Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
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THE BATTLE FOR CHINA’ S PAST<br />
only ambition <strong>and</strong> pleasure was to frame <strong>the</strong> good <strong>and</strong> <strong>the</strong> honest. For<br />
a long time <strong>and</strong> with <strong>the</strong> exception of few writers such as Guan<br />
Weixun, Wen Feng <strong>and</strong> Zhang Zhenglong, Lin Biao was depicted as a<br />
liangmianpai (double-faced cheat). Lin Biao said all <strong>the</strong> good words that<br />
could have been said in public <strong>and</strong> did all <strong>the</strong> wicked deeds that could<br />
have been done behind <strong>the</strong> scenes (haohua shuojing, huaishi zuo jue). 18<br />
It is true that Lin praised <strong>Mao</strong> with extreme flattery but not<br />
subservient language (Teiwes <strong>and</strong> Sun 1996), but Lin was also one of <strong>the</strong><br />
very few people who dared to confront <strong>Mao</strong> <strong>and</strong> did so on several occasions.<br />
For instance, during <strong>the</strong> Long March soon after <strong>the</strong> Zunyi Conference,<br />
Lin Biao wrote a letter dem<strong>and</strong>ing that <strong>Mao</strong> give <strong>the</strong> comm<strong>and</strong> of<br />
<strong>the</strong> army to Peng Dehuai because Lin thought <strong>Mao</strong> had made <strong>the</strong> Red<br />
Army soldiers move <strong>for</strong>wards <strong>and</strong> backwards without any apparent<br />
strategy. On <strong>the</strong> May Day parade in 1971, Lin broke away from <strong>the</strong> usual<br />
protocol of arriving earlier at <strong>the</strong> Tian’anmen Rostrum to meet <strong>Mao</strong>.<br />
Instead he kept <strong>Mao</strong> waiting by arriving late. Then he left earlier, deliberately<br />
without saying anything to <strong>Mao</strong>. On <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, Lin Biao<br />
was never reported to have attacked <strong>Mao</strong> behind <strong>Mao</strong>’s back.<br />
In <strong>the</strong>se Chinese writings, <strong>the</strong> politics was played out as court<br />
intrigue. The narrative is a copy of <strong>the</strong> classic Chinese novel of Romance<br />
of <strong>the</strong> Three Kingdoms, only <strong>the</strong> three kingdoms are not states but three<br />
CCP leadership compounds: Zhongnanhai (where <strong>Mao</strong> <strong>and</strong> Zhou<br />
lived <strong>and</strong> worked), <strong>Mao</strong>jiawan (where Lin Biao lived) <strong>and</strong> Diaoyutai<br />
(where Jiang Qing <strong>and</strong> <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> Small Group worked).<br />
By <strong>the</strong> same token, <strong>the</strong> question of policies <strong>and</strong> ideas is irrelevant. The<br />
19 years of PRC history from 1957 to 1976 are seen simply as a succession<br />
of <strong>Mao</strong>’s consistent errors, stupidity <strong>and</strong> fantasies, which were<br />
made use of by <strong>the</strong> evil people surrounding him, but luckily resisted<br />
<strong>and</strong> corrected by <strong>the</strong> wise, <strong>the</strong> educated – <strong>the</strong> best people in Chinese<br />
society – who were later vindicated.<br />
The big picture of China in <strong>the</strong> international environment of <strong>the</strong><br />
cold war is ignored. The issue of alternative models <strong>for</strong> modernizing<br />
China is never considered. A whole range of social <strong>and</strong> political issues<br />
in such a complex society is irrelevant. The affirmative policy towards<br />
women in society is now <strong>for</strong>gotten. 19 The attempt to re<strong>for</strong>m <strong>the</strong> educational<br />
system (Pepper 1996) was interpreted as simply intended to<br />
destroy China’s education. The policies to narrow <strong>the</strong> gap between<br />
mental <strong>and</strong> manual labour, between <strong>the</strong> urban <strong>and</strong> <strong>the</strong> rural, <strong>and</strong><br />
between industry <strong>and</strong> agriculture were anti-intellectual <strong>and</strong> antihuman.<br />
The experiment to re<strong>for</strong>m literature <strong>and</strong> art, notably in <strong>the</strong><br />
Peking opera (Dao 1994), so as to reverse a thous<strong>and</strong> years of practice<br />
of writing about <strong>and</strong> writing <strong>for</strong> <strong>the</strong> elite is seen simply as a plot to<br />
make everyone ignorant, <strong>and</strong> is depicted in black <strong>and</strong> white terms as<br />
cultural obscurantism.<br />
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