online products.<br />

4. In addition to converting materials to digital <strong>for</strong>mat <strong>for</strong> access in the world<br />

wide web, Meghnad Saha Archive also present digital material to public<br />

domain by means of Online Exhibition and Publications.<br />

5. Digitization activities are integrated into Publication & Documenta-tion<br />

Unit’s routine activities<br />

6. Digitization is undertaken in accordance with the copyright act and other<br />

relevant legislation. Physical ownership does not automatically mean that<br />

an institution owns the rights to reproduce it. In the past it was thought that<br />

when an object was transferred to an institution, so too were the legal<br />

rights to reproduce the object. Institution can no longer count on the fact<br />

that legal rights are transferred.<br />

7. Authentication of an object is one of the most important issues in archive<br />

administration So Archive will keep all administrative in<strong>for</strong>mation<br />

protected.<br />

8. The digitization of items in the collection is not diminish commitment to<br />

the preservation and care of these items, while the resulting digital<br />

surrogates will reduce the need <strong>for</strong> future handling of the items. If it is<br />

essential to digitize an item that is unstable due to its chemical and<br />

physical structure, digital camera is used <strong>for</strong> the scanning phase.<br />

9. Digital version of materials will represent originals as closely as possible.<br />

Image will not be manipulated or improved, except to compensate <strong>for</strong><br />

defects in equipment or in the original.<br />

10. There is a commitment to migration and/or conversation technologies to<br />

enable long term future <strong>for</strong> digital products.<br />

8. CONCLUSION<br />

Preservation keeps materials alive, intact and available <strong>for</strong> use so that they can<br />

be authoritatively used as long as possible (1) to document our heritage and our<br />

society and (2) to guide to others who will come in the future. As Philip Ward<br />

poetically states-<br />

“Our heritage is all that we know of ourselves; what we preserve of it, our<br />

only record. The record is our beacon in the darkness of time; the light that guides our<br />

steps.”<br />

Digital in<strong>for</strong>mation <strong>for</strong>ms an increasingly large part of our cultural and<br />

intellectual heritage and offers significant benefits to users. At the same time<br />

preservation and access to this in<strong>for</strong>mation is dependent on impermanent media and<br />

technologies; retaining metadata on the provenance and context; and retaining the<br />

authenticity and content of the resource. Although experience in creating and<br />

managing specific <strong>for</strong>ms of digital data has been built up over a number of decades in<br />

the sciences and social sciences, in many areas it is a relatively new medium where<br />

much of the future life-cycle, activities and cost models are currently unknown. These<br />

factors have led to increasing concern about the potential loss of our "collective<br />

104

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