HF Newhall Beaumont - Historia de la fotografia II

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v r· EDWARD STEICHEN, Tronco y ramas, de un mirasol,cí. '1920. GelaunQ-bromuro,. The Museum ofModern Art, i t 181
': "- J J J J J J J J J J J J I -< J PAUL OUTERBRIDGE, J r., Piano, 1922. Platinotipo, cortesía de la G. Ray Hawkins Gallery, Los Angeles (California) I -1 182
Page 1 and 2: PAUL STRAND,ia cerca blanca, Pon Ke
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Page 7: _1 " ~ .'~, J J J J J EDWARO STEICH
Page 11 and 12: .. -.: EDWARD WESTON, Palma Cuernav
Page 13 and 14: ~ . .J J J J .J J J J J J J J J EDW
Page 15 and 16: EDWARD WESTON, Point Lobos, Califdr
Page 17 and 18: F,., ".1';:" ~ ; ' ,,- . . I ! .-1.
Page 19 and 20: '-'1 ..;/.' .' ,.1 YanDykey Edward
Page 21 and 22: f . ! J j J J J j I -J JEAN-EUGENE-
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Page 33 and 34: MAN RA Y, Rostros, 1932. Gelatino-b
Page 35 and 36: 1 j J J J ANTON GIULlO BRAGAGLlA, E
Page 37 and 38: HANNAH HÓCH, El millo1lfJrio, o Al
Page 39 and 40: " EL LISSITZK';, El construCio~: Au
Page 41 and 42: . 11 ' .. ¡ ~ " I ....J. ..1 J J "
Page 43 and 44: It~*~c "' ''''/ tr'' :--"-'': :; ~:
Page 45 and 46: CHARLES PLAZZI SMYTH; Escena callej
Page 47 and 48: J J ]ACQUES-HENRI LARTIGUE, La play
Page 49 and 50: JI H 1 ¡J J OSKAR BARNACK, Retrato
Page 51 and 52: I .J J J . J J --~ ANDRÉ KERTÉSZ,
Page 53 and 54: 'J J BRASSAI; ·El parque de Palazz
Page 55 and 56: .J HENRI CARTIER-BRESSON. Niños ju
Page 57 and 58: J J j J HENRI CARTIER-BRESSON, Abru
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J I J J J BARBARA MORGAN, Martha Gr
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DOROTHEA LANGE, Madre en la migraci
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J ·.·.1 ·.•.• ,... " . Derec
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"re misma del rascacielos. Tales fo
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J J J J J J J J J WALKER EVANS, AlL
Page 69 and 70:
J J J J J 'J J ,;J J J DOROTHEA LAN
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por Paul S. T~ylor, un profesor de
Page 73 and 74:
con' los auspiCIOS del programa art
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Page 77 and 78:
.'1 1 J j J Anónimo, General u. s
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1 J J J J I ._L 1 " , ~ J - J,. U'"
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1 J 1 J 1 1 J 1 J J J J J J WILLIAM
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FELlX H. MAN, Mussolini. Ensayo fot
Page 87 and 88:
n'uirústa, publicó su última edi
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' , ' J' J J J J / ' J EDWARÓ , ST
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f~entabá , co~ ' dificultades 'q u
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J J I I :j , I "J ~, I ) J . ': - I
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zonas negras, grises y blancas de l
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J EDWARD WESTON, Muelle, 1946. Tran
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J ,- MINOR WHITE, Padfico, 1948. Ge
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AARON SISKIND, SímboLos en eL pais
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1 1 1 1 1 1 J FREDERICK SOMMER, Max
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ROBERT-LOUIS FRANK, Desfile, Hoboke
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'-, ".1 J J J J J J J J .f, 'l J }/
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292 DUANE MICHALS, La muerte llega
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.... :JI J J J J J J IRVING PENN, C
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AP':ÉN,DICE: ESCRIBIR LA HISTORIA
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., , «historia de lQsWhigs». La c
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dos por la 1 Guerra Mundial, favore
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primera persona de un retratista co
Page 135 and 136:
, .Giaclas.a ~osesfuerzos de Henry
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-. ) los' .ITiq:oresde' la Sra, Cam
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Museúm ()f Fine Ans yel D~Young Mu
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·.· ímágenes y el ,texto discre
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3 .• ELDAGUER'R0ilPQ: ,:"" , EUSP
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23 . Cornelius Jabez Hughes, .«Qn
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21. Edward WestorÍ a Frank Roy Fra
Page 149 and 150:
I ...1. profesional de los fotógra
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. , ', friends, em~r:acin~ t~.e his
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'r '~ ' ~'. '."' . .•,1 . y los r
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' . HicksWilson Wordsand·PictÚres
Page 157 and 158:
Walker Evans, Photographs from the
Page 159 and 160:
J. " . t: Pau¡'Rosenfeldy Harold R
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heliografíi, 15, 1-8 historia ert
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Bruguier~, Francis(1880-194s) ."'.
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Ruinas dé los molinos de harina Ga
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HF Newhall Beaumont - Historia de la fotografia II

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