Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
True vibrato requires significant hand strength. Listen to <strong>the</strong> opening lick from Stevie<br />
<br />
whole step, he <strong>the</strong>n moves it back and forth an entire half step to create vibrato at <strong>the</strong> top<br />
<strong>of</strong> <strong>the</strong> bend. This takes enough hand strength to crush a Volkswagen, as well as a finely<br />
attenuated sense <strong>of</strong> pitch.<br />
<br />
exactly like B.B. King. I'm pretty good at imitating him. But one day I realized that if I<br />
got in a room with Eric Clapton, B.B. King, and Buddy Guy and each guy played a solo,<br />
well, when <strong>the</strong>y got to me what <strong>the</strong> hell was I gonna do? You get on <strong>the</strong> stage with B.B.<br />
King, Buddy Guy, and Eric Clapton a<br />
365<br />
<br />
Vaughan distinguished himself by developing a clean spare style that uses minimal<br />
<br />
you want<br />
to do. They're playing what <strong>the</strong>y wanna hear and what <strong>the</strong>y feel. What do you feel? What<br />
<br />
Sometimes a guitarist makes a conscious choice to use small or minimal vibrato to<br />
distinguish his <br />
<br />
<br />
R&B with <strong>the</strong> Fabulous Thunderbirds; Family Style, recorded with Stevie Ray in 1990;<br />
<br />
Strange Pleasure, proved him<br />
worthy <strong>of</strong> Stevie's <strong>of</strong>t-<br />
say when complimented.<br />
V O O D O O, V O D O U<br />
<br />
Vodou) is a religion that<br />
evolved in <strong>the</strong> Americas from African Vodun<br />
This West African ancestor~based tradition originated among <strong>the</strong> Fon-Ewe people <strong>of</strong> <strong>the</strong><br />
former Kingdom <strong>of</strong> Dahomey, a country known now as Benin. (The Fon term vodu<br />
meant spirit, or deity. Vodun means God or Great Spirit. 366 )<br />
The defining experience <strong>of</strong> Vodou- possession- is <strong>the</strong> source for <strong>the</strong> idea in <strong>the</strong> blues (and<br />
<br />
beyond <strong>the</strong> body and <strong>the</strong> mind, and be so possessed by this connection that it animates<br />
<br />
The practice <strong>of</strong> Vodun among African slaves was forcibly and successfully repressed in<br />
<strong>the</strong> American colonies, yet its essence survived in <strong>the</strong> spiritual and aes<strong>the</strong>tic values <strong>of</strong> its<br />
people, and fueled <strong>the</strong> creation <strong>of</strong> <strong>the</strong> blues. 367<br />
176