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Myths and Legends of the Celtic Race - Knowledge Rush

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266 <strong>Myths</strong> <strong>and</strong> <strong>Legends</strong> <strong>of</strong> <strong>the</strong> <strong>Celtic</strong> <strong>Race</strong>[310]<strong>of</strong> Maeldūn,” a most curious <strong>and</strong> brilliant piece <strong>of</strong> invention,which is found in <strong>the</strong> manuscript entitled <strong>the</strong> “Book <strong>of</strong> <strong>the</strong> DunCow” (about 1100) <strong>and</strong> o<strong>the</strong>r early sources, <strong>and</strong> edited, witha translation (to which I owe <strong>the</strong> following extracts), by Dr.Whitley Stokes in <strong>the</strong> “Revue Celtique” for 1888 <strong>and</strong> 1889. It isonly one <strong>of</strong> a number <strong>of</strong> such wonder-voyages found in ancientIrish literature, but it is believed to have been <strong>the</strong> earliest <strong>of</strong> <strong>the</strong>mall <strong>and</strong> model for <strong>the</strong> rest, <strong>and</strong> it has had <strong>the</strong> distinction, in <strong>the</strong>abridged <strong>and</strong> modified form given by Joyce in his “Old <strong>Celtic</strong>Romances,” <strong>of</strong> having furnished <strong>the</strong> <strong>the</strong>me for <strong>the</strong> “Voyage <strong>of</strong>Maeldune” to Tennyson, who made it into a wonderful creation<strong>of</strong> rhythm <strong>and</strong> colour, embodying a kind <strong>of</strong> allegory <strong>of</strong> Irishhistory. It will be noticed at <strong>the</strong> end that we are in <strong>the</strong> unusualposition <strong>of</strong> knowing <strong>the</strong> name <strong>of</strong> <strong>the</strong> author <strong>of</strong> this piece <strong>of</strong>primitive literature, though he does not claim to have composed,but only to have “put in order,” <strong>the</strong> incidents <strong>of</strong> <strong>the</strong> “Voyage.”Unfortunately we cannot tell when he lived, but <strong>the</strong> tale as wehave it probably dates from <strong>the</strong> ninth century. Its atmosphere isentirely Christian, <strong>and</strong> it has no mythological significance exceptin so far as it teaches <strong>the</strong> lesson that <strong>the</strong> oracular injunctions<strong>of</strong> wizards should be obeyed. No adventure, or even detail, <strong>of</strong>importance is omitted in <strong>the</strong> following summary <strong>of</strong> <strong>the</strong> story,which is given thus fully because <strong>the</strong> reader may take it asrepresenting a large <strong>and</strong> important section <strong>of</strong> Irish legendaryromance. Apart from <strong>the</strong> source to which I am indebted, <strong>the</strong>“Revue Celtique,” I know no o<strong>the</strong>r faithful reproduction inEnglish <strong>of</strong> this wonderful tale.The “Voyage <strong>of</strong> Maeldūn” begins, as Irish tales <strong>of</strong>ten do, bytelling us <strong>of</strong> <strong>the</strong> conception <strong>of</strong> its hero.There was a famous man <strong>of</strong> <strong>the</strong> sept <strong>of</strong> <strong>the</strong> Owens <strong>of</strong> Aran,named Ailill Edge-<strong>of</strong>-Battle, who went with his king on a forayinto ano<strong>the</strong>r territory. They encamped one night near a church<strong>and</strong> convent <strong>of</strong> nuns. At midnight Ailill, who was near <strong>the</strong>church, saw a certain nun come out to strike <strong>the</strong> bell for nocturns,

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