Language of the Blues - Edmonton Blues Society

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` Songs in Vestapol: Many fine examples of acoustic blues in Vestapol are on Elizabeth Cotton: Freight Train and Other North Carolina Folk Songs and Tunes, Smithsonian Folkways, and Furry Lewis in His Prime 1927~1928, Yazoo. - Elmore James V IBR A T O that only men play electric guitar, he makes an excellent point. Vibrato, which is the and musicality. at some of the widest and strongest vibratos among guitar players belong to blues guitarists. Blues guitar, like blues singing, was influenced by the fact that African slaves spoke tonal languages. When singing, they used variations of pitch and timbre to convey many shades of meaning, resulting in vibrato, tremolo, overtones, and hoarse-voiced and shouting techniques. Although vibrato is a prominent feature of European classical music performances today, this was not always the case. Prior to the 19th century, vibrato was used sparingly, as vibrato only on sustained notes and at the end of phrases. Early blues guitarists, in contrast, developed an unusually expressive, improvisational use of vibrato, not only in order to sustain notes on acoustic guitars, but also to mimic the qualities of African singing. Listen to the slow back-and-fo guitarists to duplicate properly. King steadily bends the string back and forth an entire shakes his entire ha note are relaxed, and his hand flutters like a butterfly. This technique is called Electric rock guitarists, blessed with loads of sustain from distortion and dense heavy underdeveloped among guitarists who have not studied blues players. Many electric guitarists acquire a rather squirrely-sounding quasi-vibrato simply because thought about putting the effort into acquiring a more defined one. 174
` Jimmie Vaughan tears it up at the New O rleans Jazz & Heritage Festival, 2003 photo © Joseph A. Rosen 175
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` Ebook published February 1, 2012
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` Winner of the 2007 ASC AP Deems T
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` Foreword John Lee Hooker, and
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` To Son Seals, for inspiration vii
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` Savannah Syncopators African Rhy
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` English by Joseph Holloway and Wi
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` nicked words and phrases from the
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` List of Entries Please note that
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` A L C O RUB A The drink of last r
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` Tommy Johnson in his only known p
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` Bad Axe (Alligator Records) befo
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` some people do think that, but if
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` Blues musicians also used bailing
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` Songs: - Bessie Smith/H.Webman
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` Songs: - Lovie Austin, performed
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` Grab hold of a black cat, she tol
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` Armstrong did for the trumpet. Wi
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` exier the drunker the dancers b
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` The singing and drumming of the n
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` griots, who keep tribal historie
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` Songs: - Big Bill Broonzy (Willi
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` Williams explained. 77 deer hun
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` The modern guitar is a direct des
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` No matter what odd device the pla
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` Bessie Smith beaming in a publici
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` dates back even further, to the C
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` The wardens at country prison far
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` C H I C K The Wolof word jigen de
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` The word chitterling comes from O
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` cock. It 104 Muddy Waters, a.k.
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` Bob M argolin and M uddy Waters,
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` Songs: - Bukka White (Booker
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` C O NJUR E To conjure is to cast
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` 119 the force that character Ult
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` always had this sly smile going
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` C R OSS N O T E Tuning the guitar
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` Johnson was believed by some to h
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` 144 Robert Lockwood became know
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` Songs: - Will Day - Robert John
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` Charlie Patton began recording fo
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` good came out of leaving the pla
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` In blues songs, a person who has
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` Memphis M innie flashes her gold
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` touch the dust and the dust begin
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` which he declared: Songs: Big
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` toenail clippings, or skin from
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` around- brothers were called Wid
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` she went out one morning and foun
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` men feared losing their women to
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` When the Europeans came, when the
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` Songs: Gris- - Dr. John (Mac Rebe
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` H E L L H O UND (see also B L A C
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` H O B O C O C K T A I L When you
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` New Orleans boogie- Songs: -
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` for Jewish. He noted that there a
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` Songs: - Leadbelly (Huddie Ledbe
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` Songs: I drink so much of Jake,
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` Bluebird Records in 1941], I star
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` he flame of a black candle, or p
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` African American charms made with
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` In From Juba to Jive: A Dictionar
Page 124 and 125: ` He said he had friends still in A
Page 126 and 127: ` les my den Although harmless to
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Page 130 and 131: ` , Elmore performances in Chicag
Page 132 and 133: ` Ace set the template that Elvis
Page 134 and 135: ` Three factors determine what a mo
Page 136 and 137: ` produced today in Appalachia, mos
Page 138 and 139: ` The connection between prostitute
Page 140 and 141: ` own. The first state lottery was
Page 142 and 143: ` Meanwhile, thousands of hoe-boys
Page 144 and 145: ` back in the early 1900s, Simmons
Page 146 and 147: ` unregulated entertainment, such a
Page 148 and 149: ` 320 Texas stuff and some Chicago
Page 150 and 151: ` Songs: - Bukka White (Booker T.
Page 152 and 153: ` to play on metal or a box with t
Page 154 and 155: ` Shankings, or stabbings, were fai
Page 156 and 157: ` Some plantation owners were fair,
Page 158 and 159: ` SH I M M Y The shimmy is a dance
Page 160 and 161: ` SH U F F L E The famous blues shu
Page 162 and 163: ` 350 The African American tales
Page 164 and 165: ` to many songs that Dixon wrote ex
Page 166 and 167: ` Songs: Mmm, where my Third Street
Page 168 and 169: ` the far more popular blues artist
Page 170 and 171: ` Songs: - Peetie Wheatstraw - Ha
Page 172 and 173: ` Blues players sometimes also call
Page 176 and 177: ` True vibrato requires significant
Page 178 and 179: ` On August 22, 1791, Haitian slave
Page 180 and 181: ` W H O OPI E, W H O OPIN G phemis
Page 182 and 183: ` Songs: - Blind Boy Fuller (Fulto
Page 184 and 185: ` Zombie horror imagery figured pro
Page 186 and 187: ` 39 The Life and Selected Writings
Page 188 and 189: ` 131 132 Chernoff, p. 143. 133 A
Page 190 and 191: ` 225 -jungle.html. 226 The Dictio
Page 192 and 193: ` 315 Louisiana Folklore Miscellan
Page 194: ` Selected Bibliography Charters, S
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Language of the Blues - Edmonton Blues Society

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