12.07.2015 Views

Myths and Legends of the Celtic Race - Knowledge Rush

Myths and Legends of the Celtic Race - Knowledge Rush

Myths and Legends of the Celtic Race - Knowledge Rush

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

296 <strong>Myths</strong> <strong>and</strong> <strong>Legends</strong> <strong>of</strong> <strong>the</strong> <strong>Celtic</strong> <strong>Race</strong>[345]Welsh material is nothing like as full as <strong>the</strong> Gaelic, nor soearly. The tales <strong>of</strong> <strong>the</strong> “Mabinogion” are mainly drawn from<strong>the</strong> fourteenth-century manuscript entitled “The Red Book <strong>of</strong>Hergest.” One <strong>of</strong> <strong>the</strong>m, <strong>the</strong> romance <strong>of</strong> Taliesin, came fromano<strong>the</strong>r source, a manuscript <strong>of</strong> <strong>the</strong> seventeenth century. Thefour oldest tales in <strong>the</strong> “Mabinogion” are supposed by scholarsto have taken <strong>the</strong>ir present shape in <strong>the</strong> tenth or eleventh century,while several Irish tales, like <strong>the</strong> story <strong>of</strong> Etain <strong>and</strong> Midir or<strong>the</strong> Death <strong>of</strong> Conary, go back to <strong>the</strong> seventh or eighth. It willbe remembered that <strong>the</strong> story <strong>of</strong> <strong>the</strong> invasion <strong>of</strong> Partholan wasknown to Nennius, who wrote about <strong>the</strong> year 800. As onemight <strong>the</strong>refore expect, <strong>the</strong> mythological elements in <strong>the</strong> Welshromances are usually much more confused <strong>and</strong> harder to decipherthan in <strong>the</strong> earlier <strong>of</strong> <strong>the</strong> Irish tales. The mythic interest has grownless, <strong>the</strong> story interest greater; <strong>the</strong> object <strong>of</strong> <strong>the</strong> bard is less to h<strong>and</strong>down a sacred text than to entertain a prince's court. We mustremember also that <strong>the</strong> influence <strong>of</strong> <strong>the</strong> Continental romances <strong>of</strong>chivalry is clearly perceptible in <strong>the</strong> Welsh tales; <strong>and</strong>, in fact,comes eventually to govern <strong>the</strong>m completely.Gaelic <strong>and</strong> Continental RomanceIn many respects <strong>the</strong> Irish Celt anticipated <strong>the</strong> ideas <strong>of</strong> <strong>the</strong>seromances. The l<strong>of</strong>ty courtesy shown to each o<strong>the</strong>r by enemies, 213<strong>the</strong> fantastic pride which forbade a warrior to take advantage <strong>of</strong>a wounded adversary, 214 <strong>the</strong> extreme punctilio with which <strong>the</strong>duties or observances proper to each man's caste or station wereobserved 215 —all this tone <strong>of</strong> thought <strong>and</strong> feeling which wouldseem so strange to us if we met an instance <strong>of</strong> it in classicalliterature would seem quite familiar <strong>and</strong> natural in Continentalromances <strong>of</strong> <strong>the</strong> twelfth <strong>and</strong> later centuries. Centuries earlierthan that it was a marked feature in Gaelic literature. Yet in<strong>the</strong> Irish romances, whe<strong>the</strong>r Ultonian or Ossianic, <strong>the</strong> element213 See, e.g., pp. 243 <strong>and</strong> 218, note.214 See p. 233, <strong>and</strong> a similar case in <strong>the</strong> author's “High Deeds <strong>of</strong> Finn,” p. 82.215 See p. 232, <strong>and</strong> <strong>the</strong> tale <strong>of</strong> <strong>the</strong> recovery <strong>of</strong> <strong>the</strong> “Tain,” p. 234.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!