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Myths and Legends of the Celtic Race - Knowledge Rush

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290 <strong>Myths</strong> <strong>and</strong> <strong>Legends</strong> <strong>of</strong> <strong>the</strong> <strong>Celtic</strong> <strong>Race</strong>[338]beginning <strong>of</strong> Arthur's reign in <strong>the</strong> year 505, recounts his warsagainst <strong>the</strong> Saxons, <strong>and</strong> says he ultimately conquered not only allBritain, but Irel<strong>and</strong>, Norway, Gaul, <strong>and</strong> Dacia, <strong>and</strong> successfullyresisted a dem<strong>and</strong> for tribute <strong>and</strong> homage from <strong>the</strong> Romans. Heheld his court at Caerleon-on-Usk. While he was away on <strong>the</strong>Continent carrying on his struggle with Rome his nephew Modredusurped his crown <strong>and</strong> wedded his wife Guanhumara. Arthur,on this, returned, <strong>and</strong> after defeating <strong>the</strong> traitor at Winchesterslew him in a last battle in Cornwall, where Arthur himself wassorely wounded (A.D. 542). The queen retired to a convent atCaerleon. Before his death Arthur conferred his kingdom on hiskinsman Constantine, <strong>and</strong> was <strong>the</strong>n carried <strong>of</strong>f mysteriously to“<strong>the</strong> isle <strong>of</strong> Avalon” to be cured, <strong>and</strong> “<strong>the</strong> rest is silence.” Arthur'smagic sword “Caliburn” (Welsh Caladvwlch; see p. 224, note)is mentioned by Ge<strong>of</strong>frey <strong>and</strong> described as having been made inAvalon, a word which seems to imply some kind <strong>of</strong> fairyl<strong>and</strong>, aL<strong>and</strong> <strong>of</strong> <strong>the</strong> Dead, <strong>and</strong> may be related to <strong>the</strong> Norse Valhall. Itwas not until later times that Avalon came to be identified withan actual site in Britain (Glastonbury). In Ge<strong>of</strong>frey's narrative<strong>the</strong>re is nothing about <strong>the</strong> Holy Grail, or Lancelot, or <strong>the</strong> RoundTable, <strong>and</strong> except for <strong>the</strong> allusion to Avalon <strong>the</strong> mystical element<strong>of</strong> <strong>the</strong> Arthurian saga is absent. Like Nennius, Ge<strong>of</strong>frey findsa fantastic classical origin for <strong>the</strong> Britons. His so-called historyis perfectly worthless as a record <strong>of</strong> fact, but it has proved averitable mine for poets <strong>and</strong> chroniclers, <strong>and</strong> has <strong>the</strong> distinction<strong>of</strong> having furnished <strong>the</strong> subject for <strong>the</strong> earliest English tragicdrama, “Gorboduc,” as well as for Shakespeare's “King Lear”;<strong>and</strong> its author may be described as <strong>the</strong> fa<strong>the</strong>r—at least on itsquasi-historical side—<strong>of</strong> <strong>the</strong> Arthurian saga, which he made uppartly out <strong>of</strong> records <strong>of</strong> <strong>the</strong> historical dux bellorum <strong>of</strong> Nennius<strong>and</strong> partly out <strong>of</strong> poetical amplifications <strong>of</strong> <strong>the</strong>se records madein Brittany by <strong>the</strong> descendants <strong>of</strong> exiles from Wales, many <strong>of</strong>whom fled <strong>the</strong>re at <strong>the</strong> very time when Arthur was waginghis wars against <strong>the</strong> hea<strong>the</strong>n Saxons. Ge<strong>of</strong>frey's book had a

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