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Language of the Blues - Edmonton Blues Society

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`<br />

Song:<br />

- Charlie Patton<br />

SE C O ND L IN E<br />

<br />

because it has a bass drum accent on <strong>the</strong> four. It originated in New Orleans, where <strong>the</strong><br />

second line refers to <strong>the</strong> people dancing behind <strong>the</strong> band after a New Orleans funeral.<br />

<br />

<br />

- that is <strong>the</strong> second line. When <strong>the</strong>y put <strong>the</strong> body<br />

down and <strong>the</strong> band strikes up a lively tune to bring <strong>the</strong> people home, <strong>the</strong> dance <strong>the</strong> people<br />

are doing behind <strong>the</strong> band- that is also <strong>the</strong> second line. The people that follows <strong>the</strong><br />

funeral is <strong>the</strong> second line. It grew to mean <strong>the</strong> people that follows <strong>the</strong> parade, <strong>the</strong> band<br />

326<br />

that follows <strong>the</strong> float. But when we put people down, we have a good time <br />

In Banjul, <strong>the</strong> capital <strong>of</strong> Gambia, musicologist Sam Charters witnessed a similar<br />

procession, beginning with boys and young men who were singing and dancing, and<br />

beating on boxes, tin cans, sticks, and tambourines. In <strong>the</strong> center <strong>of</strong> each group <strong>of</strong> dancers<br />

and drummers was a costumed spirit dancer. Charters compared <strong>the</strong> scene to Mardi Gras<br />

<br />

Boys and young men, singing and dancing <strong>the</strong> old New Orleans street dance ste<br />

<br />

<br />

<br />

me people<br />

who, as slaves, had made <strong>the</strong> journey on to <strong>the</strong> United States and passed on <strong>the</strong> memory<br />

327<br />

<br />

<br />

was a string <strong>of</strong> drummers that came out from New Orleans, starting with Paul Baldwin,<br />

who played Dixieland with a fonky second-line beat. His nephew, Earl Palmer- maybe<br />

<br />

- started putting it<br />

in records. When Earl started put<br />

<br />

<br />

Second line drumming is a polyrhythmic shuffle, as opposed to <strong>the</strong> two-four backbeat<br />

<br />

<br />

skirts for LaBelle and <strong>the</strong> shuffle o Night People <br />

drummer] to think polyrhythms in a marching cadence with more <strong>of</strong> a shuffle, with a<br />

press roll. 328<br />

151

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