HF Newhall Beaumont - Historia de la fotografia II

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· " ¡. ¡¡: ¡ ji , I ¡ ! ~ : I 1'1 I PAUL STRAND, Roca, Porte Lome (Nova Scotia), 1919. Gelatino-bromuro, The Museum of Modern Art, Nueva 175
, ~ .. -. ·7'· •• .... , ,. ,f y, -1 j j J J J J J J J j J J J J PAUL STRAND, La doble Akeley, Nueva York, 1922. Gelatino-bromuro, the Museum of Modern Art, Nueva York I . I I--! 176 '1 .1
Page 1: PAUL STRAND,ia cerca blanca, Pon Ke
Page 5 and 6: ~ J J J J J . ~ · C ~ .~ ) * J J J
Page 7 and 8: _1 " ~ .'~, J J J J J EDWARO STEICH
Page 9 and 10: ': "- J J J J J J J J J J J J I -<
Page 11 and 12: .. -.: EDWARD WESTON, Palma Cuernav
Page 13 and 14: ~ . .J J J J .J J J J J J J J J EDW
Page 15 and 16: EDWARD WESTON, Point Lobos, Califdr
Page 17 and 18: F,., ".1';:" ~ ; ' ,,- . . I ! .-1.
Page 19 and 20: '-'1 ..;/.' .' ,.1 YanDykey Edward
Page 21 and 22: f . ! J j J J J j I -J JEAN-EUGENE-
Page 23 and 24: J' ""j:¡ .~- ;": .., .~ ~i 1f>: .:
Page 25 and 26: .:oqit .' . ..1 J J : ~ :~: ,¡~ ,
Page 27 and 28: I I i ." , ~' : ~ ~ . I í (. t ~.4
Page 29 and 30: 1 l' _1 J J J J J J MAN RAY," Bodeg
Page 31 and 32: L1 , :.1 { , tl ~i J ~~ I ¡ i LJ j
Page 33 and 34: MAN RA Y, Rostros, 1932. Gelatino-b
Page 35 and 36: 1 j J J J ANTON GIULlO BRAGAGLlA, E
Page 37 and 38: HANNAH HÓCH, El millo1lfJrio, o Al
Page 39 and 40: " EL LISSITZK';, El construCio~: Au
Page 41 and 42: . 11 ' .. ¡ ~ " I ....J. ..1 J J "
Page 43 and 44: It~*~c "' ''''/ tr'' :--"-'': :; ~:
Page 45 and 46: CHARLES PLAZZI SMYTH; Escena callej
Page 47 and 48: J J ]ACQUES-HENRI LARTIGUE, La play
Page 49 and 50: JI H 1 ¡J J OSKAR BARNACK, Retrato
Page 51 and 52: I .J J J . J J --~ ANDRÉ KERTÉSZ,
Page 53 and 54:
'J J BRASSAI; ·El parque de Palazz
Page 55 and 56:
.J HENRI CARTIER-BRESSON. Niños ju
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J J j J HENRI CARTIER-BRESSON, Abru
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J I J J J BARBARA MORGAN, Martha Gr
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DOROTHEA LANGE, Madre en la migraci
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J ·.·.1 ·.•.• ,... " . Derec
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"re misma del rascacielos. Tales fo
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J J J J J J J J J WALKER EVANS, AlL
Page 69 and 70:
J J J J J 'J J ,;J J J DOROTHEA LAN
Page 71 and 72:
por Paul S. T~ylor, un profesor de
Page 73 and 74:
con' los auspiCIOS del programa art
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.'.' 1. .. .1 J J J J J J I J J I ;
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.'1 1 J j J Anónimo, General u. s
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J '¡J , ,1 iJ I ; i .;.- ~ - . ,.'
Page 81 and 82:
1 J J J J I ._L 1 " , ~ J - J,. U'"
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1 J 1 J 1 1 J 1 J J J J J J WILLIAM
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FELlX H. MAN, Mussolini. Ensayo fot
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n'uirústa, publicó su última edi
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, .., - J J J J J J J J J J J J J J
Page 91 and 92:
· - ' •. T," -~.". _ _ o 'o.'·F
Page 93 and 94:
' , ' J' J J J J / ' J EDWARÓ , ST
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~.fkk·W , i) ,;. , ~ .. ,. o", .'
Page 97 and 98:
.,'Jt J ~. ~1 ,~¡ w ~,' 'I .~: f'
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f~entabá , co~ ' dificultades 'q u
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J J I I :j , I "J ~, I ) J . ': - I
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zonas negras, grises y blancas de l
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J EDWARD WESTON, Muelle, 1946. Tran
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'" '", ~ 4' iI :~ :~ "'~ ,. ~.~ , 1
Page 109 and 110:
J ,- MINOR WHITE, Padfico, 1948. Ge
Page 111 and 112:
AARON SISKIND, SímboLos en eL pais
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1 1 1 1 1 1 J FREDERICK SOMMER, Max
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ROBERT-LOUIS FRANK, Desfile, Hoboke
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'-, ".1 J J J J J J J J .f, 'l J }/
Page 119 and 120:
292 DUANE MICHALS, La muerte llega
Page 121 and 122:
.... :JI J J J J J J IRVING PENN, C
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'~ , ;1::
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!"_J I _ ~_
Page 127 and 128:
AP':ÉN,DICE: ESCRIBIR LA HISTORIA
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., , «historia de lQsWhigs». La c
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dos por la 1 Guerra Mundial, favore
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primera persona de un retratista co
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, .Giaclas.a ~osesfuerzos de Henry
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-. ) los' .ITiq:oresde' la Sra, Cam
Page 139 and 140:
Museúm ()f Fine Ans yel D~Young Mu
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·.· ímágenes y el ,texto discre
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3 .• ELDAGUER'R0ilPQ: ,:"" , EUSP
Page 145 and 146:
23 . Cornelius Jabez Hughes, .«Qn
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21. Edward WestorÍ a Frank Roy Fra
Page 149 and 150:
I ...1. profesional de los fotógra
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. , ', friends, em~r:acin~ t~.e his
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'r '~ ' ~'. '."' . .•,1 . y los r
Page 155 and 156:
' . HicksWilson Wordsand·PictÚres
Page 157 and 158:
Walker Evans, Photographs from the
Page 159 and 160:
J. " . t: Pau¡'Rosenfeldy Harold R
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heliografíi, 15, 1-8 historia ert
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Bruguier~, Francis(1880-194s) ."'.
Page 165 and 166:
. :.. 1 I i L 1 ..L _ , Eise~stc;.i
Page 167 and 168:
Ruinas dé los molinos de harina Ga
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Page 171 and 172:
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Page 173:
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HF Newhall Beaumont - Historia de la fotografia II

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