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Language of the Blues - Edmonton Blues Society

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`<br />

<br />

-present<br />

white dinner jackets and black bow ties. Before <strong>the</strong> boss took <strong>the</strong> stage, <strong>the</strong> band cranked out<br />

some blistering jazz that gave each <strong>of</strong> <strong>the</strong> three hot horn players a chance to pin back our ears.<br />

Only a giant like B.B. King could step in front <strong>of</strong> such sophisticated musicians and rivet all<br />

attention on himself with a single vibrating note. He strode onstage, resplendent in a pearly tux,<br />

<br />

<br />

unmistakably his that ear-to-ear grins broke out across <strong>the</strong> <strong>the</strong>ater. People were too happy to<br />

<br />

audience w<br />

-stepped it, <strong>the</strong> stocky trumpet player<br />

snapping his neat shaved skull back and forth in time.<br />

<br />

people would talk about t<br />

<br />

<br />

<br />

ere dotted<br />

with dancing women and entire rows <strong>of</strong> arms were swaying in <strong>the</strong> electric air <strong>of</strong> <strong>the</strong> Apollo.<br />

<br />

squat and pumped his hips faster than a pile driver. Under <strong>the</strong> fancy ceiling <strong>of</strong> <strong>the</strong> Apollo Theatre,<br />

<strong>the</strong> heart <strong>of</strong> Africa beat through <strong>the</strong> blues.<br />

xv

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