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Language of the Blues - Edmonton Blues Society

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`<br />

nicked words and phrases from <strong>the</strong> numbers runners, hookers, drag queens, thieves, junkies,<br />

pimps, moonshiners, hoodoo doctors, dealers, rounders, and con artists who made up <strong>the</strong><br />

street set.<br />

Today, <strong>the</strong> language <strong>of</strong> <strong>the</strong> blues is beloved worldwide. As Texas blues guitarist Jimmie Vaughan<br />

<br />

amazing. You can talk about <strong>the</strong> influence <strong>of</strong> black blues and gospel on American music, but it's<br />

17<br />

<br />

When I was growing up in <strong>the</strong> Midwest, however, rock was king and <strong>the</strong> blues were considered a<br />

quaint and--in <strong>the</strong> African American community somewhat embarrassing relic. As B.B. King<br />

related in his moving autobiography, <strong>Blues</strong> All Around Me<br />

<br />

<br />

blues song,<br />

18<br />

<br />

<br />

<br />

shimmied through<br />

<br />

beautiful fierce lady, shining with sweat, and Son Seals--her tough, economical guitarist-grabbed<br />

me by <strong>the</strong> gut.<br />

A few weeks later, I drove with my new boyfriend, a hyperactive blues fanatic who was a ringer<br />

for a freckled teenage Paul McCartney, to a cornfield about an hour south <strong>of</strong> Milwaukee. B.B.<br />

King was standing on a plywood stage with his guitar, Lucille, resting on his belly and his arms at<br />

his sides. It was a muggy summer afternoon and <strong>the</strong> Wisconsin state bird--<strong>the</strong> mosquito--was out<br />

in full force.<br />

Nei<strong>the</strong>r heat nor bugs had prevented King and his band from mounting <strong>the</strong> makeshift steps to <strong>the</strong><br />

stage wearing crisp white dinner jackets with snappy black bow ties, black knife-crease trousers,<br />

and patent lea<strong>the</strong>r shoes polished to a blinding shine. The generator, on <strong>the</strong> o<strong>the</strong>r hand, which had<br />

<br />

mournful blues, was struggling with <strong>the</strong> task <strong>of</strong> powering King and crew. It cut out intermittently,<br />

<strong>of</strong>ten stranding King mid solo.<br />

<br />

have made a Yoruba elder proud. He smiled and shrugged his shoulders, gesturing at Lucille as if<br />

<br />

Once <strong>the</strong> power kicked back on for good, <strong>the</strong>re was no stopping B.B. King. There were maybe<br />

sixty people kicking up <strong>the</strong> dusty dirt in front <strong>of</strong> <strong>the</strong> stage--all black except for my boyfriend and<br />

me. Two fierce hours later, we looked up from our earnest dancing to find ourselves surrounded<br />

by a circle <strong>of</strong> people clapping and laughing and egging us on as <strong>the</strong> sun slowly dropped in<br />

<strong>the</strong> sky.<br />

I thought about that magical evening when I went to <strong>the</strong> Apollo Theatre in Harlem almost twenty<br />

years later to see King for <strong>the</strong> second time in my life. A line <strong>of</strong> middle-aged African Americans,<br />

Japanese tourists, bearded young hipsters, and graying hippies stretched for two blocks down<br />

125th Street, prompting some B-<br />

<br />

xiv

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