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Language of the Blues - Edmonton Blues Society

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119<br />

<strong>the</strong> force that character <br />

Ultimately,<br />

such character becomes <strong>the</strong> mystic coolness <strong>of</strong> Yemoja, and <strong>of</strong> <strong>the</strong> Buddha, Jesus, and all<br />

<strong>the</strong> saints and sages who have bridged <strong>the</strong> gap between <strong>the</strong>ir own personalities and <strong>the</strong>ir<br />

120<br />

potential for ashe <br />

<br />

correctness that a fine carnelian bead or a passage <strong>of</strong> exciting drumming may be praised<br />

121<br />

The Yoruba are <strong>the</strong> largest ethnic group in Nigeria, and number close to 100 million<br />

people throughout West Africa. In traditional Yoruba morality, generosity results from<br />

coolness and is <strong>the</strong> highest quality a person can exhibit. The act <strong>of</strong> giving embodies<br />

<br />

<strong>of</strong> propitiation.<br />

This reverence for generosity is also obvious in <strong>the</strong> culture <strong>of</strong> <strong>the</strong> Bakongo people, who<br />

live along <strong>the</strong> Atlantic coast <strong>of</strong> Africa, from Brazzaville, Congo to Luanda, Angolao. The<br />

Bakongo proverb kiyaala-mooko kufwa ko <br />

122<br />

<br />

William Ferris, <strong>the</strong> former Director <strong>of</strong> <strong>the</strong> Center for <strong>the</strong> Study <strong>of</strong> Sou<strong>the</strong>rn Culture at <strong>the</strong><br />

University <strong>of</strong> Mississippi, experienced a similar commitment to generosity among<br />

African Americans living on <strong>the</strong> Mississippi Delta during his travels <strong>the</strong>re in <strong>the</strong> late<br />

<br />

right in. If I eat a piece <strong>of</strong> bread, you eat too. 123 <br />

extended <strong>the</strong>ir hospitality by <strong>of</strong>fering to feed and house me as long as I was in<br />

124<br />

<br />

<br />

astonishing that this ethic survived to be extended to a white scholar wandering around<br />

<strong>the</strong> Delta looking for blues musicians to record and interview. Jimmie Vaughan<br />

<br />

Empire Ballroom in Dalla<br />

door and kinda look after me. I knew I was a white guy and <strong>the</strong>y were black people but I<br />

125<br />

<br />

That <strong>the</strong> blues spread beyond <strong>the</strong><br />

African American community to become a worldwide phenomenon is likely due, in part,<br />

to this commitment to being cool.<br />

The slaves, and <strong>the</strong>n <strong>the</strong>ir freed descendants, faced grinding poverty, and <strong>the</strong> daily<br />

threats, humiliations, and viciousness <strong>of</strong> life as a denigrated minority. In <strong>the</strong> ghetto,<br />

coolness took on an edge. As LeRoi Jones (Amiri Baraka) said in 1963: <br />

<br />

environment. It defined an attitude that actually existed. To be cool was, in its most<br />

accessible meaning, to be calm, even unimpressed, by what horror <strong>the</strong> world might<br />

126<br />

<br />

68

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