24.03.2013 Views

Language of the Blues - Edmonton Blues Society

Language of the Blues - Edmonton Blues Society

Language of the Blues - Edmonton Blues Society

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

`<br />

<br />

127<br />

enu è tútù<br />

This form<br />

<strong>of</strong> coolness silence- became a tool slaves and <strong>the</strong>ir descendants used both to avoid<br />

trouble with whites and to resist <strong>the</strong>ir domination subtly (see signifying).<br />

The principle <strong>of</strong> coolness extends to African music making, and from African music into<br />

<strong>the</strong> blues. When ethnomusicologist John Miller Chern<strong>of</strong>f was studying drumming in<br />

<br />

128<br />

<br />

They<br />

129<br />

<br />

Yoliyoli<br />

They<br />

have not learned yet to use silence; <strong>the</strong>refore <strong>the</strong>ir playing had no meaning, no power to<br />

move <strong>the</strong> soul. The teacher went on to say that sometimes, if a student overplays to an<br />

<br />

130<br />

Many flashy young blues musicians have experienced similar admonishments<br />

from elder bandleaders.<br />

In <strong>the</strong> blues, older artists teach <strong>the</strong> younger generation what cool means by example.<br />

<br />

to maintain a soulful quality despite his speed and dexterity to his youthful apprenticeship<br />

with blues singer Jimmy Wi<strong>the</strong>rspoon.<br />

Robben Ford, San F rancisco <strong>Blues</strong> Festival, 2001<br />

Photo by M ike Shea<br />

69

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!