PI-VR - VRED Professional 4.2 - PI-VR GmbH

More documents

Recommendations

Info

VRED Documentation You are here: Search Search New features in VRED Professional 4.2 Getting started Using VRED Professional Menus and icons tab Scenegraph Modules Search Send Question Please enter your search term below Search for: Advanced search
VRED Documentation You are here: Send Question Send Question New features in VRED Professional 4.2 Getting started Using VRED Professional Menus and icons tab Scenegraph Modules Search Send Question If you got any question regarding the functionalities of VRED, please use the following form: Name: Email: Question:
Page 1 and 2: VRED Documentation You are here: VR
Page 3 and 4: VRED Documentation You are here: Ne
Page 5 and 6: VRED Professional has once again se
Page 7 and 8: VRED Documentation You are here: Ge
Page 9 and 10: VRED Documentation You are here: Me
Page 11: VRED Documentation You are here: Mo
Page 15 and 16: VRED Documentation You are here: Ge
Page 17 and 18: 10. If you chose to run VRED direct
Page 19 and 20: VRED Documentation You are here: Us
Page 25 and 26: Scale mode: This mode can be access
Page 29 and 30: VRED Documentation You are here: Me
Page 31 and 32: lue -> Z-axis Press the yellow cube
Page 33 and 34: VRED Documentation You are here: Sc
Page 35 and 36: VRED Documentation You are here: Mo
Page 45 and 46: VRED Documentation You are here: Se
Page 49 and 50: Analytic Low Quality - Activates th
Page 51 and 52: Longres - defines the length divisi
Page 63 and 64:
VRED Documentation You are here: Us
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
TERMS OF USE AND DISTRIBUTION The S
Page 79 and 80:
vrParticle2 vrQObject vrRoute vrSHL
Page 81 and 82:
Opens the GL Info window. In the GL
Page 83 and 84:
VRED Documentation You are here: Me
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
Page 95 and 96:
Node Type - Sets a filter to specif
Page 97 and 98:
VRED Documentation You are here: Sc
Page 99 and 100:
VRED Documentation You are here: Mo
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
Page 111 and 112:
Page 113 and 114:
1/1000 1/500 1/250 1/125 1/60 1/30
Page 115 and 116:
ehind the key is a straight line. F
Page 117 and 118:
I - set all Timesliders to the End
Page 119 and 120:
Page 121 and 122:
name - sets the VariantsSet´s name
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Indirect Illumination: No Color Ble
Page 129 and 130:
Page 131 and 132:
Shadow Map Resolution - Sets the qu
Page 133 and 134:
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Page 141 and 142:
Page 143:
added in this tab Script: Multiple
Page 146 and 147:
Page 148 and 149:
Page 150 and 151:
Page 152 and 153:
Page 154 and 155:
Page 156 and 157:
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
Page 168 and 169:
Page 170 and 171:
Page 172 and 173:
Page 174 and 175:
Page 176 and 177:
Page 178 and 179:
Page 180 and 181:
Page 182 and 183:
Page 184 and 185:
Page 186 and 187:
Page 188 and 189:
Page 190 and 191:
Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
Page 198 and 199:
Page 200 and 201:
Page 202 and 203:
Page 204 and 205:
Page 206 and 207:
Page 208 and 209:
Page 210 and 211:
Page 212 and 213:
Page 214 and 215:
Page 216 and 217:
Page 218 and 219:
Page 220 and 221:
Page 222 and 223:
Page 224 and 225:
Page 226 and 227:
Page 228 and 229:
Page 230 and 231:
Page 232 and 233:
Page 234 and 235:
Page 236 and 237:
Page 238 and 239:
Page 240 and 241:
Page 242 and 243:
Page 244 and 245:
Page 246 and 247:
Page 248 and 249:
Page 250 and 251:
Page 252 and 253:
Page 254 and 255:
Page 256 and 257:
Page 258 and 259:
Page 260 and 261:
Page 262 and 263:
Page 264 and 265:
Page 266 and 267:
Page 268 and 269:
Page 270 and 271:
Page 272 and 273:
Triangulate - triangulates all poly
Page 274 and 275:
Page 276 and 277:
Page 278 and 279:
Page 280 and 281:
Transformation - in the Transformat
Page 282 and 283:
Crease Angle 45° Make Face and Ver
Page 284 and 285:
Crease Angle 5° Crease angle 30°
Page 286 and 287:
Page 288 and 289:
Page 290 and 291:
Page 292 and 293:
Dynamic multi horizontal span - Job
Page 294 and 295:
Page 296 and 297:
Page 298 and 299:
Page 300 and 301:
Page 302 and 303:
- Off (Light intensity of light is
Page 304 and 305:
Page 306 and 307:
Page 308 and 309:
Page 310 and 311:
