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Language of the Blues - Edmonton Blues Society

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`<br />

C R OSS N O T E<br />

Tuning <strong>the</strong> guitar to an open minor chord is called cross note, or Bentonia, tuning. The<br />

great country-<br />

He learned it from his mentor, Henry Stuckey <strong>of</strong> Bentonia, Mississippi. Stuckey<br />

had picked it up from black soldiers, most likely from <strong>the</strong> Bahamas or Jamaica, whom he<br />

met while stationed in France during World War II.<br />

A guitar tuned to E minor (E B E G B E) for example, will produce <strong>the</strong> E-minor chord<br />

when strummed without fretting any notes. This is cross note in E minor. Some guitarists<br />

also play cross note in D minor by tuning <strong>the</strong> guitar to D A D F A D.<br />

Cross-note tunings really lend <strong>the</strong>mselves to slide playing because <strong>the</strong>y make it easy to<br />

produce haunting minor chords simply by fretting straight across <strong>the</strong> neck with <strong>the</strong> slide.<br />

Bentonia lies outside <strong>the</strong> Mississippi Delta region and is considered to have its own style<br />

<strong>of</strong> country blues. <strong>Blues</strong> musicologist Gayle Dean Wardlow tracked Henry Stuckey down<br />

in 1965, living in a poor little shack just outside <strong>of</strong> Bentonia with no screens on <strong>the</strong><br />

windows or door.<br />

Skip James during <strong>the</strong> Newport Folk Festival, summer <strong>of</strong> 1964<br />

photo by Jim M arshall; courtesy photo archives, Delta Haze Corporation, licensed under agreement with<br />

photographer<br />

<br />

-minor-<br />

<br />

during World War II]. He said it came from somewhere down in <strong>the</strong> Caribbean<br />

72

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