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Myths and Legends of the Celtic Race - Knowledge Rush

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248 <strong>Myths</strong> <strong>and</strong> <strong>Legends</strong> <strong>of</strong> <strong>the</strong> <strong>Celtic</strong> <strong>Race</strong>[289]St. Patrick, Oisīn, <strong>and</strong> KeeltaBefore we leave <strong>the</strong> “Colloquy” ano<strong>the</strong>r interesting pointmust be mentioned in connexion with it. To <strong>the</strong> general publicprobably <strong>the</strong> best-known things in Ossianic literature—I refer,<strong>of</strong> course, to <strong>the</strong> true Gaelic poetry which goes under that name,not to <strong>the</strong> pseudo-Ossian <strong>of</strong> Macpherson—are those dialogues inwhich <strong>the</strong> pagan <strong>and</strong> <strong>the</strong> Christian ideals are contrasted, <strong>of</strong>tenin a spirit <strong>of</strong> humorous exaggeration or <strong>of</strong> satire. The earliest<strong>of</strong> <strong>the</strong>se pieces are found in <strong>the</strong> manuscript called “The Dean <strong>of</strong>Lismore's Book,” in which James Macgregor, Dean <strong>of</strong> Lismorein Argyllshire,wrote down, some time before <strong>the</strong> year 1518, allhe could remember or discover <strong>of</strong> traditional Gaelic poetry inhis time. It may be observed that up to this period, <strong>and</strong>, indeed,long after it, Scottish <strong>and</strong> Irish Gaelic were one language <strong>and</strong>one literature, <strong>the</strong> great written monuments <strong>of</strong> which were inIrel<strong>and</strong>, though <strong>the</strong>y belonged just as much to <strong>the</strong> Highl<strong>and</strong> Celt,<strong>and</strong> <strong>the</strong> two branches <strong>of</strong> <strong>the</strong> Gael had an absolutely commonstock <strong>of</strong> poetic tradition. These Oisīn-<strong>and</strong>-Patrick dialoguesare found in abundance both in Irel<strong>and</strong> <strong>and</strong> in <strong>the</strong> Highl<strong>and</strong>s,though, as I have said, “The Dean <strong>of</strong> Lismore's Book” is <strong>the</strong>irfirst written record now extant. What relation, <strong>the</strong>n, do <strong>the</strong>sedialogues bear to <strong>the</strong> Keelta-<strong>and</strong>-Patrick dialogues with whichwe make acquaintance in <strong>the</strong> “Colloquy”? The questions whichreally came first, where <strong>the</strong>y respectively originated, <strong>and</strong> whatcurrent <strong>of</strong> thought or sentiment each represented, constitute, asMr. Alfred Nutt has pointed out, a literary problem <strong>of</strong> <strong>the</strong> greatestinterest; <strong>and</strong> one which no critic has yet attempted to solve, or,indeed, until quite lately, even to call attention to. For though<strong>the</strong>se two attempts to represent, in imaginative <strong>and</strong> artistic form,<strong>the</strong> contact <strong>of</strong> paganism with Christianity are nearly identical inmachinery <strong>and</strong> framework, save that one is in verse <strong>and</strong> <strong>the</strong> o<strong>the</strong>rin prose, yet <strong>the</strong>y differ widely in <strong>the</strong>ir point <strong>of</strong> view.In <strong>the</strong> Oisīn dialogues 186 <strong>the</strong>re is a great deal <strong>of</strong> rough humour186Examples <strong>of</strong> <strong>the</strong>se have been published, with translations, in <strong>the</strong>

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