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Language of the Blues - Edmonton Blues Society

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men feared losing <strong>the</strong>ir women to him because he would visit <strong>the</strong>m during <strong>the</strong> day while<br />

<strong>the</strong>ir men were away at work. 196<br />

This tale may also be <strong>the</strong> source for <strong>the</strong> current use <strong>of</strong> <strong>the</strong> name Jody in <strong>the</strong> armed forces<br />

<br />

away on deployment. 197<br />

Songs:<br />

- Bo Carter (Armenter Chatmon)<br />

- Memphis Slim (Peter Chatman)<br />

- Memphis Minnie (Lizzie Douglas)<br />

G RI O T<br />

African griots serve <strong>the</strong> same purpose as <strong>the</strong> bards and skalds <strong>of</strong> medieval European<br />

courts once did. Griots keep and comment upon <strong>the</strong> history <strong>of</strong> <strong>the</strong> court. They are a<br />

hereditary caste <strong>of</strong> singer-historians who keep <strong>the</strong> oral histories <strong>of</strong> families, tribes, and<br />

dynasties. As Alan Lomax explained in The Land Where <strong>the</strong> <strong>Blues</strong> Began<br />

198<br />

are social satirists, whose ve<br />

Some griots are employed by sultans, chiefs, or headmen, and can sing <strong>the</strong> history <strong>of</strong> <strong>the</strong><br />

<br />

pr<strong>of</strong>essional groups, such as fishermen or butchers, and play songs praising <strong>the</strong> workers.<br />

A village may have local griots who also work at trades, such as farming or fishing. The<br />

most renowned griots are independent and travel around, leasing out <strong>the</strong>ir services.<br />

The word griot comes from <strong>the</strong> French guiriot, which is probably derived from <strong>the</strong><br />

Portuguese criado, or servant. Criado comes from <strong>the</strong> Latin creatus, meaning one<br />

brought up or trained. Griots are indeed brought up in <strong>the</strong> griot tradition by <strong>the</strong>ir fa<strong>the</strong>rs<br />

and <br />

traditional songs. A griot is required to sing on demand <strong>the</strong> history <strong>of</strong> a tribe or family for<br />

seven generations and...to be familiar with <strong>the</strong> songs <strong>of</strong> ritual necessary to summon spirits<br />

<br />

during his travels for Savannah Syncopators: African Retentions In The <strong>Blues</strong> 199 To be a<br />

griot requires <strong>the</strong> development <strong>of</strong> an extraordinary memory. Griots hold not only <strong>the</strong><br />

history <strong>of</strong> <strong>the</strong> people, but <strong>the</strong>ir mythology and religious rites.<br />

Among Mandingo people, griots are called jaliya, according to musicographer Samuel<br />

Charters, who spent time with some jaliya in <strong>the</strong> Gambia River region in Senegal in <strong>the</strong><br />

late 1970s. The jaliya were very important to <strong>the</strong>ir tribes, Charters noted, because <strong>the</strong><br />

tribes did not use a written language to keep <strong>the</strong>ir histories. O<strong>the</strong>r tribes known for <strong>the</strong>ir<br />

griots are <strong>the</strong> Fula, which call <strong>the</strong>m jelefo, and <strong>the</strong> Wol<strong>of</strong>, which call <strong>the</strong>m katt (see<br />

also cat).<br />

98

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