Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
The intense post-Civil War effort created a new economy and a new society in <strong>the</strong> Delta<br />
<br />
and years you had whites and blacks living next door to each o<strong>the</strong>r in <strong>the</strong> same<br />
<br />
<br />
<br />
<br />
<strong>the</strong>m would sleep toge<strong>the</strong>r, which you can understand when you see <strong>the</strong> different shades<br />
<br />
When Joel Slotnik<strong>of</strong>f interviewed musicologist and Mississippi native Gayle Dean<br />
<br />
eenville, places on <strong>the</strong> river, were<br />
already open in <strong>the</strong> 1890s. But by <strong>the</strong> early 1900s <strong>the</strong>y started clearing a lot <strong>of</strong> <strong>the</strong><br />
swamps in <strong>the</strong> Delta. They started planting cotton. Well, this meant jobs in <strong>the</strong> Delta. A<br />
lot <strong>of</strong> people moved out <strong>of</strong> <strong>the</strong> hill country where <strong>the</strong>y made very little money if any. I<br />
remember [H.C.] Speir said you could make three or four times picking cotton in <strong>the</strong><br />
152<br />
<br />
According to Speir, a sharecropper in <strong>the</strong> hill country beyond <strong>the</strong> Delta region could earn<br />
about a quarter a day, whereas in <strong>the</strong> Delta he could make a dollar or more a day. <br />
<br />
one time or ano<strong>the</strong>r most <strong>of</strong> <strong>the</strong> great bluesmen wound up in <strong>the</strong> Delta because <strong>of</strong> <strong>the</strong><br />
money that could be made <strong>the</strong>re during <strong>the</strong> fall cotton harvest.<br />
Cotton pickers who came during <strong>the</strong> fall <strong>of</strong>ten went home, packed up <strong>the</strong>ir families, and<br />
moved to <strong>the</strong> Delta to sharecrop year-round. Giant plantations like Dockery Farms had as<br />
many as two hundred and fifty families living <strong>the</strong>re at once. Many people came to work<br />
<br />
<br />
Dockery Farms was home on and <strong>of</strong>f to <strong>the</strong> blues musician Charlie Patton, who was an<br />
<br />
<br />
countless parties, picnics, and fish fries in <strong>the</strong> tenant quarters at Dockery. 153 <br />
Wolf moved down to <strong>the</strong> Dockery plantation in 1929 not only to work, but to be near<br />
Patton and learn everything he could from him.<br />
Patton began working on <strong>the</strong> plantation in 1906 at age fifteen but developed a stormy<br />
relationship with <strong>the</strong> overseers. He was hired by Will Dockery to entertain <strong>the</strong> field<br />
hands, according to blues historian Steve LaVere. 154 Although by 1916 Patton had been<br />
working on <strong>the</strong> plantation for ten years, and was considered one <strong>of</strong> <strong>the</strong> best guitarists in<br />
<strong>the</strong> county, he was dismissed from <strong>the</strong> workforce after a family argument got out <strong>of</strong> hand.<br />
Patton came back in 1918, but he was kicked <strong>of</strong>f again in 1921 and went to make his<br />
living in <strong>the</strong> regional jukes and barrelhouses. He returned to Dockery Farms in 1925 and<br />
<br />
<br />
in 1934.<br />
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