Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
Language of the Blues - Edmonton Blues Society
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`<br />
drew toge<strong>the</strong>r <strong>the</strong> descendants <strong>of</strong> once-disparate tribal people who had suffered sickening<br />
humiliations in a foreign land.<br />
This new African-American community invigorated American music with not only<br />
<br />
its unique aes<strong>the</strong>tics for musical<br />
improvisation. While describing Ewe master drumming in Studies in African Music,<br />
<br />
repeated several times is simply not African music. The full flower <strong>of</strong> <strong>the</strong> music is in <strong>the</strong><br />
variations, <strong>of</strong> which <strong>the</strong> standard pattern is <strong>the</strong> nucleus. The musical technique is this: <strong>the</strong><br />
master announces a standard pattern and repeats it several times to establish it. Now each<br />
standard pattern consists <strong>of</strong> several phrases or sentences. Any <strong>of</strong> <strong>the</strong>se can serve as a<br />
67<br />
Jones might as well be giving <strong>the</strong> aes<strong>the</strong>tic code for a blues jam<br />
or American jazz.<br />
Ano<strong>the</strong>r African aes<strong>the</strong>tic that survived slavery and became fundamental to blues<br />
improvisation is <strong>the</strong> definition <strong>of</strong> mastery <strong>of</strong> an instrument as <strong>the</strong> ability to choose <strong>the</strong><br />
perfect note to evoke an emotion, as opposed to dazzling technical displays. As Chern<strong>of</strong>f<br />
<br />
prove <strong>the</strong> strength <strong>of</strong> <strong>the</strong> drummer more than <strong>the</strong> execution <strong>of</strong> a technically difficult<br />
<br />
68 This is a guiding principle for blues musicians and is what distinguishes<br />
mature masters from show<strong>of</strong>f-y youngsters.<br />
<br />
<br />
eed directly through<br />
many styles in order to display his skill and make <strong>the</strong> music interesting with accentuation.<br />
Instead, those drummers considered to be <strong>the</strong> best do just <strong>the</strong> opposite. They take <strong>the</strong>ir<br />
<br />
nce will be <strong>the</strong> timing <strong>of</strong> <strong>the</strong><br />
69<br />
<br />
<br />
<br />
choose <strong>the</strong> right note.<br />
<br />
<br />
<br />
<br />
70<br />
listener to feel what <br />
Somehow, as Africans became African Americans, <strong>the</strong>y maintained <strong>the</strong>ir aes<strong>the</strong>tic codes<br />
-- even as <strong>the</strong>ir languages and songs were stomped out. Their great achievement was that<br />
<strong>the</strong>y transferred <strong>the</strong>se values to a new world and created a new music that today<br />
transcends racial and cultural boundaries, such that American blues artists can fly to<br />
Japan or Poland and be met by hordes <strong>of</strong> screaming fans who may not speak <strong>the</strong>ir<br />
language, but understand <strong>the</strong>ir music.<br />
As guitarist Robben Ford likes to <br />
71 An astonishing<br />
amount <strong>of</strong> music has been bir<strong>the</strong>d under its ro<strong>of</strong>, all <strong>of</strong> it based on what is proving to be<br />
one <strong>of</strong> <strong>the</strong> strongest, most flexible, and inspiring musical frameworks ever created.<br />
41