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Myths and Legends of the Celtic Race - Knowledge Rush

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CHAPTER IV: THE EARLY MILESIAN KINGS 129chanced that shortly after this <strong>the</strong> harper Craftiny broke his harp<strong>and</strong> needed a new one, <strong>and</strong> as luck would have it <strong>the</strong> first suitabletree he came to was <strong>the</strong> willow that had <strong>the</strong> king's secret. Hecut it down, made his harp from it, <strong>and</strong> performed that night asusual in <strong>the</strong> king's hall; when, to <strong>the</strong> amazement <strong>of</strong> all, as soon as<strong>the</strong> harper touched <strong>the</strong> strings <strong>the</strong> assembled guests heard <strong>the</strong>mchime <strong>the</strong> words, “Two horse's ears hath Labra <strong>the</strong> Mariner.” Theking <strong>the</strong>n, seeing that <strong>the</strong> secret was out, plucked <strong>of</strong>f his hood<strong>and</strong> showed himself plainly; nor was any man put to death againon account <strong>of</strong> this mystery. We have seen that <strong>the</strong> compellingpower <strong>of</strong> Craftiny's music had formerly cured Labra's dumbness.The sense <strong>of</strong> something magical in music, as though supernaturalpowers spoke through it, is <strong>of</strong> constant recurrence in Irish legend.Legend-Cycle <strong>of</strong> Conary MōrWe now come to a cycle <strong>of</strong> legends centering on, or ra<strong>the</strong>rclosing with, <strong>the</strong> wonderful figure <strong>of</strong> <strong>the</strong> High King ConaryMōr—a cycle so charged with splendour, mystery, <strong>and</strong> romancethat to do it justice would require far more space than can begiven to it within <strong>the</strong> limits <strong>of</strong> this work. 122 [156]Etain in Fairyl<strong>and</strong>The preliminary events <strong>of</strong> <strong>the</strong> cycle are transacted in <strong>the</strong> “L<strong>and</strong><strong>of</strong> Youth,” <strong>the</strong> mystic country <strong>of</strong> <strong>the</strong> People <strong>of</strong> Dana after <strong>the</strong>irdispossession by <strong>the</strong> Children <strong>of</strong> Miled. Midir <strong>the</strong> Proud son <strong>of</strong><strong>the</strong> Dagda, a Danaan prince dwelling on Slieve Callary, had awife named Fuamnach. After a while he took to himself ano<strong>the</strong>rbride, Etain, whose beauty <strong>and</strong> grace were beyond compare, sothat “as fair as Etain” became a proverbial comparison for anybeauty that exceeded all o<strong>the</strong>r st<strong>and</strong>ards. Fuamnach <strong>the</strong>reforebecame jealous <strong>of</strong> her rival, <strong>and</strong> having by magic art changed122The reader may, however, be referred to <strong>the</strong> tale <strong>of</strong> Etain <strong>and</strong> Midir asgiven in full by A.H. Leahy (“Heroic Romances <strong>of</strong> Irel<strong>and</strong>”), <strong>and</strong> by <strong>the</strong> writerin his “High Deeds <strong>of</strong> Finn,” <strong>and</strong> to <strong>the</strong> tale <strong>of</strong> Conary rendered by Sir S.Ferguson (“Poems,” 1886), in what Dr. Whitley Stokes has described as <strong>the</strong>noblest poem ever written by an Irishman.

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