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ïñtérkûltúråłna ìsträživanjá<br />

16. Haj de ger, Mar tin. „Pi ta nje o teh ni ci.” U: Što je to – fi lo zo fi ja; Što je me ta fi zi ka; Fi lo zo fi ja i te o lo gi ja;<br />

Pi ta nje o teh ni ci, Za greb: Cen tar za dru štve ne dje lat no sti omla di ne RK SOH, 1972.<br />

17. Kaf ka, Franc. Pri po vet ke. Pre veo sa ne mač kog Bra ni mir Ži vo ji no vić, Mo no&Ma na na Press, 2002.<br />

----. The Ba sic Kaf ka. Eric Hel ler Tr. New York: Was hing ton Squ a re Press, 1979.<br />

18. Kri ste va, Ju lia. Cr no sun ce: de pre si ja i me lan ho li ja; pre vod sa fran cu skog Mla den Šu ka lo. No vi Sad:<br />

Sve to vi, 1994.<br />

19. La co ue-La barth, Phi lip pe. He i deg ger, Art and Po li tics. Chris Tur ner Tr. New York: Ba sic Blac kwell,<br />

1990.<br />

20. Le vi nas, Eman nuel. Ti me and the Ot her. Tran sla ted by Ric hard A. Co hen.<br />

Pittsburgh: Du qu e sne Uni ver sity Press, 1987.<br />

21. Lip pit, Aki ra Mi zu ta. “An ti graphy: No tes on Ato mic Wri ting and Post war Ja pa ne se Ci ne ma,” qu o ted<br />

from ma nu script, 1999. Pu blis hed as: “An ti graphy: No tes on Ato mic Wri ting and Post war Ja pa ne se<br />

Ci ne ma,” Re vi ew of Ja pa ne se Cul tu re and So ci ety . vol. X (De cem ber 1998 [1999]): 56–65.<br />

22. Lyotard, Jean-François. He i deg ger and the “jews.” An dre as Mic hel and Mark Ro berts Tr. Min ne a po lis:<br />

Uni ver sity of Min ne so ta Press, 1995.<br />

23. Nancy, Jean Luc. “The Un sac ri fi ce a ble” In Li te ra tu re and Et hi cal Qu e sti on, Yale French Stu di es, 79,<br />

1991.<br />

24. Pe trovsky, N. A, Slo var rus skikh lichnykh imen [Dic ti o nary of the Rus sian pro per na mes]. Mo skva:<br />

Rus skii iazyk, 1980.<br />

25. Royle, Nic ho las. “Mo le,” ma nu script, 1997. Ori gi nal no ob ja vljen kao pre vod: “Mo le”[sa na slo vom na<br />

en gle skom je zi ku], u L’ani mal auto bi o grap hi que. Auto ur de Jac qu es Der ri da, So us la di rec tion de Marie-Lo<br />

u i se Mal let. Pa ris: Ga li lee, 1999, 547–562.<br />

26. Vla i sa vlje vić, Hu go. „Ge o po li ti ka i fi lo zo fi ja”, Be o grad ski krug 1–1, 1995, dvo je zič no iz da nje, Či sti<br />

rat/Pu re War Čisti rat.<br />

“A-Cross”: How To Te ach Dif fe ren ce… And Ot her Euro pe?<br />

SUM MARY: The ar tic le di scus ses the mo des of “be lon ging” to a na tion, cultu<br />

re, or po li ti cal spa ce, as the se are tra ver sed by for ces of ali e na tion and<br />

di sas so ci a tion. How do es one te ach or re pre sent the dif fe ren ce at the he art<br />

of the “pro per” in lan gu a ge or na tion wit ho ut vi o la ting the sin gu la rity and<br />

spe ci fi city of such a dif fe ren ce? To what ex tend is this dif fe ren ce con sti tu ti ve<br />

and then re pres sed in any no tion of be lon ging or iden tity? Exam ples cho sen<br />

for di scus sion are ta ken from the works of Do sto evsky, Kaf ka and Wal ter Benja<br />

min, Alain Re sna is and Ivo An dric.<br />

KEY WORDS: Pe da gogy of cul tu ral iden tity and dif fe ren ce, Rus sian iden tity<br />

and post-co lo ni a lism, Kaf ka and the ho lo ca ust, nuc le ar war and ci ne ma, ethics,<br />

tec hno logy.<br />

dragan@ufl.edu<br />

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