HF Newhall Beaumont - Historia de la fotografia II

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1937. Gelatino-bromuro, The Museum of Modern.~.eva 227
.J HENRI CARTIER-BRESSON. Niños jugando entre las ruinas, Esp~ña. 1934. Gelatino-bromuro, The Museum óf Modero. A'it. Nueva York . J J J I -, I ! J HENRI CARTIER-BRESSON. Carden,al PacelLi (luego Papa Pío XII) en Montmartre(Paris), 1938. Gelatino-bromuro, cortesía del autor 228
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PAUL STRAND,ia cerca blanca, Pon Ke
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Page 7 and 8: _1 " ~ .'~, J J J J J EDWARO STEICH
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Page 11 and 12: .. -.: EDWARD WESTON, Palma Cuernav
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Page 15 and 16: EDWARD WESTON, Point Lobos, Califdr
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Page 19 and 20: '-'1 ..;/.' .' ,.1 YanDykey Edward
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Page 29 and 30: 1 l' _1 J J J J J J MAN RAY," Bodeg
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Page 33 and 34: MAN RA Y, Rostros, 1932. Gelatino-b
Page 35 and 36: 1 j J J J ANTON GIULlO BRAGAGLlA, E
Page 37 and 38: HANNAH HÓCH, El millo1lfJrio, o Al
Page 39 and 40: " EL LISSITZK';, El construCio~: Au
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Page 43 and 44: It~*~c "' ''''/ tr'' :--"-'': :; ~:
Page 45 and 46: CHARLES PLAZZI SMYTH; Escena callej
Page 47 and 48: J J ]ACQUES-HENRI LARTIGUE, La play
Page 49 and 50: JI H 1 ¡J J OSKAR BARNACK, Retrato
Page 51 and 52: I .J J J . J J --~ ANDRÉ KERTÉSZ,
Page 53: 'J J BRASSAI; ·El parque de Palazz
Page 57 and 58: J J j J HENRI CARTIER-BRESSON, Abru
Page 59 and 60: J I J J J BARBARA MORGAN, Martha Gr
Page 61 and 62: DOROTHEA LANGE, Madre en la migraci
Page 63 and 64: J ·.·.1 ·.•.• ,... " . Derec
Page 65 and 66: "re misma del rascacielos. Tales fo
Page 67 and 68: J J J J J J J J J WALKER EVANS, AlL
Page 69 and 70: J J J J J 'J J ,;J J J DOROTHEA LAN
Page 71 and 72: por Paul S. T~ylor, un profesor de
Page 73 and 74: con' los auspiCIOS del programa art
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Page 77 and 78: .'1 1 J j J Anónimo, General u. s
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Page 81 and 82: 1 J J J J I ._L 1 " , ~ J - J,. U'"
Page 83 and 84: 1 J 1 J 1 1 J 1 J J J J J J WILLIAM
Page 85 and 86: FELlX H. MAN, Mussolini. Ensayo fot
Page 87 and 88: n'uirústa, publicó su última edi
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Page 91 and 92: · - ' •. T," -~.". _ _ o 'o.'·F
Page 93 and 94: ' , ' J' J J J J / ' J EDWARÓ , ST
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Page 99 and 100: f~entabá , co~ ' dificultades 'q u
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Page 103 and 104: zonas negras, grises y blancas de l
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J EDWARD WESTON, Muelle, 1946. Tran
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J ,- MINOR WHITE, Padfico, 1948. Ge
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AARON SISKIND, SímboLos en eL pais
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1 1 1 1 1 1 J FREDERICK SOMMER, Max
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ROBERT-LOUIS FRANK, Desfile, Hoboke
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292 DUANE MICHALS, La muerte llega
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.... :JI J J J J J J IRVING PENN, C
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AP':ÉN,DICE: ESCRIBIR LA HISTORIA
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., , «historia de lQsWhigs». La c
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dos por la 1 Guerra Mundial, favore
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primera persona de un retratista co
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, .Giaclas.a ~osesfuerzos de Henry
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-. ) los' .ITiq:oresde' la Sra, Cam
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Museúm ()f Fine Ans yel D~Young Mu
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·.· ímágenes y el ,texto discre
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3 .• ELDAGUER'R0ilPQ: ,:"" , EUSP
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23 . Cornelius Jabez Hughes, .«Qn
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21. Edward WestorÍ a Frank Roy Fra
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I ...1. profesional de los fotógra
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. , ', friends, em~r:acin~ t~.e his
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'r '~ ' ~'. '."' . .•,1 . y los r
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' . HicksWilson Wordsand·PictÚres
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Walker Evans, Photographs from the
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J. " . t: Pau¡'Rosenfeldy Harold R
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heliografíi, 15, 1-8 historia ert
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Bruguier~, Francis(1880-194s) ."'.
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Ruinas dé los molinos de harina Ga
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HF Newhall Beaumont - Historia de la fotografia II

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