Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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C R OSS N O T E<br />
Tuning <strong>the</strong> guitar to an open minor chord is called cross note, or Bentonia, tuning. The<br />
great country-<br />
He learned it from his mentor, Henry Stuckey <strong>of</strong> Bentonia, Mississippi. Stuckey<br />
had picked it up from black soldiers, most likely from <strong>the</strong> Bahamas or Jamaica, whom he<br />
met while stationed in France during World War II.<br />
A guitar tuned to E minor (E B E G B E) for example, will produce <strong>the</strong> E-minor chord<br />
when strummed without fretting any notes. This is cross note in E minor. Some guitarists<br />
also play cross note in D minor by tuning <strong>the</strong> guitar to D A D F A D.<br />
Cross-note tunings really lend <strong>the</strong>mselves to slide playing because <strong>the</strong>y make it easy to<br />
produce haunting minor chords simply by fretting straight across <strong>the</strong> neck with <strong>the</strong> slide.<br />
Bentonia lies outside <strong>the</strong> Mississippi Delta region and is considered to have its own style<br />
<strong>of</strong> country blues. <strong>Blues</strong> musicologist Gayle Dean Wardlow tracked Henry Stuckey down<br />
in 1965, living in a poor little shack just outside <strong>of</strong> Bentonia with no screens on <strong>the</strong><br />
windows or door.<br />
Skip James during <strong>the</strong> Newport Folk Festival, summer <strong>of</strong> 1964<br />
photo by Jim M arshall; courtesy photo archives, Delta Haze Corporation, licensed under agreement with<br />
photographer<br />
<br />
-minor-<br />
<br />
during World War II]. He said it came from somewhere down in <strong>the</strong> Caribbean<br />
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