Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
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THE BATTLE FOR CHINA’ S PAST<br />
Chinese Personalities), under <strong>the</strong> editorship of Deng Liqun, Ma Hong<br />
<strong>and</strong> Wu Heng (1991), <strong>the</strong> biographies of <strong>the</strong> ten marshals edited by Li<br />
Yong (1993), <strong>and</strong> Anecdotes of <strong>and</strong> Meaningful Remarks by Well-Known<br />
<strong>Cultural</strong> Figures: A Series (Yu Qing, 1994). Ano<strong>the</strong>r series started since<br />
1987 is <strong>the</strong> memoirs of <strong>the</strong> generals of <strong>the</strong> PLA, organized <strong>and</strong><br />
published by <strong>the</strong> official army publisher in Beijing. These party <strong>and</strong><br />
army officials usually have a special writing team with special funding<br />
from <strong>the</strong> government. When Peng Zhen wrote his memoirs he had a<br />
team of 40 to work <strong>for</strong> him (Xing Xiaoqun 2006). According to He Fang<br />
(2005), who has researched <strong>the</strong> memoirs of CCP personalities <strong>for</strong> his<br />
two-volume history of <strong>the</strong> CCP, very few memoirs can st<strong>and</strong> up to<br />
documentary examination, <strong>and</strong> many of those who write do so not<br />
only to glorify <strong>the</strong>mselves but also to settle scores.<br />
The ‘Gr<strong>and</strong> Historian’ Sima Qian was supposed to have set up a<br />
paradigm <strong>for</strong> Chinese historiography which depicts personality<br />
vividly <strong>and</strong> provides realistic biographical accounts. However,<br />
modern Chinese historiography is full of examples of depicting<br />
personalities as caricatures, like Peking opera characters. Even Yan<br />
Jiaqi (Gao <strong>and</strong> Yan 1988), who considers himself a serious political<br />
scientist, now in exile, could not avoid this tendency in his portrayal,<br />
<strong>for</strong> instance, of Jiang Qing. 3<br />
Memoirs by veteran party leaders<br />
Not surprisingly, most of <strong>the</strong> memoirs <strong>and</strong> biographies include something<br />
about <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>. However, while writers like Ye<br />
<strong>and</strong> Quan concentrate on personal lives to avoid political topics, social<br />
<strong>the</strong>mes or taboo areas of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>, some sensitive<br />
personalities <strong>the</strong>mselves may avoid <strong>the</strong> subject of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong><br />
altoge<strong>the</strong>r when writing memoirs. Thus, Bo Yibo (1989, 1991 <strong>and</strong><br />
1993), Hu Qiaomu (1994), Shi Zhe (1991) <strong>and</strong> Li Weihan (1986) all stop<br />
short of writing about <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>. Hu Qiaomu, who was<br />
often referred to as ‘<strong>the</strong> pen of <strong>the</strong> Party’, confessed that events beyond<br />
<strong>the</strong> 1950s were ‘too complex’ to write about. 4 Bo Yibo, on <strong>the</strong> o<strong>the</strong>r<br />
h<strong>and</strong>, only promised follow-up volumes. Wu Lengxi (1995), <strong>the</strong> chief<br />
editor of <strong>the</strong> People’s Daily from 1957 to 1966, on <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, only<br />
talks in general terms in three pages about his dismissal during <strong>the</strong><br />
<strong>Cultural</strong> <strong>Revolution</strong> <strong>and</strong> <strong>the</strong> conspiracy by Lin Biao <strong>and</strong> Jiang Qing.<br />
Deng Xiaoping’s daughter Deng <strong>Mao</strong>mao, in her two volumes remembering<br />
her fa<strong>the</strong>r that were published with a great fanfare in <strong>the</strong> West,<br />
does indeed devote <strong>the</strong> second volume to <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong><br />
years (Deng 2000). However, a lot about <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> was<br />
brushed aside, <strong>and</strong> in <strong>the</strong>se memoirs she hardly says anything about<br />
her fa<strong>the</strong>r’s role in casting hundred of thous<strong>and</strong>s innocent Chinese into<br />
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