Language of the Blues - Edmonton Blues Society

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` cock. It 104 Muddy Waters, a.k.a. McKinley Morganfield, was born in Rolling Fork, Mississippi, in 1915. Cock was slang for female genitalia among Southern country African American speakers during the early-to- a cock. This here is a cock- Beneath the Underdog: His World As Composed by Mingus. 105 According to Lexicon of Black English 106 .a. Bessie Jackson) bragged: Show these women how to cock it on the wall As David Evans explained in Blues Revue the wall] was described to me by a now elderly country bluesman as one of the pleasures 107 still more common among African American speakers today another term that switches genders in the blues. It is used most often as slang for the to the clitoris. Bloomfield, who was born in Chicago in 1943, was a passionate blues fan by the time he was in his teens. He soon found his way to the South Side, where he could soak up sets Bloomfield made a living playing weddings and parties in Top 40 rock bands, but on his free nights he, Paul Butterfield, Nick Bloomfield was one of the first white artists to gain entry into the Chicago blues scene. Michael under his wing because he could see Michael's interest in the blues was indeed 108 Bob Margolin is another white guitarist who showed enough promise and dedication to impress Muddy Waters, and earned a chance to learn from him. Margolin, who played guitar in the Muddy Waters band from 1973 to 1980, confirmed that Waters continued to north in Chicago for several decades. 109 60
` M uddy Waters performing at the Cellar Door in Washington, D C, with Jerry Portnoy on harmonica, 1976 photo © Joseph A. Rosen Of course, Muddy talked like that only in private, among friends and band-mates, appropriate. He understood his accomplishments and was proud of them and conducted himself in public gracefully but with reserve. In situations where he was with family or close friends, or having a particularly good time on the bandstand, though, he displayed a 110 loose - the- rgolin struggled to master the subtleties of the music, and eventually 111 Song: - Louise Johnson 61
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` Ebook published February 1, 2012
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` Winner of the 2007 ASC AP Deems T
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` Foreword John Lee Hooker, and
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` To Son Seals, for inspiration vii
Page 10 and 11: ` Savannah Syncopators African Rhy
Page 12 and 13: ` English by Joseph Holloway and Wi
Page 14 and 15: ` nicked words and phrases from the
Page 16 and 17: ` List of Entries Please note that
Page 18 and 19: ` A L C O RUB A The drink of last r
Page 20 and 21: ` Tommy Johnson in his only known p
Page 22 and 23: ` Bad Axe (Alligator Records) befo
Page 24 and 25: ` some people do think that, but if
Page 26 and 27: ` Blues musicians also used bailing
Page 28 and 29: ` Songs: - Bessie Smith/H.Webman
Page 30 and 31: ` Songs: - Lovie Austin, performed
Page 32 and 33: ` Grab hold of a black cat, she tol
Page 34 and 35: ` Armstrong did for the trumpet. Wi
Page 36 and 37: ` exier the drunker the dancers b
Page 38 and 39: ` The singing and drumming of the n
Page 40 and 41: ` griots, who keep tribal historie
Page 42 and 43: ` Songs: - Big Bill Broonzy (Willi
Page 44 and 45: ` Williams explained. 77 deer hun
Page 46 and 47: ` The modern guitar is a direct des
Page 48 and 49: ` No matter what odd device the pla
Page 50 and 51: ` Bessie Smith beaming in a publici
Page 52 and 53: ` dates back even further, to the C
Page 54 and 55: ` The wardens at country prison far
Page 56 and 57: ` C H I C K The Wolof word jigen de
Page 58 and 59: ` The word chitterling comes from O
Page 62 and 63: ` Bob M argolin and M uddy Waters,
Page 64 and 65: ` Songs: - Bukka White (Booker
Page 66 and 67: ` C O NJUR E To conjure is to cast
Page 68 and 69: ` 119 the force that character Ult
Page 70 and 71: ` always had this sly smile going
Page 72 and 73: ` C R OSS N O T E Tuning the guitar
Page 74 and 75: ` Johnson was believed by some to h
Page 76 and 77: ` 144 Robert Lockwood became know
Page 78 and 79: ` Songs: - Will Day - Robert John
Page 80 and 81: ` Charlie Patton began recording fo
Page 82 and 83: ` good came out of leaving the pla
Page 84 and 85: ` In blues songs, a person who has
Page 86 and 87: ` Memphis M innie flashes her gold
Page 88 and 89: ` touch the dust and the dust begin
Page 90 and 91: ` which he declared: Songs: Big
Page 92 and 93: ` toenail clippings, or skin from
Page 94 and 95: ` around- brothers were called Wid
Page 96 and 97: ` she went out one morning and foun
Page 98 and 99: ` men feared losing their women to
Page 100 and 101: ` When the Europeans came, when the
Page 102 and 103: ` Songs: Gris- - Dr. John (Mac Rebe
Page 104 and 105: ` H E L L H O UND (see also B L A C
Page 106 and 107: ` H O B O C O C K T A I L When you
Page 108 and 109: ` New Orleans boogie- Songs: -
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` for Jewish. He noted that there a
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` Songs: - Leadbelly (Huddie Ledbe
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` Songs: I drink so much of Jake,
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` Bluebird Records in 1941], I star
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` he flame of a black candle, or p
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` African American charms made with
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` In From Juba to Jive: A Dictionar
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` He said he had friends still in A
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` les my den Although harmless to
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` acres of rich farmland that would
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` , Elmore performances in Chicag
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` Ace set the template that Elvis
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` Three factors determine what a mo
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` produced today in Appalachia, mos
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` The connection between prostitute
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` own. The first state lottery was
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` Meanwhile, thousands of hoe-boys
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` back in the early 1900s, Simmons
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` unregulated entertainment, such a
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` 320 Texas stuff and some Chicago
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` Songs: - Bukka White (Booker T.
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` to play on metal or a box with t
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` Shankings, or stabbings, were fai
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` Some plantation owners were fair,
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` SH I M M Y The shimmy is a dance
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` SH U F F L E The famous blues shu
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` 350 The African American tales
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` to many songs that Dixon wrote ex
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` Songs: Mmm, where my Third Street
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` the far more popular blues artist
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` Songs: - Peetie Wheatstraw - Ha
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` Blues players sometimes also call
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` Songs in Vestapol: Many fine exam
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` True vibrato requires significant
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` On August 22, 1791, Haitian slave
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` W H O OPI E, W H O OPIN G phemis
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` Songs: - Blind Boy Fuller (Fulto
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` Zombie horror imagery figured pro
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` 39 The Life and Selected Writings
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` 131 132 Chernoff, p. 143. 133 A
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` 225 -jungle.html. 226 The Dictio
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` 315 Louisiana Folklore Miscellan
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` Selected Bibliography Charters, S
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Language of the Blues - Edmonton Blues Society

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