Page 312 and 313:
Page 314 and 315:
Page 316 and 317:
Page 318 and 319:
Page 320 and 321:
Page 322 and 323:
Important: The total calculation ti
Page 324 and 325:
Color Bleeding: Yes Subdivision: No
Page 326 and 327:
Page 328 and 329:
Page 330 and 331:
efore starting its descent. You can
Page 332 and 333:
Page 334 and 335:
occlusion_pass - true/ false normal
Page 336 and 337:
Delete - deletes the selected seque
Page 338 and 339:
Page 341 and 342:
Page 343 and 344:
encounter. Max Shadow Depth - Sets
Page 345 and 346:
Page 347 and 348:
Page 349 and 350:
Use Texture - loads an image textur
Page 351 and 352:
and sampled. Full Global Illuminati
Page 353 and 354:
Occlusion Color - sets the shader´
Page 355 and 356:
Page 357 and 358:
Sample Indirect Light - only indire
Page 359 and 360:
Incandescence Intensity - sets the
Page 361 and 362:
Page 363 and 364:
placed in the scene. IBL - only the
Page 365 and 366:
Page 367 and 368:
Page 369 and 370:
Noise Quality - sets the procedural
Page 371 and 372:
Page 373 and 374:
Common Settings Occlusion Color - s
Page 375 and 376:
Page 377:
RenderView interaction. Quality Mod
Page 380 and 381:
Bump Texture Use Structure - activa
Page 382 and 383:
Page 384 and 385:
Use Environment Settings - uses the
Page 386 and 387:
Incandescence Settings - the incand
Page 388 and 389:
Page 390 and 391:
Still-frame Quality - sets the rend
Page 392 and 393:
for the bump channel. The image wil
Page 394 and 395:
Page 396 and 397:
precomputed illumination settings f
Page 398 and 399:
Page 400 and 401:
Page 402 and 403:
Page 404 and 405:
Page 406 and 407:
Page 408 and 409:
Page 410 and 411:
Page 412 and 413:
Page 414 and 415:
Page 416 and 417:
Face and vertex normals are consist
Page 418 and 419:
Page 420 and 421:
Page 422 and 423:
Page 424 and 425:
Page 426 and 427:
Page 428 and 429:
Page 430 and 431:
Page 432 and 433:
Page 434 and 435:
Page 436 and 437:
and they will be orientated to its
Page 438 and 439:
Page 440 and 441:
Page 442 and 443:
TERMINATION If you fail to comply w
Page 444 and 445:
vrFade.vrFade: vrFade fades the alp
Page 446 and 447:
Page 448 and 449:
Page 450 and 451:
Page 452 and 453:
Page 454 and 455:
Node Type - Sets a filter to specif
Page 456 and 457:
Page 458 and 459:
Page 460 and 461:
Page 462 and 463:
Page 464 and 465:
for the bump channel. The image wil
Page 466 and 467:
Page 468 and 469:
Page 470 and 471:
Page 472 and 473:
Page 474 and 475:
Page 476 and 477:
Page 478 and 479:
Page 480 and 481:
Page 482 and 483:
Page 484 and 485:
Use Texture - loads an image textur
Page 486 and 487:
and sampled. Full Global Illuminati
Page 488 and 489:
Incandescence Color - sets the self
Page 490 and 491:
Page 492 and 493:
Page 494 and 495:
Page 496 and 497:
Page 498 and 499:
Page 500 and 501:
Page 502 and 503:
Page 504 and 505:
Page 506 and 507:
IBL Quality - sets the Sampling Qua
Page 508 and 509:
Incandescence Settings - the incand
Page 510 and 511:
Page 512 and 513:
Page 514 and 515:
Page 516 and 517:
Page 518 and 519:
Page 520 and 521:
Page 522 and 523:
Triangulate - triangulates all poly
Page 524 and 525:
Page 526 and 527:
Page 528 and 529:
Sample Indirect Light - only indire
Page 530 and 531:
will be repeated. Anisotrophy - set
Page 532 and 533:
IBL + OpenGL - the shader will be a
Page 534 and 535:
Page 536 and 537:
Page 538 and 539:
Page 540 and 541:
Page 542 and 543:
Page 544 and 545:
Page 546 and 547:
Page 548 and 549:
Incandescence Intensity - sets the
Page 550 and 551:
Page 552 and 553:
Use Environment Settings - uses the
Page 554 and 555:
Page 556 and 557:
Page 558 and 559:
Page 560 and 561:
Page 562 and 563:
Page 564 and 565:
Page 566 and 567:
placed in the scene. IBL - only the
Page 568 and 569:
Bump Texture Use Structure - activa
Page 570 and 571:
Page 572 and 573:
Page 574 and 575:
Page 576 and 577:
Page 578 and 579:
Page 580 and 581:
Page 582 and 583:
Page 584:
RenderView interaction. Quality Mod
Page 587 and 588:
Page 589 and 590:
Page 591 and 592:
Page 593 and 594:
Page 595 and 596:
Incandescence Color - sets the self
Page 597 and 598:
Page 599 and 600:
Common Settings Occlusion Color - s
Page 601 and 602:
Page 603 and 604:
Page 605 and 606:
show all

PI-VR - VRED Professional 4.2 - PI-VR GmbH

Create successful ePaper yourself

Delete template?

Save as template?