Language of the Blues - Edmonton Blues Society

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` In blues songs, a person who has been utterly humiliated by an attraction to a mean or unfaithful partner may describe him- I been your dog every since I entered your door 160 Songs: - Jenny Pope - D O N E Y - doni or ndondi me 161 A no- Clarksdale in 1968 recording performances at a house party, he heard this snatch of Love at a house party 162 : Songs: - - Robert Johnson - Charley Patton T H E D O Z E NS, T H E DIR T Y D O Z E NS -line rhyming insults are shot back and forth in front of an audience. Your mama got pussy like a Greyhound bus 163 84
` Playing the dozens is about more dozens is an exhibition of emotional strength and verbal agility. Obscenities are used and cool- the first person to get angry automatically forfeits. The audience chooses the winner and spreads the word about who won. The winner can expect to be challenged to another battle before long, either by the one who lost or an up-and-comer. According to LeRoi Jones (Ami 164 Other cultures also engage in verbal 165 Some of you womens ought to be in the can Out on the corner stopping every man He can't see but he sure can smell Fish man pass here the other day and a career- 166 the Many blues lyrics reflect an African American tradition of verbal jousting that includes everything from toasting, boasting, and capping to cracking, bagging, dissing, and snapping. 167 Snaps are putdowns with a setup- - followed by the snap- 168 In the 1970s and 1980s, rappers honed their verbal skills for dozens-style battles in which York City freestylers Supernatural, Craig-G, and Juice tested each other in battles that rappers still reminisce about today. Songs: - Robert Wilkins - Memphis Minnie (Lizzie Douglas) 85
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` Ebook published February 1, 2012
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` Winner of the 2007 ASC AP Deems T
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` Foreword John Lee Hooker, and
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` To Son Seals, for inspiration vii
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` Savannah Syncopators African Rhy
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` English by Joseph Holloway and Wi
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` nicked words and phrases from the
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` List of Entries Please note that
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` A L C O RUB A The drink of last r
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` Tommy Johnson in his only known p
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` Bad Axe (Alligator Records) befo
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` some people do think that, but if
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` Blues musicians also used bailing
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` Songs: - Bessie Smith/H.Webman
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` Songs: - Lovie Austin, performed
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` Grab hold of a black cat, she tol
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Page 36 and 37: ` exier the drunker the dancers b
Page 38 and 39: ` The singing and drumming of the n
Page 40 and 41: ` griots, who keep tribal historie
Page 42 and 43: ` Songs: - Big Bill Broonzy (Willi
Page 44 and 45: ` Williams explained. 77 deer hun
Page 46 and 47: ` The modern guitar is a direct des
Page 48 and 49: ` No matter what odd device the pla
Page 50 and 51: ` Bessie Smith beaming in a publici
Page 52 and 53: ` dates back even further, to the C
Page 54 and 55: ` The wardens at country prison far
Page 56 and 57: ` C H I C K The Wolof word jigen de
Page 58 and 59: ` The word chitterling comes from O
Page 60 and 61: ` cock. It 104 Muddy Waters, a.k.
Page 62 and 63: ` Bob M argolin and M uddy Waters,
Page 64 and 65: ` Songs: - Bukka White (Booker
Page 66 and 67: ` C O NJUR E To conjure is to cast
Page 68 and 69: ` 119 the force that character Ult
Page 70 and 71: ` always had this sly smile going
Page 72 and 73: ` C R OSS N O T E Tuning the guitar
Page 74 and 75: ` Johnson was believed by some to h
Page 76 and 77: ` 144 Robert Lockwood became know
Page 78 and 79: ` Songs: - Will Day - Robert John
Page 80 and 81: ` Charlie Patton began recording fo
Page 82 and 83: ` good came out of leaving the pla
Page 86 and 87: ` Memphis M innie flashes her gold
Page 88 and 89: ` touch the dust and the dust begin
Page 90 and 91: ` which he declared: Songs: Big
Page 92 and 93: ` toenail clippings, or skin from
Page 94 and 95: ` around- brothers were called Wid
Page 96 and 97: ` she went out one morning and foun
Page 98 and 99: ` men feared losing their women to
Page 100 and 101: ` When the Europeans came, when the
Page 102 and 103: ` Songs: Gris- - Dr. John (Mac Rebe
Page 104 and 105: ` H E L L H O UND (see also B L A C
Page 106 and 107: ` H O B O C O C K T A I L When you
Page 108 and 109: ` New Orleans boogie- Songs: -
Page 110 and 111: ` for Jewish. He noted that there a
Page 112 and 113: ` Songs: - Leadbelly (Huddie Ledbe
Page 114 and 115: ` Songs: I drink so much of Jake,
Page 116 and 117: ` Bluebird Records in 1941], I star
Page 118 and 119: ` he flame of a black candle, or p
Page 120 and 121: ` African American charms made with
Page 122 and 123: ` In From Juba to Jive: A Dictionar
Page 124 and 125: ` He said he had friends still in A
Page 126 and 127: ` les my den Although harmless to
Page 128 and 129: ` acres of rich farmland that would
Page 130 and 131: ` , Elmore performances in Chicag
Page 132 and 133: ` Ace set the template that Elvis
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` Three factors determine what a mo
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` produced today in Appalachia, mos
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` The connection between prostitute
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` own. The first state lottery was
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` Meanwhile, thousands of hoe-boys
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` back in the early 1900s, Simmons
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` unregulated entertainment, such a
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` 320 Texas stuff and some Chicago
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` Songs: - Bukka White (Booker T.
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` to play on metal or a box with t
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` Shankings, or stabbings, were fai
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` Some plantation owners were fair,
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` SH I M M Y The shimmy is a dance
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` SH U F F L E The famous blues shu
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` 350 The African American tales
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` to many songs that Dixon wrote ex
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` Songs: Mmm, where my Third Street
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` the far more popular blues artist
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` Songs: - Peetie Wheatstraw - Ha
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` Blues players sometimes also call
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` Songs in Vestapol: Many fine exam
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` True vibrato requires significant
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` On August 22, 1791, Haitian slave
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` W H O OPI E, W H O OPIN G phemis
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` Songs: - Blind Boy Fuller (Fulto
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` Zombie horror imagery figured pro
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` 39 The Life and Selected Writings
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` 131 132 Chernoff, p. 143. 133 A
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` 225 -jungle.html. 226 The Dictio
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` 315 Louisiana Folklore Miscellan
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` Selected Bibliography Charters, S
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Language of the Blues - Edmonton Blues Society

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