Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
I'm going back south where I can get my hambone boiled<br />
These nor<strong>the</strong>rn men are about to let my poor hambone spoil<br />
<br />
Calloway used hambone this way in his <br />
<br />
<br />
Because <strong>the</strong>se women in New York City let my good hambone spoil<br />
Songs:<br />
St. Louis Bl- W.C. Handy<br />
- Ida Cox<br />
H A RP<br />
Harp is slang for a harmonica, which is also called a comb. Down South a harmonica is<br />
sometimes called a mouth harp or a French harp. Glenn Weiser, author <strong>of</strong> <strong>the</strong> fascinating<br />
book <strong>Blues</strong> and Rock Harmonica, noted that in <strong>the</strong> late 1800s, <strong>the</strong> Carl Essbach company<br />
<br />
<br />
during <strong>the</strong> early part <strong>of</strong> <strong>the</strong> 20th century, coinciding with <strong>the</strong> emergence <strong>of</strong> <strong>the</strong> blues. 215<br />
According to Weiser, <strong>the</strong> forerunner <strong>of</strong> <strong>the</strong> modern harmonica, <strong>the</strong> accordion, and <strong>the</strong><br />
concertina was a free-reed instrument invented by Chinese Emperor Nyn-Kwya in 3000<br />
B.C. Called <strong>the</strong> sheng, it was brought to Europe in <strong>the</strong> early 1800s. 216<br />
The sheng is <strong>the</strong> oldest known free-reed instrument. Free-reed instruments use a reed<br />
framed in a chamber. The reed freely vibrates when air passes over it. These vibrations<br />
cause <strong>the</strong> characteristic warbly sound <strong>of</strong> <strong>the</strong> harmonica and <strong>the</strong> accordion. With fixedreed<br />
instruments, in contrast, such as <strong>the</strong> clarinet, <strong>the</strong> saxophone, <strong>the</strong> Indian shanai and<br />
<strong>the</strong> Chinese sona, <strong>the</strong> air passing over <strong>the</strong> reed vibrates in sympathy with <strong>the</strong> reed,<br />
producing a clearer tone. 217<br />
African American musicians explored <strong>the</strong> limitations <strong>of</strong> <strong>the</strong> harmonica and discovered<br />
<br />
reeds. W.C. Handy recalled hearing train imitations played on <strong>the</strong> harmonica by blues<br />
<br />
<br />
scale and <strong>the</strong> moans and cries <strong>of</strong> <strong>the</strong> field holler had been successfully reproduced on a<br />
218<br />
<br />
103