Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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Vodun posits a supreme creator who is an all-powerful, yet unknowable, creative force.<br />
The Dahomey (Fon) people <strong>of</strong> Benin represent this creator as a giant snake named Dan<br />
that supports <strong>the</strong> universe with its coils. Today, in Haiti and in American Vodou<br />
strongholds such as New Orleans, Dan is worshipped as Damballah, <strong>the</strong> Grand Zombie.<br />
Below this almighty God, spirit-gods called loa (or lwa) rule over such matters as family,<br />
<br />
368<br />
made to <strong>the</strong> appropriate loa to ensure success in those Severine<br />
Singh explained<br />
in Voodoo Crossroads. <br />
<br />
<br />
efer to <strong>the</strong> whole Vodoun universe, as in<br />
<br />
priestess and author <strong>of</strong> Vodou Visions: An Encounter With Divine Mystery 369<br />
Propitiating <strong>the</strong> loa is a daily spiritual practice for adherents to <strong>the</strong> Vodou faith. Families<br />
keep representations <strong>of</strong> favorite loa in <strong>the</strong> home and make <strong>of</strong>ferings to <strong>the</strong>m. When<br />
Vodou practitioners ga<strong>the</strong>r to perform <strong>the</strong>ir ceremonies, however, <strong>the</strong> goal is no longer<br />
simply to propitiate <strong>the</strong> loa. The goal is to experience possession by a loa, in order to<br />
<br />
The state <strong>of</strong> possession in Vodou is not <strong>the</strong> demon-possession that has been portrayed by<br />
Hollywood movies, but ra<strong>the</strong>r <strong>the</strong> same state <strong>of</strong> union with <strong>the</strong> divine that is <strong>the</strong> goal <strong>of</strong><br />
<br />
Pentacostal Christian tradition, reaching <strong>the</strong> Buddhist state <strong>of</strong> nirvana, or attaining <strong>the</strong><br />
<br />
samadhi.<br />
The chanting, drumming, singing, and dancing <strong>of</strong> Vodou ceremonies are efforts to reach<br />
higher levels <strong>of</strong> consciousness. The priest or priestess attempts to invoke <strong>the</strong> loa to<br />
descend <strong>the</strong> centerpost <strong>of</strong> <strong>the</strong> hounfour(temple) and possess or <br />
congregation. A god will descend to ride <strong>the</strong> body <strong>of</strong> <strong>the</strong> worshipper who is prepared to<br />
attain a state <strong>of</strong> ecstatic union with <strong>the</strong> divine. The morality implicit in this is stated in <strong>the</strong><br />
370<br />
<br />
<br />
Vodun was transplanted to <strong>the</strong> to <strong>the</strong> Americas and <strong>the</strong> Carribean when <strong>the</strong> Dahomey<br />
conquered <strong>the</strong>ir neighbors, <strong>the</strong> Ewe, in 1729 and sold prisoners to <strong>the</strong> slave ships, in trade<br />
for European goods. Many people from Dahomey were also kidnapped and traded into<br />
slavery. Some <strong>of</strong> <strong>the</strong> captured were priests who found <strong>the</strong>mselves en route to French and<br />
Spanish colonies in <strong>the</strong> Carribean. 371<br />
Although <strong>the</strong>y were barred on penalty <strong>of</strong> death from practicing <strong>the</strong>ir religion, enslaved<br />
priests in <strong>the</strong> largely Catholic West Indies quickly grasped <strong>the</strong> similarity between <strong>the</strong>ir<br />
tradition <strong>of</strong> appealing to loa to intercede in <strong>the</strong>ir favor with God, and Catholics praying to<br />
<strong>the</strong>ir saints for similar intercession. By superimposing Catholic saints over <strong>the</strong>ir loa, <strong>the</strong>y<br />
created a hybrid religion, known as Santeria (saint worship) in <strong>the</strong> Spanish Islands and<br />
Vodou in Haiti.<br />
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