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Battle for China's Past : Mao and the Cultural Revolution

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CONSTRUCTING HISTORY<br />

once a teenage rebel <strong>and</strong> wrote one of <strong>the</strong> most radical revolutionary<br />

pamphlets, Whi<strong>the</strong>r China, at <strong>the</strong> age of 17, in his <strong>the</strong>n name Yang<br />

Xiguang. Yang <strong>the</strong>n went to <strong>the</strong> United States <strong>and</strong> did his PhD in<br />

economics at Princeton. He was later converted to Christianity <strong>and</strong> had<br />

a successful career as an economics professor at an Australian university.<br />

Be<strong>for</strong>e his un<strong>for</strong>tunate death in 2005 Yang tirelessly advocated<br />

neoliberal economic policies <strong>for</strong> China.<br />

The most successful, that is <strong>the</strong> most popular <strong>and</strong> influential,<br />

memoir is surely that by expatriate Chinese Jung Chang. Chang naturally<br />

assumes that students of peasant background are ‘semi-literate’<br />

<strong>and</strong> had ‘little aptitude’, while she was clever <strong>and</strong> deserved <strong>the</strong> best,<br />

including a generous Chinese government scholarship to study in<br />

Britain. Chang claims that she was <strong>the</strong> victim of a brutal regime but, In<br />

fact, as well as being a Red Guard, Jung Chang was <strong>the</strong> privileged<br />

daughter of China’s Communist elite. It is a peculiarity of <strong>the</strong> reception<br />

of Wild Swans that it was told <strong>and</strong> read as a story of great personal<br />

suffering, when its author grew up with a wet-nurse, nanny, maid,<br />

gardener <strong>and</strong> chauffeur provided by <strong>the</strong> party, protected in a walled<br />

compound, educated in a special school <strong>for</strong> officials’ children. As a<br />

Grade 10 official, her fa<strong>the</strong>r was among <strong>the</strong> 20,000 most senior people<br />

in a country of 1.25 billion, <strong>and</strong> it was in this period that children of<br />

‘high officials’ became almost a class of <strong>the</strong>ir own. Still, <strong>the</strong> enthusiastic<br />

Western audience of Wild Swans found something to identify in Jung<br />

Chang’s perennial fear of being reduced to <strong>the</strong> level of <strong>the</strong> rest of <strong>the</strong><br />

population, shuddering with her at <strong>the</strong> prospect that ‘<strong>Mao</strong> intended<br />

me to live <strong>the</strong> rest of my life as a peasant’ (Heartfield 2005).<br />

It was during <strong>the</strong> supposedly most difficult times of her family that<br />

Chang managed to leave <strong>the</strong> countryside a few weeks after she was<br />

sent down, become a barefoot doctor, an electrician <strong>and</strong> <strong>the</strong>n a university<br />

student, <strong>and</strong> finally receive a generous scholarship to study in <strong>the</strong><br />

UK, <strong>the</strong> kind of career moves that were dreams <strong>for</strong> millions of young<br />

Chinese, all accomplished during <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> years be<strong>for</strong>e<br />

her fa<strong>the</strong>r was officially rehabilitated.<br />

For anyone to consider that such a personal account of contemporary<br />

China is less political is an illusion. There is no personal account<br />

outside <strong>the</strong> political context, <strong>and</strong> ‘<strong>the</strong> personal can be political in a very<br />

literal sense’ (Fitzgerald, 1999: 6). This is worth pointing out because<br />

few actually realize that ‘all histories of China are partly autobiographical’<br />

(Fitzgerald 1999: 8). They are ‘autobiographical’ not only in <strong>the</strong><br />

sense that writers such as Jung Chang <strong>and</strong> Nien Cheng write about<br />

<strong>the</strong>ir lives from which histories emerge, but also in <strong>the</strong> sense that <strong>the</strong>ir<br />

memoirs are artefacts which are <strong>the</strong> results of cultural exchange<br />

between China <strong>and</strong> <strong>the</strong> West in such a way that <strong>for</strong>eign readers <strong>and</strong><br />

writers participate in making Chinese history.<br />

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