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Myths and Legends of the Celtic Race - Knowledge Rush

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132 <strong>Myths</strong> <strong>and</strong> <strong>Legends</strong> <strong>of</strong> <strong>the</strong> <strong>Celtic</strong> <strong>Race</strong>[159]The king wooed her <strong>and</strong> made her his wife, <strong>and</strong> brought herback to Tara.The Love-Story <strong>of</strong> AilillIt happened that <strong>the</strong> king had a bro<strong>the</strong>r named Ailill, who, onseeing Etain, was so smitten with her beauty that he fell sick <strong>of</strong><strong>the</strong> intensity <strong>of</strong> his passion <strong>and</strong> wasted almost to death. Whilehe was in this condition Eochy had to make a royal progressthrough Irel<strong>and</strong>. He left his bro<strong>the</strong>r—<strong>the</strong> cause <strong>of</strong> whose maladynone suspected—in Etain's care, bidding her do what she couldfor him, <strong>and</strong>, if he died, to bury him with due ceremonies <strong>and</strong>erect an Ogham stone above his grave. 125 Etain goes to visit <strong>the</strong>bro<strong>the</strong>r; she inquires <strong>the</strong> cause <strong>of</strong> his illness; he speaks to her inenigmas, but at last, moved beyond control by her tenderness,he breaks out in an avowal <strong>of</strong> his passion. His description <strong>of</strong> <strong>the</strong>yearning <strong>of</strong> hopeless love is a lyric <strong>of</strong> extraordinary intensity. “Itis closer than <strong>the</strong> skin,” he cries, “it is like a battle with a spectre,it overwhelms like a flood, it is a weapon under <strong>the</strong> sea, it isa passion for an echo.” By “a weapon under <strong>the</strong> sea” <strong>the</strong> poetmeans that love is like one <strong>of</strong> <strong>the</strong> secret treasures <strong>of</strong> <strong>the</strong> fairy-folkin <strong>the</strong> kingdom <strong>of</strong> Mananan—as wonderful <strong>and</strong> as unattainable.Etain is now in some perplexity; but she decides, with a kind<strong>of</strong> naïve good-nature, that although she is not in <strong>the</strong> least inlove with Ailill, she cannot see a man die <strong>of</strong> longing for her,<strong>and</strong> she promises to be his. Possibly we are to underst<strong>and</strong> herethat she was prompted by <strong>the</strong> fairy nature, ignorant <strong>of</strong> good <strong>and</strong>evil, <strong>and</strong> alive only to pleasure <strong>and</strong> to suffering. It must be said,however, that in <strong>the</strong> Irish myths in general this, as we may callit, “fairy” view <strong>of</strong> morality is <strong>the</strong> one generally prevalent bothamong Danaans <strong>and</strong> mortals—both alike strike one as morallyirresponsible.125 Ogham letters, which were composed <strong>of</strong> straight lines arranged in a certainorder about <strong>the</strong> axis formed by <strong>the</strong> edge <strong>of</strong> a squared pillar-stone, were usedfor sepulchral inscription <strong>and</strong> writing generally before <strong>the</strong> introduction <strong>of</strong> <strong>the</strong>Roman alphabet in Irel<strong>and</strong>.

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